Wang Xizhi is known as the saint of calligraphy, what is outstanding about his penmanship?

Since the Yuan and Ming dynasties, some calligraphers have often interpreted Wang Xizhi's calligraphy. Originally, it was clear at a glance that it was Wang Xizhi's calligraphy, but after repeated extensions, it became complex and mysterious, making people feel a little incomprehensible.

The benevolent see the benevolent, and the wise see the wise. It's puzzling. Wang Xizhi has been fond of calligraphy since he was a child, and he was enlightened by his father and uncle.

When he was 12 years old, he stole from his father's pillow to read the "Treatise on Writings" of his predecessor. Wang Xizhi is ambitious and creative. If you want to understand the characteristics of Wang Xizhi's calligraphy, you must first distinguish what are the Wang books that have been handed down.

There are many handwritings of Wang Xizhi that have been handed down, but there is no authentic one. In order to summarize the characteristics of Wang Xizhi's authentic works. In fact, there is also a very good way, that is, to collect the authentic works of Wang Xizhi, whether it is a formal book or a cursive script, as a summary of seeking common ground while reserving differences.

It is easy to see the common characteristics at a glance.

Let's summarize it from the following 4 aspects:

1. Use the pen to gallop.

2. The gesture is strong and refreshing.

3. The strokes are calm and heavy.

4. The characters are majestic and natural.

In this way, with the help of the terminology of predecessors, it seems to be a bit abstract and vague. Here we can further explain it from the following three aspects.

1. Diagonal drawing is tightly knotted, especially his cursive writing, the gesture is strong and sharp, and the relationship between the radicals is formed. The so-called rigidity refers to the last stroke of the last word and the first stroke of the next word, which is directly formed and implicated.

Second, follow the trend, connect the words and between the words, and break through the old method of using a single word as the modeling unit, so that the posture and composition of some strokes will change the mood, so that the character group structure will appear, and the function of the word group will be highlighted.

Third, the pen is bright and concise, and the pen is guided by points, and the wind is galloping. Gain the "easy and fast" feature of cursive writing. He wrote regular script with a "direct quotation" penmanship, which made it easier to write.

I think his penmanship should be very literary, his notes are smooth and rhymed, and his ability to compose poetry is very strong.

The allusion to the three points of the wood proves that he is indeed calligraphy, which can be seen.

Wang Xizhi is known as the sage of calligraphy, his penmanship must be very good, and his handwriting is also very good, and ordinary people can't learn it.

Because Wang Xizhi's pen power is known by the world as three points into the wood, it is certainly not nonsense, and Wang Xizhi's calligraphy is a hand-me-down, and today's calligraphy everyone also respects Wang Xizhi's calligraphy.

Wang Xizhi's words are three points into the wood, and his handwriting is really good-looking, so good-looking.

His brushwork is exquisite, making people feel relaxed and comfortable, and his horizontal folds are different from ordinary people, mainly twisting. And he is also eclectic in the layout of the chapter, and he has outstanding features.

The title in the book is not called in vain, and his penmanship reflects the spirit of a person. And it also reflects his perception of life.

Wang Xizhi's calligraphy into the wood can be imagined how strong and powerful, very powerful.

Wang Xizhi's words are really great and powerful. His pen power was later called the three points of Izuki.

In order to practice his calligraphy well, Wang Xizhi even had to tear his own clothes and make a pool of ink, and then he finally formed his own unique style. If you can see his words, you can understand the meaning of the whole article. It's like the preface of the Lanting Collection.

As we all know, "Orchid Pavilion Preface" is Wang Xizhi's representative work, this calligraphy also reflects the essence of Wang Xizhi's penmanship, Wang Xizhi is known as the saint of calligraphy, the first reason is that his penmanship is exquisite. Speaking of penmanship, it can be seen in the "Orchid Pavilion Preface" that at the turning point of each word, the book Shengyun pen is smooth and turning, and there is no strong frustration of lifting the press.

This way of writing makes each word appear elegant and smooth, giving people a relaxed and comfortable atmosphere.

Wang Xizhi is known as the saint of calligraphy because his penmanship is particularly exquisite, and his calligraphy is characterized by the fact that the turning point of each word is particularly flat, and there is no strong sense of frustration.

Mainly because his font is very good, and many people like his font very much; The writing is chic and elegant, peaceful and natural.

Because when he saw his father studying, he especially wanted to study, and his father thought he was playful, so he gave him the task that as long as he wanted to learn, he must use the knowledge in the book in pen and ink. Only if you are good at calligraphy, then you can better study the knowledge in the book. Since then, he has been learning while practicing calligraphy, and slowly practiced a particularly good-looking font.

This is because he will have a fixed way and method when writing, and each stroke should fall on the place it should be, and the technique is more unique and the strength is greater when writing.

In ordinary life, I insist on practicing my calligraphy every day, and the most important thing is that I have put in a lot of effort in the process, so I can have such a title, and I am also a very talented person.

He has been working hard to practice writing, and he has spent a lot of ink, so he has this effect, and his results are achieved through his efforts.

"Orchid Pavilion Collection Preface" is Wang Xizhi's representative work, many people who love calligraphy will copy, leaving a very valuable cultural wealth to future generations.

Wang Xizhi's masterpiece is "The Preface to the Orchid Pavilion Collection", in which he describes the beauty of the landscape and the joy of gathering with friends, which is really very free.

