What is usually called playing a flower face in Peking Opera

Which character does the "flower face" refer to in Peking Opera? The error rate is 98%26

The beauty of Hua Dan in Peking Opera is manifested in four aspects. In fact, many people like to watch Hua Dan, because Hua Dan represents a kind of Chinese opera culture and a kind of beauty in China, so what about the beauty of Hua Dan? Let's talk about it.

The beauty of Hua Dan is determined by the figure of the person who plays Hua Dan. Because the people who choose Hua Dan are all women, women's figures must have a certain charm to conquer the audience and make people fascinated. Therefore, the beauty of Hua Dan lies in the figure of the person who plays it, which is actually a kind of enjoyment.

So according to Hua Dan's different figures, we can also show different beauty, because different characters need different figures, so we can still see Hua Dan's beauty according to these figures, fat and thin.

Hua Dan's beauty, the second aspect is not to wear Hua Dan and her appearance, because when you look at a person, you still have to look at his face value and face, so Hua Dan's facial dress is the most comfortable of these lines. Therefore, we can judge whether a Huadan is beautiful from Huadan's face and clothes, because different clothes show different beauty through different colors, so we should pay attention to the beauty of Huadan's clothes. Pay attention to the beauty of dressing up in Hua Dan, because clothes are a way to dress up.

The third aspect of Hua Dan's beauty depends on Hua Dan's kung fu, because many Hua Dan in Hua Dan are martial arts, and whether their performances are wonderful or not is related to their martial arts. Therefore, many people like to watch Hua Dan fight those martial arts and guns, so the beauty of Hua Dan may lie in these aspects. Because everyone's hobbies are different, there are different definitions of the beauty of Hua Dan, which is the beauty of Hua Dan that some people like.

The fourth aspect is to look at the beauty of Hua Dan from the rhythm control of the whole play, because the beauty of Hua Dan is actually showing different beauty in different rhythms in the whole play. Some beauties are fast-paced, while others need to be slow-paced. Therefore, we can still feel the different beauty of Hua Dan according to different sequences and rhythms.

Yes, these rhythms are costly, but they can be obtained through different periods of practice and are difficult to master. If you grasp it properly, you can play it to the fullest.

Under normal circumstances, Hua Dan will play the role of an innocent and lively girl or a lady, so the dress looks more gorgeous, the color is more bright, and the color is more bright.

They usually wear very bright, and the color of the clothing is particularly good-looking, so that they can also show the liveliness and agility of the little girl, so they are dressed up like this to appear.

is dressed very brightly, and the image of some jewelry on his head is on stage, which is also the image of Hua Dan's character.

In fact, the makeup is not a specific name, and it is generally oil paint on the face. And those Hua Dan are really very good-looking, and they are very temperamental, and there are many people who like Hua Dan in Peking Opera very much.

Categories: Culture Arts >> Literature >> Drama.

Analysis: There is a line in the Peking Opera line, which is relatively formally called Jing, Jingxing, and Jingjiao. When performing on stage, they usually have a face painted on their face.

Mainly plays the role of majestic, resolute, rough, bold, and secretive. Meng Lang, treacherous and other personalities of men. Also known as flower face.

Net (flower face) is divided into positive net, vice net, wujing and red net several kinds of positive net is also known as copper hammer, black head, big flower face, big face.

The vice-net is also known as the shelf flower face, the second flower face.

The flower face is the net.

The copper hammer and the copper hammer face are all positive. It was named after the flower-faced character Xu Yanzhao in the singing work "Erjin Palace" with a copper hammer in his arms.

Blackheads are also pure. It is named after the flower-faced Baogong drama with a heavy singing job and a black face.

One sings red face and one white face.

"Singing red" is interpreted as "a metaphor for playing a friendly or likable role in resolving conflicts", and "white-faced" is interpreted as "metaphors for playing a harsh or annoying role in resolving conflicts"; Singing blackface means the same as singing redface.

In the drama mask, the white face is the villain, a symbol of treachery and insidiousness, and it is more typical of Cao Cao's face; The black face is a positive character, a symbol of loyalty and integrity, and it is more typical of Bao Zheng's face. One positive and one negative, one loyal and one traitor, originally opposites, but "white face" and "black face" express the same meaning, both of which are the meaning of a stern attitude.

