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I'm right on Michael. There is always a special respect for Mann's films, because his films are always full of a restrained humanistic spirit, never sensational or pretentious, but his plot will never insult your intelligence. When two of the greatest actors meet, if other directors would definitely take this opportunity to make a big splash, and Michael.
Mann tells the story with a rare calmness, which makes the film even more intriguing. <
Aside from the few shootouts in it (although the bank shootout has become a classic in film history), this ** is completely a film about the life of the police and bandits, and it is so delicate and so real, it is like happening around us, every time I watch it, I will have different feelings, I can't say that I can fully understand this **, I can only write everything I feel out of context. This ** is different from the works of these two actors I have seen before, and there is a strong sad atmosphere in front of my eyes, and the tone of the movie has been set from the cold train station at night from the beginning, Michael. Mann uses a large expanse of dark blue hues to imbue this atmosphere (like the city outside the window now), which makes people deeply immersed in it.
Remember the shot in the film where Neil returns from the café to his residence? In the middle of the night, there is no light in the room, the camera is pointed at the gun on the table, slowly pulled up, it is the back of Neil standing in front of the floor-to-ceiling window, outside the window is the unfathomable blue sea, the waves are swaying, like a lost memory, what we see is a deep sentimentality. Where does this sadness come from?
Originates from the loneliness of life, the sorrow of wandering, and a sigh of fate.
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The complex mystery of human nature is the inner outline of the fate of the battle between the police and bandits in "The Line of Fire", the movie's characterization of the positive and negative factions, one is a policeman whose family life is in crisis, but has an obsession with justice, and the other is a professional bandit who is calm and happy to take revenge, and a lonely and sad emotional rendering, although the slightly slow pace of the movie, penetrates into the hearts of the people in detail, and the confrontation between the two is life-and-death. The acting skills of De Niro's two actor-level characters were vividly burst out in the movie, creating this textbook-level police masterpiece that has a profound impact on the development of the same type of film. - Dream poems.
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The play is interspersed with treasure hunting, treasure grabbing, and treasure protection, making the Anti-Japanese War drama more exciting. The plot has ups and downs, the relationships between the characters are intricate, and the infernal affairs inside and outside the battlefield make the show more attractive to the audience. (Tencent Review).
The play is interspersed with exciting showdowns such as reconnaissance and counter-reconnaissance, latent and anti-lurking. The elusive mysterious radio station, the underground mausoleum that buries countless secrets, the list of important and disadvantageous spies, and many mysterious code names all make the whole play suspenseful and really attract the attention of the renters. (Phoenix Net Review).
Not only did the main actors in the play win the audience's affirmation in their performances, but the superb performances of many supporting actors made everyone applaud, and it can be said that the play is a rare masterpiece that can make the actors shine across the board. (Nanhai Net Review).
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Later, in a duel with Neil, he survived, and the last shot was of him standing alone on the lawn outside the airport, with tears in his eyes and the endless darkness behind him. I think at that moment he should have felt very lost (the dignity of the enemy won his respect, and the death of the opponent made him feel indescribably empty), very sad (he sacrificed almost his entire life for work, but he was still defeated by his opponent everywhere, and the last success seemed to be a bias of fate) and very confused (the suicide of his daughter made him and his wife stand together temporarily, but what about later?). What to do in the future?
Neil. Macaulay, a professional robber, is very skilled (as you can see from the beginning of the robbery of the cash truck). But in life, he is gentle and elegant, very personable (having a party to resolve Chris and Salene's family conflict), affectionate and righteous to his friends (he also rescued the injured Chris in the midst of the police surrounding), and emotionally dedicated (first hit ** to find Edie), and looks like he is already a perfect person.
In fact, he is also very unsatisfactory, he has lacked the warmth of his family since he was a child, and he has been in prison many times when he grows up, which must have left him a psychological shadow (think about what he said before he died, "I would rather die than go back to prison"), and this helpless shadow also made him live surrounded by anxiety and loneliness (think about the dream of drowning he said). Coupled with the fact that he was a bandit, he was originally cautious and wandering, with no home, no relatives, and no sense of belonging, so it is no wonder that he suddenly seemed lonely at a party with his companions and their families. So his only dream was to retire to New Zealand with his beloved after making the last deal, but unfortunately the operation failed, the gang broke up, he returned home, Edie had already discovered his identity, he desperately hugged Edie on the hillside and coaxed her softly, because he knew that without her, his life would really be nothing.
In the end, Edie stays and they can drive away right away, with a good ending. But Neil is the kind of person who still takes the morality of the rivers and lakes very seriously, so he turned around and stopped him and went to kill the beast Wayne Gro, even though he was under ** strict protection. In the end, he paid the price for the sake of "morality", and after looking at his beloved woman sadly for the last time, he embarked on a road of no return.
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Al Pacino's "The Line of Fire", this film is a very typical thief type of movie, and the superheroes highlighted in the movie are incompatible with his film's name. And it is because of such an unrealistic and perfect mix and match that it gives all fans a refreshing visual impact. But this film is good, what about **?
Hannah is a detective at the Los Angeles Police Department, and due to the peculiarities of his job, his third marriage is also facing the status quo of being dissolved. And his non-relenting style of fighting crime in his work has also caused him a lot of crises. This is a complex of contradictions and entanglements.
Let's talk about Macaulay, he is a robber who once robbed a bank counter, and he is very clever and ruthless.
So if you watch the whole film, will you have a different feeling? There are also a lot of classic lines that will be fresh in your memory.
Once upon a time someone said to me, don't ask for any appendages, there shouldn't be anything in your life that you can't throw away in thirty seconds. Michael Mann, "The Line of Fire."
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