What is the difference between pastel porcelain and new color porcelain in the new color porcelain i

Updated on collection 2024-04-28
5 answers
  1. Anonymous users2024-02-08

    Therefore, the new pastel who's who is not accurately recorded at present, in recent years, there are no less than 100 newcomers in pastel porcelain, and hundreds of people in the country are there in our country in the past 30 years, and the pastel porcelain celebrities have sprung up in an endless stream, taking Jingdezhen as an example.

  2. Anonymous users2024-02-07

    On the basis of the five-color porcelain technology of the Ming and Qing dynasties, and under the influence of the enamel production process, the porcelain craftsmen created pastel porcelain in the Kangxi period, which is a new variety of glaze color with a unique style. Since the Kangxi period of the Qing Dynasty, pastel porcelain has gradually become the mainstream of the decoration method of colored porcelain products in China.

  3. Anonymous users2024-02-06

    Colored porcelain should be porcelain with color decoration. Due to the long history of Chinese colored porcelain, in each different historical stage, the majority of potters continue to innovate in production technology, so there are many varieties of colored porcelain. Especially in the Ming and Qing dynasties, there were dozens or hundreds of varieties of colored porcelain in Jingdezhen.

    From the point of view of traditional names, some are named from the process method, some are named from the color materials used, and some are named from the color of the table decoration.

  4. Anonymous users2024-02-05

    Ming Dynasty colored porcelain uses oxides containing iron, copper and diamonds as color materials, applies various patterns on the white porcelain body, and then fires them at low temperatures, which is the inheritance and innovation of the colored porcelain varieties in the Jin and Yuan dynasties. Some exquisite colored porcelain unearthed from the ruins of the Ming Dynasty kiln reflect the development and improvement of the level of painted decoration in various periods of the Ming Dynasty. For example, Yongle white glaze green color Ganoderma lucidum bamboo leaf pattern holder, for the early Yongle relics, the earliest green color porcelain".

    Yongle green color sauce dragon pattern bowl The inner wall of the bowl and the pavilion foot are white meal, and the outer wall is painted with sauce color double dragon play beads and deformed lotus petal pattern, after high temperature firing, the outer wall is filled with lead green glaze in the exposed white place and then fired at low temperature, the process is complex and has not been seen in the early stage. Yongle gold color pattern mouth bowl, the outer wall is decorated with gold, the technique is novel and unique, and there is no similar heirloom product". Xuande Huangdi blue and white porcelain varieties and Huangdi green color porcelain varieties are all newly created in the Xuande period.

    Among them, the yellow ground and green dragon pattern plate, the plain tire is filled with color and hanging glaze, and the second firing is no paragraph, and the white glaze at the bottom is thicker, which should be an early relic of Xuande. The yellow ground green dragon bowl unearthed in the Chenghua stratum is similar in shape and size to the white ground carved green color dragon pattern bowl unearthed in Wangfujing, Beijing. During the Chenghua period, the yellow ground and green color artifacts were extremely rare, and the green color with dragon pattern decoration artifacts was even rarer The discovery of this vessel filled the gap in the color porcelain varieties in the Chenghua period.

    Zhengde green blue and white dragon pattern bowl, in addition to the blue and white cloud dragon pattern and the mouth edge of the flower blank, are filled with low-temperature green color and the mouth edge, foot wall and bottom Ganoderma lucidum cloud with low-temperature yellow color decoration The bottom of the blue and white double-picture four-character model The decoration is novel and ingenious, showing a set of techniques that integrate a variety of crafts and open a new generation of new style.

    The Ming Dynasty lasted for more than two centuries, the national strength was strong, and the overseas porcelain art has also made great progress. It presents a prosperous situation of many varieties of porcelain, many shapes and high artistic level. The success of the Ming Dynasty Imperial Ware Factory occupies an extremely significant position in the history of the development of ancient Chinese ceramics, and also lays a solid foundation for the progress of porcelain making technology in the Kangxi, Yongzheng and Qianlong dynasties of the Qing Dynasty.

    Some of the royal porcelain unearthed from the site of Jingdezhen Ming Dynasty Pottery Factory has a clear excavation location, and the stratigraphic age is clear It is not only the standard ware of the Ming Dynasty, but also provides detailed physical information for the development of the Ming Dynasty Pottery Factory and the study of porcelain-making technology. Although these unearthed unsuccessful imperial porcelain can not fully represent the porcelain level of the Ming Dynasty Imperial Ware Factory, in terms of its main achievements and artistic value, it can also be seen here.

  5. Anonymous users2024-02-04

    The production and development of ancient Chinese porcelain has gone through a process of nearly 2,000 years from primitive porcelain to mature celadon, from celadon to white porcelain in the Northern Dynasties, and then from white porcelain to colored porcelain. Among them, the transformation from celadon to white porcelain was completed in the Tang and Song dynasties; The transformation from white porcelain to colored porcelain was realized in the Ming and Qing dynasties. The development and prevalence of colored porcelain in the Ming and Qing dynasties brought ancient Chinese ceramics into a heyday.

    What is the five-color porcelain, according to "Tao Ya", it says: "Kangxi hard color, Yongzheng soft color." According to the explanation in "Drinking Liuzhai Saying Porcelain":

    The color of the hard color is very strong, and the glaze is on it, slightly convex. The soft color is also known as pastel, the color is slightly lighter, and there is a powder evenly. "The real five-color porcelain of the Kangxi period is quite precious, magnificent and colorful, with a wide variety.

    Painted porcelain has a long history in the development of Chinese ceramics. The emergence of multicolored porcelain is gradually formed on the basis of inheriting and developing traditional painted porcelain. During the Northern Song Dynasty, the famous porcelain kiln Cizhou kiln in the north fired black color on white background, white glaze red and green color, white glaze green color and other varieties, which is undoubtedly the precursor of Ming and Qing Dynasty colorful porcelain.

    The determination of the five-color porcelain of the Jin Dynasty is the result of the research of the academic community on the glaze five-color porcelain of the Jin Dynasty in the archaeological excavations in the past ten years and the discovery of overseas porcelain one after another. In particular, the glaze red color of the Ding kiln of the Jin Dynasty and the glaze color of the Cizhou kiln system can be concluded to be the original stage of the glaze color, which played an enlightening role in the emergence of Jingdezhen five-color porcelain in the later period.

    Jingdezhen in the Yuan Dynasty gradually developed into the center of porcelain production in China, and the porcelain of the "Shufu kiln" laid the foundation for the production of colorful porcelain. Qing Zhuyan's "Tao Shuo" recorded: "Those who newly burn Dazu vegetarian are long-running."

    There are cyan and five-colored, flowers and vulgar. This comment argues that as a new variety, the five-color ware is not as good as the Zhufu porcelain, egg white porcelain and blue and white porcelain of the Yuan Dynasty, which are mainly white, reflecting the aesthetic customs of Shangbai in the Yuan Dynasty. This is a powerful footnote for future generations to understand the fact that there was colorful porcelain in the Yuan Dynasty.

    Mr. Tong Shuye once said: "From the perspective of the entire history of porcelain development, the Yuan Dynasty is a period of decline, although the old porcelain is declining, and the new porcelain is already brewing, we can not underestimate the innovative factors in the porcelain of the Yuan Dynasty." "Found with the" Bolingdi "style of the Yuan Dynasty colorful porcelain, the shape is generally larger, the color is more distinct, the painting is perfect, each piece can be called a masterpiece.

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