The theme of the work Midnight ?The theme of Midnight ?

Midnight is Mao Dun.

A landmark masterpiece of realism. Works to:"Midnight"As the name, it symbolizes the darkest social reality before the dawn of China. Through its panoramic and large-scale artistic depiction of China's various intricate social life and social contradictions in the early 30s of the 20th century, especially the vivid description of the situation and future of the Chinese national bourgeoisie, it artistically, accurately and profoundly revealed the social nature of China at that time

i.e. China cannot be in imperialism.

Under the aggression, capitalism developed independently.

The road can only be more and more colonized. In the warlord melee, the rural economy was seriously damaged;Under the political situation of great social upheaval, crisis, and great transformation caused an unprecedented crisis in Chinese national industry and commerce, the Chinese national bourgeoisie could only end up with the historical fate of comprador or bankruptcy in the struggle against the comprador bourgeoisie supported by imperialism and domestic reactionaries.

This is the first successful feature of realism in China**.

It is centered in Shanghai and reflects the whole picture of Chinese society;It is written about the events of the two months of 193 (May to July), and these events conceal the past and future of Chinese society. The complex and historically significant phenomena of life are expressed through a rigorous and grand artistic structure.

The main content of Mao Dun's "Midnight" is:

** It has created many characters headed by Wu Sunpu and Zhao Botao, reflecting the struggle between the Chinese national bourgeoisie and the comprador bourgeoisie and its historical fate, revealing the broad life picture of China's semi-colonial and semi-feudal society, and showing the social tragedy of national industrial capital. The work has many characters and rich plots.

Background of creation

The intention of writing Midnight is related to the polemic of the nature of Chinese society at that time. At that time, there were roughly three arguments: First, it was believed that Chinese society was still semi-feudal and semi-colonial, that the workers and peasants were the main force of the revolution, and that the leadership of the revolution must be in the hands of the Communist Party;Second, they believe that China has embarked on the capitalist road and that the anti-imperialist and anti-feudal tasks should be undertaken by the Chinese bourgeoisie.

Third, it is believed that China's national bourgeoisie can survive and develop in the gap between opposing the national and democratic revolutionary movement led by the Communist Party and opposing the bureaucratic comprador bourgeoisie, so as to establish a bourgeois regime of the European and American style. Under such historical conditions, there is no doubt that there is an urgent need for an epoch-making work that correctly analyzes China's current situation and the way out in the field of literature, which is still a kind of enlightenment.

As far as the author Bi Yuanshu himself is concerned, Mao Dun has always adhered to the creative proposition of "literature expresses life", and the creation of this theme is also in line with this. Based on such factors such as social reality, political needs, and the author's position, the theme of "Midnight" is the ultimate failure of the "corporate kingdom" of the national bourgeoisie represented by Wu Sunfu, which tells us that China has not embarked on the road of capitalism.

The Chinese national bourgeoisie will not be able to lead the road of the Chinese revolution, and the ultimate way out for China will be achieved through the revolution of the masses of workers and peasants led by the proletariat.

"Midnight" is Mao Dun's masterpiece. Mao Dun began writing in October 1931 and completed the manuscript on December 5, 1932, with a total of 19 chapters. Some chapters have been published in ** Monthly and Literary Monthly, respectively.

For more than half a century, Midnight has not only had a wide readership in China, but has also been translated into more than a dozen languages including English, German, Russian, and Japanese, and has had a wide international impact.

The characters of "Midnight":

Midnight also depicts the details of the characters' lives in a realistic way, and often contains profound thoughts in the details of ordinary life. The characteristics of these details are both tangible and symbolic. The author repeatedly describes the details of the "Taishang Induction Chapter" of Old Lady Wu's devotion to the so-called persuasion of good and punishment of evil, and this detail is true.

However, it symbolizes his decrepit and stubborn ideological character of the landlord class; Another example is that Staff Officer Lei presented Lin Peiyao with the book "The Troubles of Young Werther" and a withered white rose, which is a fact, but it also symbolizes their secret love and ending.

The above content reference: Encyclopedia - Midnight.

"Midnight" isMao Dunworks.

Mao Dun, formerly known as Shen Dehong.

The pen and lead are named Mao Dun and Lang Loss.

Xuanzhu, Fangbi, Zhijing, Pulao, Weiming, Shen Zhongfang, Shen Mingfu and other bureaus, the word Yanbing, Jiaxing City, Zhejiang Province.

Appreciation of "Midnight".

Midnight not only takes into account the panoramic display of the social space, but also pays more attention to the panoramic surface simulation of the social structure. He shaped each one as a "specimen" of the class to which he belonged.

Write about the characteristics of their social roles, such as Wu Sunfu, Zhao Botao and other different types of capitalists, like Mrs. Wu, Zeng Canghai, and other landlords with different characteristics. Intellectuals of different modes, such as Li Yuting and Fan Bowen, are not only "single people", but also social roles with special significance. Their personal fate is, in fact, a reflection of the basic condition of a social group.

Midnight is Mao Dun's landmark realist masterpiece. Works to:"Midnight"As the name, it symbolizes the darkest social reality before the dawn of China. Through a panoramic and large-scale artistic depiction of China's intricate social life and social contradictions in the early 30s of the twentieth century, especially the vivid description of the situation and future of the Chinese national bourgeoisie, it artistically, accurately and profoundly reveals the social nature of China at that time

That is, it is impossible for China to embark on the capitalist road of independent development under imperialist aggression, and can only become more and more colonized. In the warlord melee, the rural economy was seriously damaged;Under the political situation in which imperialism has intensified its aggression and caused an unprecedented crisis in China's national industry and commerce, the Chinese national bourgeoisie can only end up with the historical fate of comprador or bankruptcy in the struggle with the comprador bourgeoisie supported by imperialism and domestic reactionaries.