Recently, the saxophone has been difficult to blow, and after blowing for a while, it will whistle a

Well, the dry environment leads to dryness of the oral cavity and reeds, and the phenomenon of whistling is usually due to slightly deviated reasons, slightly damaged or too dry.

Drinking some water before blowing, or putting it in your mouth for a while, can effectively solve this phenomenon.

In addition, it is also related to the slightly biased quality, some ** quality is too poor, the material elasticity is not good, or too thin will also cause this phenomenon. So try to choose a good one, or before blowing, it will be properly thickened.

Haha, a lot of newbies have had this problem, including when I first started playing the saxophone.

Here are a few solutions for you.

1.Many people like to hold it in their mouths before blowing, such as when chatting with people or surfing the Internet by themselves, and they can blow it in about an hour. I don't like this approach.

2.My method is to soak the reed in clean water forever, soak it after blowing, wash it, and blow it when you blow it the next day, this method is suitable for people who practice for a long time every day, otherwise it is a bit wasteful, if you blow it once every three or five days, it will be soaked for a while.

3.For people who usually practice hard, you can blow two hours before putting it in clean water, and when you blow, it will be easy to blow, and after blowing, wash it and dry it naturally.

Actually, I think it's best to keep it moist, but it's easy to get moldy, so it's hard to grasp, in fact, the reed is a plant, and you don't have to worry about it being wet and it's not good for it.

You can try to moisten the reeds a little.

Playing the saxophone always feels short of breath, and the reason why I can't blow it is because of the lack of breath.

Methods of Breath Training:

1. Deep inhale and exhale slowly to practice numbers.

The practice of counting dates requires "suction and extraction" as before. At the same time as "pushing", he whispered: "Go out of the east gate and cross the bridge, under the bridge a tree of jujubes, take a bamboo pole to beat jujubes, green and red, less (breathe in), one jujube, two jujubes, three jujubes, four jujubes, five and so on."

When this breath is exhausted, see how many dates you can count.

2. Deep inhale and exhale slowly to control and prolong the breath.

Learn to "store air" first, first press the air, discharge the exhaust gas, and then use the gap between the nose and the tip of the tongue like "smelling the flowers", naturally and gently inhale, suck to be full, and then sink the dantian, slowly relax the chest and ribs, so that the qi is slowly exhaled like a long stream of water, exhale evenly, control the longer the better, and practice repeatedly.

3. Deep inhalation and slow exhalation of long tones.

After breath practice, the sound begins to gradually join. This exercise is still based on qi training, supplemented by vocalization, and at the same time of pushing, choose a middle and low pitch area, gently make the boy's "ah" sound ("big voice" and "ah" is sent to the qi training), and the girl makes the "babble" sound ("small voice" babble" is delivery). Holding it in one breath, the sound outlet is propelled in a cylindrical wave, and it can be stretched as long as it can be practiced repeatedly.

The reasons for the difficulty of playing the saxophone are incorrect playing posture, incorrect mouth shape, and incorrect breathing method.

1. Performance posture.

When standing and playing, the legs are shoulder-width apart, and when sitting and playing, the legs are slightly outward, and the 90-degree bow touches the ground, the body should be naturally straight, and the back, chest, waist, and abdomen should not be bent. (It is not recommended for novices to play in a seated position, which is not conducive to mastering the breath).

2. Mouth shape. The lower jaw is relaxed, and the lower lip is slightly tucked so that one-half of the lower lip partially covers the lower teeth, and the mouth is in a "woo" shape. Gently tap the mouthpiece into your mouth, touch your upper teeth and upper lip on the mouthpiece, and press the lip muscles evenly.

3. Breathe. When inhaling, the air is naturally inhaled into the lower lobes of the lungs, causing the diaphragm (a thin membrane between the chest and abdomen) to move downward, causing the abdomen and ribs to expand naturally. Exhalation, that is, pronunciation, uses the diaphragm and abdominal muscles to control the full breath, and when the abdomen is bulging, the abdominal wall gradually recovers and restores, and at the same time, with the help of the pressure of the abdominal muscles, the diaphragm that has descended from inhalation gradually moves upward.

Check whether the position of the reed and the mouthpiece coincide, whether the mouth shape is correct, whether the breath usage is in place, and strictly follow the basic practice!

4. Is there a foreign object such as a paper towel in the mouthpiece or elbow? Is there an object such as an absorbent rod in the saxophone tube that is blocked?

I guess it was because I fell.

There may be something wrong inside.

You can only go to the store where you buy musical instruments and let them test it for you to see if there is a problem inside.

Hope it helps.

