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In poetry creation, there is a very special type of poetry called "reverse elegiac poetry", that is, the front is written very badly, almost written to death, and the back suddenly turns the pen, giving a feeling of great wisdom and foolishness, and the mountains and rivers are poor and doubtful. The most famous person who wrote reverse elegy is probably the late Ming Dynasty genius Xie Jin, the following poem is known to everyone: "This mother-in-law is not a person, and the nine-day fairy descends to the earth."
The children and grandchildren are all thieves, and they steal the peach and serve it to their relatives. "Is it that the first joint and the neck joint are very bad, but the latter sentence has been successfully moved back? There is also a poem that I was speechless when I read it, and later I learned that it was written by Zhao Kuangyin, and the first two sentences were:
The rooster crows and pouts, and the rooster crows twice and pouts twice, "Do you think it's very uncultured?" But after all, people are big people who release military power with a glass of wine, how can they be trapped in this small world? The last two sentences are suddenly the same as changing faces:
Three voices called out Fusang Day, and swept the remnant star and Xiaoyue, "Hey, it's really a person who does big things, how much water is disguised in the front, and how stormy the waves can be for you in the back."
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Crossing the Zero Ding Yang", this popular poem, which we have memorized since childhood, has the effect of the finishing touch of the last sentence. "Since ancient times, no one has died, leaving Dan to take care of his sweat. The first six sentences are just foreshadowing, and the powerful aura is hidden in the last two sentences, which burst out in one go.
The last two sentences have completely changed the style of the whole poem, and there is a noble and generous soul, which is sharply sublimated by the ideological conception.
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In the sixth year of Song Shenzong Yuanfeng, Su Shi, who was demoted to Huangzhou, became close friends with another degraded official, Zhang Haoga. Zhang built a pavilion on the riverbank in the southwest of his new residence to enjoy the river view. Su Shi named it "Kuaizai Pavilion" and gave it a word.
This poem is mainly written in the scene, but also to explain the reason for the name of Kuaya-tei. There is a large section of the content in the film describing Pingshantang, and quoting the original sentence of "the mountains are in the middle". It not only expresses the nostalgia for Pingshan Hall and Ouyang Xiu, but also uses the scene of Pingshan Hall to highlight the beautiful scenery of Kuaiya Pavilion.
In the next film, the river scene is realistic: the calm river surface is like a mirror reflecting the mountain peaks, and suddenly the wind rises, "You look at a leaf boat, haunted by the storm." The author expresses his feelings here: "The son of Lantai can be laughed, and the unsolved Zhuang is born with nature, and there are male and female in the road."
This is a mockery of Song Yu's misreading of Zhuangzi by the Chu people. And expressed his heroic opinion: "A little heroic spirit, a thousand miles of fast wind."
As long as a person has the greatest and most rigid spirit, he can be extraordinary, upright, calm and comfortable, and in any situation, he can be calm and enjoy the majestic wind that makes people feel infinitely happy. This is Su Shi's frank attitude towards life in the face of adversity, which has positive social significance.
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Bai Juyi's "Light Fat", the title of the poem "Light Fat", is taken from "riding a fat horse, wearing light clothes" in "The Analects of Yongye", which is used to summarize the luxurious life. The poem uses the method of contrast, juxtaposing two diametrically opposed social phenomena, and the poet does not explain anything or make a single comment, but allows the reader to draw due conclusions through sharp contrasts. This is more convincing than a direct argument that will make people accept the idea that the psalmist is trying to expound.
The last two sentences are directly endowed with things, and the strange peaks protrude, which makes the whole poem suddenly ripple and make the reader thrilled, which is indeed a very wonderful stroke.
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When is the spring flower and autumn moon, and how much do you know about the past. Xiaolou had another east wind last night, so the country could not afford to look back at the moonlight. The carved jade masonry should still be there, but the face has changed.
Ask how much sorrow you can have, just like a river of spring water flowing eastward. "The whole word begins with a question and ends with an answer; From asking the sky, asking people to asking oneself, through the sad and agitated tones and the artistic structure of twists and turns, flowing freely, the author's sorrowful thoughts run through the whole process, forming a refreshing aesthetic effect. The concluding sentence "a river flows eastward" is a famous sentence that uses water as a metaphor for sorrow, implicitly showing that the long stream of sorrow is continuous and endless.
Compared with it, Liu Yuxi's "Bamboo Branch Tune" "The water flow is infinitely like nong sorrow", which is a little too straightforward, while Qin Guan's "Jiangchengzi" "is full of tears in the spring river, inexhaustible, and many sorrows", which is too much, but weakens the touching power. Because "the image is often greater than the thought", Li Yu's words can resonate in a wide range and can be recited through the ages.
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I like Li Yannian's "There is a Beautiful Woman in the North" the most, "There are beautiful women in the North, peerless and independent." One look at the city, and then look at the country. Rather than know the city and the country?
It's hard to get a beautiful woman! At first glance, the beginning of this poem is mediocre, and the praise of the "beautiful woman" is straight to the point, without any foreshadowing. But its meaning is extraordinary.
