Who is the director, screenwriter and producer? Who has the final say in the crew?

Producer Max!

The director is only responsible for shooting, and the crew and actors are managed.

The screenwriter is the youngest and is only responsible for writing the script and submitting it to the producer for review after writing.

As for what you said, Zhang Jizhong, Yu Zheng, Zhang Yimou and others have multiple identities. Zhang Jizhong mainly serves as a producer and director, and there are not many works. Zhang Yimou is the main director, screenwriter and producer, and Yu Zheng is mainly the producer and screenwriter.

If you are in charge of the director's limelight, it is not enough to watch, far less than the big title of producer.

For example, James Cameron, his most important identity is the producer, his works are uniformly marked as the producer, not the director, the director is only his second identity, because he is both a producer and a director and screenwriter, the director's movies are too good, Chinese mistakenly think that the director's limelight is bigger than the producer. We Chinese have a big misunderstanding about directors and producers.

Producer generally refers to the producer of film and television dramas. Responsible for script coordination, preliminary preparation, formation of film crew (including the signing of contracts for cast and crew and filming equipment), cost accounting of filming funds, and financial review; Perform shooting, production, and post-production; Assist investors in domestic and foreign issuance, domestic and foreign application and participation in awards, etc.

The producer is the master of the crew, and the highest authority in the film crew has the right to decide on the hiring of outstanding members, and also has the right to fire members who violate discipline in the crew. From the formation of ** to the release of **, it is the core of the whole film. There are also bosses or investors of film and television companies who sign the position of producer in film and television dramas.

It's just a hype relationship Look at the two people you said, none of them are good things, and none of them are fuel-efficient lamps How good the reputation and praise of Director Yu Rongguang's drama are, people will not engage in crooked ways, and the director and screenwriter have the same heart.

Most of the directors in China have a director-centered system, that is, they listen to the director's scheduling on the set. The U.S. is all producer-centric. The American producer not only has to manage the operation of the project, but also understands the script and film production, which is the core of the entire project, and the director, screenwriter, and actors are coordinated by him.

The director made it according to the script.

Screenwriters write and revise scripts.

In general, it is the producer. But this is also not an absolute thing.

If it is a crew with centralized directorship, the director is the largest, and the producer is a housekeeper. If it is a crew with a centralized production of producers, the producer is the largest, and the director is a paid worker.

If it is the kind of production crew that is common in Hong Kong, it is the largest producer, the director is responsible for filming, and the producer is responsible for money and accounting. South Korea also has a centralized screenwriting system, and Qiong Yao and Yu Zheng's scenes also use this model, with the largest screenwriter, and the director and producer are all set by them.

The director is the organizer and leader of the creation of film and television works, the artist who expresses his thoughts with the help of actors, and the general person in charge of putting film and television literary scripts on the screen. As a synthesizer of various artistic elements in film and television creation, the director's task is to organize and unite all the creative personnel, technicians and performers in the crew, so that they can give full play to their talents and integrate the creative labor of everyone.

The quality of a film and television work depends to a large extent on the quality and accomplishment of the director; The style of a film and television work often reflects the director's artistic style and values of looking at things.

The producer is the master of the crew, the highest authority of the film crew.

Yang Mi is the producer, and Wang Leehom is the director!

1. Director: A person who instructs the performance workers in the process of producing a drama or film or television film.

More often than not, the director may discuss the script with the screenwriter, talk to the actors, discuss the light and shadow with the camera lighting, and sometimes even check the production process of the props, and the director cares about whether all the work related to the film can meet his own requirements.

2. Producer: Provide conceptual ideas and constructive suggestions, participate in important decisions of the crew, but are not responsible for specific script creation and director shooting.

3. The producer has to solicit sponsorship, find a screenwriter to write the script, look for a director, and the camera, lighting, art, props, costumes, field affairs, post-compositing, and 3D special effects are all the responsibilities of the producer.

From discovering the script in the early stage, finding a suitable filming location, to being responsible for financial expenses during filming, supervising the filming and production process, and editing after shooting, post-publicity until release.

Strictly speaking, screenwriter and director are two independent jobs, but due to the increase in entertainment programs in recent years, the double word of choreographer and director has increasingly appeared in our sight, because the column is originally short, and one person is fully capable of these two jobs.

But when it comes to creating a movie or TV series, the division of labor between the two tasks is very obvious.

Screenwriting: The foundation of a film. Responsible to the producer and director. Complete the written creation of a film and revise the film in the first place.

Director: Responsible to the producer. Responsible for mobilizing the enthusiasm of the whole team and completing the re-creation plan of the script into an image within the specified time.

Sometimes if a person can not only write scripts, but also be a director and actor, then he will make a greater contribution to the film, but a person's ability is indeed limited, and he cannot do all the work, so film and television is a kind of collective creative art.

I hope you are satisfied with this answer.

Please support domestic films, thank you.

Screenwriter bai is based on the book or.

The story turns something that is not a script into a script, and then the screenwriter can choose the director or the director wants to write the screenwriter to reach an agreement to direct the script, which is the director is responsible for most of the filming, and the screenwriter can supplement the director's activities, that is, explain the content of the script, and complete the film through the screenwriter and the director together, and the producer is similar to the manager.

In layman's terms:

The director is the creator of the entire work, and the producer is the sponsor and handles the funding.

The screenwriter is the writer of the text of the work and is responsible for revising the script according to the director's wishes.

The producer is the boss or the BAI investor, and all the economic expenses have to be reimbursed by the producer, just a rich shopkeeper or company back. After the filming of the drama is finished, he promised to give money to the stars and staff, and when the ** is sold out, the producer can return to the cost or make money, which may not necessarily make money, the producer's market vision is not good, and he can even lose money.

The director is the boss's first deputy, occupying the left position. The screenwriter is the boss's second deputy, occupying the right position. The two deputies will work together to arrange the plot, how to choose the actors, etc., and then discuss and report to the producer.

The producer has the power to change the actors, and even a very small number of arrogant ones can fire the director, but they generally respect the arrangement of the director and the screenwriter, after all, the producer's professionalism in filming the drama is far less than that of the two deputies.