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The grass snake gray line is "Dream of Red Mansions".
The writing feature of the grass snake gray line refers to the use of clues to hint at the plot that will appear later in the text.
Cao Xueqin's "Dream of Red Mansions" uses the grass snake gray line perfectly. Small details can often hint at the end of the character and the vicissitudes of the times. <>
A "Okay Song".
You can know that there are all kinds of things in the world, and good is good, and good is good. If not, it is not good, and if it is good, it must be.
At the beginning of the whole story, there is a song by the mysterious character Lame Taoist and the Leper Monk to hint at the theme of Dream of Red Mansions. As characters who appeared out of thin air, the identities of the two of them are unknown, but the down-and-out image and the Taoist of the Buddha.
makes the reader feel a sense of "everything is empty". Seeing this song does not catch people's attention all at once, but makes people feel ordinary, just expressing a kind of idea that everything is empty. But when you read it carefully, you will find Cao Gong.
He is good at depicting romance with reality and sketching the picture with scattered dots. So after reading the full text, along with the Grand View Garden.
Everyone scattered, the final fall of Jiafu and the ending of Baoyu's renunciation, you will understand how desolate and sad this "Okay Song" is, and how accurately the theme of the whole text is summarized. <>
Daiyu burial flowers. It expresses not only the lament for the fate of the flowers that will eventually wither, but also the fate of his own fate and the fate of the ladies and girls in the Grand View Garden. The famous fragment "Daiyu Burial Flowers" is also a description of a grass snake gray line, Daiyu knocks the falling flowers into the bag, and buries the bag in the soil while crying.
At this time, Jiafu has already shown a trend of decline, and even a little maid like Xiaohong can say that there is no banquet in the world in the chat with Shen'er. Let's think about it, after the fall of the Jia family, the accommodation of the girl's subordinates is very easy to solve, but what about the fate of these people, Miss Madam? In contrast to the ending, after Jiafu was raided, the girls quickly found a new master, but Miss Mrs. did not get an ending of peace.
The writing technique of the grass snake gray line.
It is often used by Cao Gong, and here are just two of the most obvious examplesThese seemingly inconspicuous "prophecies" often end up in prophecy.
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"Grass snake gray line" is in the first few reviews of the article, through a certain thing or person, hidden foreshadowing, not very noticeable. The following article echoes the foreshadowing done earlier, so that after reading it, people will feel "Ah! So that's it! ”
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To put it simply, it is an ambush pen, which arranges plot hints at the occurrence of events in many places before they occur, leaving many traces that can be perceived by the reader.
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The grass snake gray line originally referred to the vaguely visible appearance of the mountains in the distance, and later referred to a ** descriptive technique, referring to the foreshadowing, before and after. "Dream of Red Mansions" makes extensive use of this technique.
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Grass snake gray line: metaphorically things leave vague clues and signs. Using the same word over and over again to explain a particular thing can form a clue that runs through the plot.
In the writing of literary works, "the gray line of the grass snake, the vein is thousands of miles away" belongs to the method of ambushing the pen, and the ambush pen makes the ** interlocking, echoing before and after.
It is to use a certain event or character as a foreshadowing, and use simple actions or a smooth plot to drive the story itself to pave the way for the subsequent articles, and then the subsequent articles accurately echo the previous foreshadowing to form a through-the-whole purpose, so that readers will have a sense of sudden realization after reading.
This kind of writing mode is very much required for the author to have precise logical thinking, one link after another, each character has its own unique meaning, this writing technique is like weaving a complex and chaotic spider web, and the weaver must be highly concentrated to complete, otherwise a ring of confusion may be ruined.
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A grass snake gray line, a thousand miles of ambush is a method of ambush writing, it helps ** interlocking, the above content immediately follows the following content, giving readers a comprehensive presentation effect, helping the article to be easy to understand, with a story. It can be understood as an ambush clue for the previous paragraph of the article, or it can be understood as a hint from the above to the following. It has the advantage of being subtle and subtle, making the article tightly structured and compact, so that the reader will not have a sense of abrupt suspicion when reading the following content.
Second, the use of foreshadowing should be noted:
1) If you mention the gun at the beginning, then in the second or third paragraph, you should mention the gun, and it should not be a failure, and it should not be a failure.
2) The foreshadowing should be skillful, and it should not be deliberate and revealing. Foreshadowing is generally so that others can't easily perceive it, and it must be done like the wind on the water, and it is naturally written.
3) Volts and should not be close to the front and back. If the foreshadowing is too close to the front and back, it will make the article look dull and boring to read.
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There is not a single nonsense in the previous content, and every sentence is likely to be the fate of a person. For example, the name of the drama ordered at the birthday banquet is likely to be the fate of a certain person. And everyone's ending is likely to be foreshadowed in some of the previous words.
The fifth is the fate of the twelve hairpins in Jinling, which you should know, I suggest you take a look at the Dream of Red Mansions fat batch, many fat batches can wake you up.
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Such as: the moon is rare, the clouds are easy to disperse, and the ending of the volcanic line Qingwen.
The Dream of Red Mansions Twelve Songs and the Twelve Hairpins Fate Ending, even if it is proven.
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Cao Xueqin often writes seemingly random strokes, but in fact they will play a great role in the later text.
For example, in the fourteenth chapter, Qin Keqing was written to hold a funeral, and there was such a sentence in the article: "Chen Yejun, Wei Ruolan and other kings and grandsons. Among the 80 manuscripts of Cao Xueqin's books that have not yet been lost, Wei Ruolan's name only appears once, could it be that Cao Xueqin left him aside after writing this name?
No, in the thirty-first episode of "Because of the Qilin Fu White-headed Twin Stars", Cao Xueqin's writing collaborator Yan Zhai has a comment: "In the next dozens of times, Ruolan is the unicorn matched in the shooting garden, and this unicorn is also." The outline lies in this round, and the so-called grass snake gray line is thousands of miles away.
This comment mentions a person named Ruolan, who is an abbreviation, referring to Wei Ruolan mentioned in the fourteenth chapter. This comment tells us that after the 80th episode, there was a plot of shooting the garden, and Wei Ruolan wore a unicorn in the episode of shooting the garden, and this unicorn was the unicorn that Cui Wei picked up and showed to Shi Xiangyun in the 31st episode, and it was also the unicorn that Jia Baoyu obtained from the Qingxu Guan in the 29th episode. And since the female unicorn is worn on Shi Xiangyun and the male unicorn is worn on Wei Ruolan, it means that Shi Xiangyun later married Wei Ruolan, which shows that after 80 times, there will be at least two episodes in which Shi Xiangyun marries Wei Ruolan and Wei Ruolan appears in the shooting garden, so Cao Xueqin's writing of Wei Ruolan's name in the 14th episode is by no means arbitrary.
It can be seen from this that Cao Xueqin's technique of using the gray line of the grass snake and the extension of thousands of miles is very ingenious.
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