The masterpiece of the book saint Wang Xizhi is the preface to the Lanting Collection, and this work was inadvertently written after Wang Xizhi was drunk.

The book saint Wang Xizhi, the painting saint Wu Daozi also.

Wu Daozi, a painter of the Tang Dynasty, was revered as a "painting saint" by later generations because of his superb painting skills.

There is an idiom "Wu takes the wind, Cao Yi comes out of the water", in which the Wu of "Wu takes the wind" refers to Wu Daozi. Wu Daozi is good at painting Buddha statues, and the paintings are all dynamic of "the wind blowing the fairy robe fluttering", which is tactful and undulating, so that the viewer has the extreme beauty of "fairy music floating everywhere". The world uses "Wu with the wind" to praise Wu Daozi's superb painting skills and elegant and agile style.

Later, "Wu takes the wind" became an idiom, and it was used to praise someone's paintings for having the same painting skills and style as Wu Daozi.

Wu Daozi first learned calligraphy when he was a teenager, and studied under Zhang Xu and He Zhizhang, two masters of calligraphy at that time, and later changed to learn painting, and realized that it was not yet 20, and it was praised as "the wonder of poor Danqing".

Wu Daozi is an all-rounder, painting religious murals as well as figures and landscapes. However, he spent most of his life creating religious murals.

Wu Daozi's religious murals include "Hell in Disguise", "Tota Heavenly King", "Ten Finger Bell Kui", "Baoji Bingara Buddha Statue", "Jialing River Landscape Three Hundred Miles" and so on; The character paintings include "Sending the Son to the Heavenly King", "Emperor Wu of Liang", "Emperor Ming Receiving the Seal", "Emperor Guangwu of the Han Dynasty Burning Clothes", "Confucius Sitting Portrait" and so on; Landscape paintings include "Nanyue Map", "Shuanglin Map", "Group of Donkeys", "Deer Map", "Huaqing Palace Map" and so on.

It is said that when Wu Daozi made a mural somewhere, hundreds of people watched it every day. The audience could not help but marvel at his superb painting skills, so much so that the neighbors of the city were alarmed. So, the neighbors of the city also came**.

Some people even say that Wu Daozi is an immortal who descends to earth.

There are many legends about Wu Daozi on the Internet, such as apprenticeship and painting, the brush of the gods, the bald tail of the horse, the pen and the light, etc., although it is both true and false, but it also shows from another side that Wu Daozi's painting skills are superb like divine help.

The painting saint is Wu Daozi, a painter in the Tang Dynasty, and his painting skills are also very superb, so he will be called the painting saint.

Known as the "painting saint" is Wu Daozi, Wu Daozi is a famous painter in the Tang Dynasty who created the "Orchid Leaf Painting".

It was Wu Daozi, who was a very talented person, and the paintings he painted were very valuable, and he was a painter of the Tang Dynasty.

The reasons why Wang Xizhi is called the sage of books are as follows. One is that no one can surpass his calligraphy brushwork, but he did not propose the rules of calligraphy brushwork. The second is the principle of the combination of Chinese characters, which is more reasonable and regular, and plays a role in connecting the past and the future.

the third is to use the laws of nature to write Chinese characters, and calligraphy works are almost warm in the creation; Fourth, several representative works, full of spirit, heart and hand unity, only Wang Xizhi, but did not explain how to use the law of contradiction and unity in calligraphy.

<> reform of the golden grass made the original classical cursive script more ups and downs, and there were more and more forms, especially the continuous band of the pen, which was very obvious. In Wang Xizhi's later years, he would often write a few words at a time, while the previous cursive script was all single-word cursive, and there were rarely two words connected. Wang Xizhi's cursive script broke through the old method of using a single word as a modeling unit, and changed to a group structure with two or three characters as the modeling unit.

This is Wang Xizhi's contribution to cursive writing, showing the beauty of the structure of cursive writing and highlighting the charm of continuous strokes.

In the reform of calligraphy, Wang Xizhi's mature calligraphy, with "Orchid Pavilion Preface" as a representative work, jumped out of the trap of official calligraphy, with a beautiful side of the word. "Orchid Pavilion Preface"The gesture changes greatly, the center and the side are flexible, the pen speed is stable, the brushwork is natural and subtle, the structure is side and neat, and the charm is natural. Wang Xizhi also applied the writing and style of modern cursive to his calligraphy.

He will also be in modern cursive"Font structure"Applied to his line of writing, such as the famous"Ninth Route Army"Wait.

Li Shimin thinks Wang Xizhi"Perfect"Due to the high praise of Li Shimin, Taizong of the Tang Dynasty, Wang Xizhi's calligraphy was all the rage and won"Book St"The title has been unique in the calligraphy world for more than 1,000 years. Wang Xizhi's calligraphy has a huge impact on later generations, the shock he created stimulated, and thought that it was the main, in the beautiful and elegant calligraphy corridor has been shrouded in China, and the calligraphy learners after the Tang Dynasty, as Wang Xizhi's true handwriting, his calligraphy has been wiped and collected in large quantities, and the calligrapher Wang Xizhi is more like Yu Shinan, Party B's craftsman.

It can reflect the style of the literati, very smooth, with its own characteristics, which is difficult for others to imitate, and can reflect Wang Xizhi's sentiments.

His works are characterized by casual play, so this way of calligraphy writing can not be imitated by anyone, and he is also known as a calligrapher.

He has his own unique calligraphy skills, and every word is written smoothly, and he has his own calligraphy emotion and charm, which is very amazing.