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The formation of Qi Ti character was from 1938 to 1957 (26 to 45 years old), and Mr. Qi Gong reached a high artistic attainment through dedicated study during his teaching in the Department of Chinese Language and Literature of Fu Jen University and the Department of Chinese at Beijing Normal University.
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Features of the word Qiti:
Qi Gong's calligraphy, the body is fine, the strokes are clear and strong, the cloth is different from the weight, the guest of honor is compatible, the wind god is handsome and elegant and vulgar appreciation, and has distinctive personality characteristics.
Introduction to Qi Gong. 1912-2005).
A famous contemporary Chinese educator, master of Chinese culture, classical philologist, calligrapher and painter, cultural relics appraiser, poet, Manchu, Aixinjue Luo, is the fifth son of Qing Shizong and the eighth grandson of Prince Hongday. Peking Man. The character Yuan Bai is also known as Yuan Bo.
After dropping out of Beijing Huiwen Middle School, he became angry and self-taught. Slightly longer, from Jia Ximin, Wu Jingting to learn calligraphy Danqing, from Dai Jiang Fu to repair classical literature. In 1933, he was recommended by Mr. Fu Zengxiang and was employed by Chen Yuan, where he learned about academic flow and research.
Later, he was hired as a Chinese language teacher at Furen Middle School; In 1935, he served as an assistant professor in the Department of Fine Arts of Fu Jen University; After 1938, he served as a lecturer in the Department of Chinese Literature and Literature of Fu Jen University, and concurrently served as a special member of the Palace Museum, engaged in the review of manuscripts and the appraisal of cultural relics of the Palace Museum. In 1949, he was appointed associate professor of the Department of Chinese Literature and Literature of Fu Jen University and associate professor of the Department of Museums of Peking University. After 1952, he served as an associate professor and professor at Beijing Normal University. Member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, Chairman of the National Cultural Relics Appraisal Committee, Director of the ** Cultural and Historical Research Museum, Honorary Chairman of the Chinese Calligraphers Association, Professor of Beijing Normal University, and Doctoral Supervisor. Consultant of Jiusan Society, Chairman of the National Cultural Relics Appraisal Committee, Honorary Chairman of the Chinese Calligraphers Association, Consultant of the Buddhist Association of China, the Palace Museum, and the National Museum, and President of the Xiling Seal Society.
He died at 2:25 a.m. on June 30, 2005 in Beijing. His main works include Treatise on Ancient Fonts, Essays on Poetry and Rhythm, Manuscript of Qigong Series, Rhyme of Qigong, Prose of Qigong, Dialect of Qigong, Phenomenology of Chinese Language, Quatrain of Books, Notes on Books, Eight Strands of Writing, and Album of Calligraphy and Painting of Qigong.
During his lifetime, he admired the famous Buddhist masters, poets, and calligraphers of the late Ming and early Qing dynasties.
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The traditional Chinese character of "启" is shown below:
Extended content: Introduction to traditional Chinese characters.
The oracle bone script is one of the oldest mature Chinese scripts. From oracle bone inscriptions, golden inscriptions, large seals to small seals, the font gradually changed to line symbols, and the glyphs were gradually fixed.
Lishu was created in Qin, originated from the small seal, and was an emergency font produced for the sake of writing simplicity. It can be said to be a simplified version of the small seal, or a vulgar character of the small seal. Lishu matured in the Han Dynasty. Lishu laid the foundation of square Chinese characters.
Chinese characters later evolved into italics. The cursive characters (including macro model Xingcao) are handwritten characters that have been circulated among the people for a long time. Whether it is italics, cursive, or cursive, from the perspective of writing, it is relatively easy and the writing speed is fast.
After the appearance of italics, there are still many characters with complex structures and many strokes.
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