Peking Opera Red Face, a red character in Peking Opera. In traditional opera, the red face is used to represent a positive or righteous character who plays a friendly or endearing role in the process of resolving conflicts (as opposed to "singing white faces"), representing a positive or righteous character.

It means that he is loyal, brave, upright, and bloody and brave. Such as Guan Yu, Zhao Kuangyin, Jiang Wei, etc., but there are exceptions, such as Liu Jin, the villain in "Famen Temple", has a red face, which has an ironic meaning, so that people can know at a glance that he is a eunuch who is in power. The flower face of "I" in Feng Jicai's work "Flower Face" is a red face.

Flower face belongs to the net line in the Peking Opera industry. It is usually a face shape with a characteristic character, such as: Ma Wu, Yang Qilang, Zhang Fei, etc.

The singing voice of the flower face is characterized by rough and loud voice.

In Peking Opera, the flower face mainly shows male characters with outstanding features, and their personalities, qualities or appearances are different from the ordinary. In Peking Opera, according to factors such as the personality and gender characteristics of the characters and the division of labor in stage scenes, they are roughly divided into four professions: Sheng, Dan, Jing, and Ugly, and the flower face is pure.

Generally speaking, some characters with rough personalities are characterized, characterized by painting colorful faces on the face with oil paint, and the voice cavity is characterized by rough and loud soundness, and is divided into Zhengjing and Vice Net Wu Erhua according to the stage division of labor.

Hua Dan is a girl. Lively and cute, clever and dexterous. For example, the little maid.

Summary. Jingjiao is one of the main trades of Peking Opera performances, commonly known as flower faces. Marked by the use of patterned facial makeup, the timbre is bright and broad, the singing style is thick and vigorous, and the movements are wide open and closed, and the frustrations are distinct.

Jingjiao is one of the main trades of Peking Opera performances, commonly known as flower faces. Marked by the use of patterned facial makeup, the timbre is bright and broad, the singing style is thick and vigorous, and the movements are wide open and closed, and the frustrations are distinct.

Flower face, as the name suggests, is based on martial arts.

The flower face expression method shows the character who is rough, strange and heroic in character and temperament.

1. Introduction.

Peking Opera flower face is a special form of expression that cannot be replaced by other roles, and it is a kind of spectrum of facial makeup for opera actors, which gradually evolved from the masks worn by the music and dance "substitute face" in the Tang Dynasty. The actor uses a variety of colors to draw certain patterns on the face to show the character's personality, characteristics, or other characteristics. Generally, red represents loyalty and bravery, such as "Guan Yu"; Black represents ruggedness and uprightness, such as "Zhang Fei"; White represents treachery, such as "Cao Cao".

2. Classification. Peking Opera flower face is generally divided into copper hammer flower face and shelf flower face.

The face of the copper hammer is generally based on singing. Representative works include "Exploring Yin Mountain" and "Erjin Palace".

The shelf flower face is generally based on workmanship, and its representative is the Yuan School art founded by Mr. Yuan Shihai. The representative repertoire includes "Thief of the Royal Horse" and "Jiujiangkou".

3. Aesthetic standards.

1) The face should be beautiful, not flattering.

The face should be beautiful, not flattering" is a common saying in the Peking Opera world. The flower face line reflects a kind of rugged beauty, which cannot be charming. Especially in terms of body performance, every gesture is made, even if it is a "shaking sleeve", a "cloud hand", and a "mountain arm", there are norms of beauty.

2) Ups and downs.

"Dan up and down" is a continuation of "the flower face should be beautiful and not charming", that is, the beginning of the flower face to make a figure should use the end of the horn, to be "light" or called "slow", when the figure to pause, static to use the strength of the flower face.

3) Flower face to support.

Lao Sheng's bow, flower face support, Wusheng in the middle, Xiaosheng, Danjiaosong" is the standard of Peking Opera performance. That is to say, the same figure, such as "mountain arms", the standards and strength of each line are different. "Brace" is the meaning of holding up, the performance of the flower face, taking "Qiba" as an example, the front chest can not be empty, the back can not be pasted, and the two arms have to be rounded.

Not only "hegemony", any action must be rounded, and no edges and corners will be seen, otherwise it will not be beautiful.

Which character does the "flower face" refer to in Peking Opera? The error rate is 98%26