You can practice long tones, it is best to practice with the long tone of the bass, because the long tone of the bass requires a large amount of gas to pronounce, as for the full blow or forget it, it is not good for the body, but the long tone of the bass is generally louder, it is best to find a place that does not disturb the people to practice, and also, if you feel short of breath every time, you should also check your reed, if it is too hard, it will still be very difficult to blow, pay attention to the shape of the mouth when practicing, if the mouth is more relaxed, it will be more laborious, pay attention to tightening when blowing. It will be much better to practice for a while like this, of course, this is also related to your lung capacity, more exercise and fitness, and increasing lung capacity are also needed, I hope the above will help you. Beg..

Qi deficiency, need a lot of exercise to increase lung capacity, can jog. Then correct the shape of the mouth and breathe correctly.

Try. Long tone practice is a cliché, and it's really necessary.

Practicing long tones is also to blow when you are full. Eat plenty of pasta. Also, pay attention to the shape of the mouth and the way of luck to be correct, as long as the method is right, you will not feel this feeling after getting used to it, the key is to practice diligently.

The main thing is that you breathe the problem, you have a hard time pushing your breath out smoothly, and sometimes you will make yourself dizzy because of the lack of air in the chest, and your face is flushed, this is all a matter of skill, practice more, you can, come on.

If you blow the saxophone and the clarine, you need to use dantian qi, and if your shoulders rise and fall when you blow, it means that you are not using dantian qi, so blowing is not good for your body.

It depends on your study time, if it is more than 3 months and you practice for more than an hour a day, then it is really hopeless, and there is no need to study.

If you don't arrive, make your mouth shape first, it will feel like whistling. There are also fingers not to be overly nervous to cause upturning, and the breath is breathed with diaphragm breathing, which is simply to puff up the stomach when you inhale and deflate when you exhale.

It may have something to do with lung capacity, swimming and running will be useful, and you should pay attention to adjusting your breathing.

Summary. 1) The installation of the reed is not standardized.

Saxophone reed installation, the top of the reed should be slightly lower than the top of the mouthpiece, about two paper thick, such as the mouthpiece, the amplitude of the reed will increase, easy to whistling, but also will speed up the loss of the reed, less than the mouthpiece too much, and will affect the reed vibration, affect the pronunciation and timbre. So be sure to pay attention.

2) The reed is too thin or too soft.

If the reed is too soft or too thin, it is easy to cooperate well with the mouthpiece of the mouthpiece, resulting in a whistling sound caused by the gap between the reed and the mouthpiece when blowing. At this point, it is sufficient to replace the appropriate reed.

Alto saxophone always whistling when playing How to solve it.

1) The installation of the reed is not standardized.

If the flute head grows, the amplitude of the reed will increase, and it is easy to whistling, and it will also speed up the loss of the reed, which is too much lower than the mouthpiece, and will affect the vibration of the reed, affecting the pronunciation and timbre. So be sure to pay attention.

2) The reed is too thin or too soft.

If the reed is too soft or too thin, it is easy to cooperate well with the mouthpiece of the mouthpiece, resulting in a whistling sound caused by the gap between the reed and the mouthpiece when playing the basepiece. At this time, it is enough to change the appropriate reed.

2. Mouthpiece problem (1) The mouthpiece is too shallow, and the sakura beard mouthpiece is too shallow, which will lead to a decrease in the gap between the reed and the mouthpiece, which is like reducing the mouthpiece of the mouthpiece, so that the reed and the mouthpiece are poorly matched and cause howling. Solution: Increase the depth of the mouthpiece appropriately, and don't over-tense the mouth muscles.

2) The mouthpiece and the reed do not match, the mouthpiece and the whistle answer do not match, such as the jazz mouthpiece with the classical standard reed, it is also prone to whistling, then another match can solve this problem. (3) The quality of the mouthpiece is not very good, and the quality of the original mouthpiece of some saxophone belts is not very good, which will cause whistling. Or some people who change from bakelite mouthpieces to metal mouthpieces will also whistle at the beginning.

So in terms of the quality of the mouthpiece, it also needs to be considered. 3. Whistle hoop problem (1) The whistle hoop is not tightened or the whistle hoop is deformed, the whistle hoop is not tightened or the whistle hoop is deformed, the whistle hoop is not tightened or tightened, but the force of the whistle is uneven due to the deformation of the whistle, which affects the vibration of the whistle and then causes a howling, so it is found that the whistle is a problem and should be adjusted or replaced in time. Fourth, if the above reasons are not the above, it is necessary to consider whether the mouth shape and breath are correct, because beginners at the beginning of the mouth shape and breath practice is not standardized, it is easy to whistle, the solution is to solidify their basic skills.