Only the first two sentences, I am afraid that it will lead people to give birth to a longing for beautiful women. The end of this poem is even more intriguing. The previous article made an extreme exaggeration of the beauty of the beauty, and the ending suddenly turned into a deep regret.
Ending in this way, it can be said that there are three sighs of singing and lingering, which makes people stunned when they hear it.
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Don't listen to the sound of the forest beating the leaves, why not roar and walk slowly. Bamboo cane shoes are lighter than horses, who is afraid? A cloud of smoke and rain is Ren Ping's life.
A cloud of smoke and rain is Ren Ping's life. One of my favorites. Don't be afraid of the sound of wind and rain in the woods, why not let go of your throat and chant calmly.
Bamboo cane and straw shoes are lighter than riding a horse, these are all small things, so what's so scary? Put on a coat and let the lake and sea live a moderate life. I don't know how many people have used it as a motto and signature file.
There are many ups and downs in life, but Su Shi still retains a spaciousness. Let it blow and rain, I will live my life. I am also fascinated by such a realm.
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The haggard short Li gentry in the south of the city, the amorous black hat dyed with yellow dust. You can't read the things of your life, and you will die after reading the world. The sunset is suitable for wine, and the west wind is sad.
Let him be old with bees and butterflies, and the bright moon garden is a small spring. These two lines of poetry borrow the scenery to lyrical, with "bees, butterflies, yellow flowers, and old flowers" to write about the sadness of autumn, and then write under the "bright moon", the scenery of the "garden" is full of spring, revealing vitality, thus forming a contrast, showing the author's positive attitude towards life full of hope in the face of adversity.
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Occasionally, Lin Suo, talk and laugh without a repayment date. This poem is from Wang Wei's Zhongnan Farewell. This place used to be the residence of Song Zhiwen, and later Wang Wei came here to be completely attracted by the natural interest, the water is poor, the clouds rise, are all scenery.
The first six lines of the poem are all descriptions of natural scenery, and at the end add human activities, and the word "accidental" is a portrayal of the poet's leisurely mood.
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The meaning of the finishing touch is to add incisive sentences in key places when composing or speaking metaphorically, so as to make the content more vivid and expressive.
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The finishing touch means the best and most exciting part of the content of the article.
1. Pronunciation. The pronunciation of dot jing stupid and zhi pen is diǎn jīng zhī bǐ.
2. Interpretation. 2. As an object; Used as part of an article or work.
3. Source. In the Book of Jin: The Biography of Gu Kai": "Every painting of Kaizhi is successful, or he does not pay attention for several years. People ask why. Answer: 'The four-body Yan is less than the subtlety, and the portrayal of the spirit is in the middle of the vision. ’”
4. Synonyms.
1. Wonderful pen and flowers: with a spike staring metaphor for outstanding writing talent. It is also known as "the wonderful pen of raw flowers".
5. Antonyms.
1. Self-defeating: It refers to trying to be smart and doing better, but you end up doing something stupid or making things worse.
2. Draw a snake and add feet: After drawing a snake, add its feet. The metaphor is redundant.
The finishing touch is a sentence
1. A few ingenious curtains will make the home warm and beautiful, make life more colorful and flavorful, and are the finishing touches to create a home atmosphere.
2. The bird pattern can be the finishing touch on the clothes to achieve the whole design, or it can only be used as an embellishment pattern to play a small role in the whole picture.
3. It is definitely a collection worth investing in, and it is the finishing touch that should not be missing in any wardrobe.
4. Locks play a very important role in home life, and good locks are not only the guarantee of people's lives and property safety but also the finishing touch of the portal.
5. Metal cabinet doors and lines first appeared in the overall cabinet and became the finishing touch of the cabinet.
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In the Anle Temple of Jinling, there are three eyeless dragons on the wall inside the main hall. Why is this so?
Whether this story is true or not, I don't know. Legend has it that the painter Zhang Sengqiu, who has super painting skills, painted four dragons for Anle Temple, and it turned out that there was no clan smiling a little bit of a trillion. He said that whatever finishing touch is to live. painted an eagle for Xingguo Temple, and the eagle flew away; Painted a harrier for the Emperor's Temple, and the harrier flew away.
The monks of Anle Temple don't believe it, and there are people watching on the third and outer floors of the hall. Zhang Seng Miao lifted the pen to the dragon's eye, and sure enough, the sky was full of dark clouds, the wind was fierce, and the momentum was huge. A dragon actually flew up, circled in the sky for a while, and then flew away.
The crowd was half frightened and fled for their lives. A group of monks collapsed to the ground in fear. Since then, Anle Temple has only three eyeless dragons.
After nearly 100 years, Yan Zhiben, a painter who is known as the first painter in the dynasty, came to Anle Temple. He ** these three dragons, it is really lifelike. He touched the dragon's body, felt the ups and downs, and the heartbeat. The dragon also seemed to be calling to fly away.
The old monk in the temple saw the dragon flying away, and hurriedly stopped Yan Liben's eyes, and also sent the clever little monk to monitor and guard day and night. Because the old monk was afraid that the dragon would take a look, he flew away again. A monk proposed to build another painting wall and let Yan Liben paint, and if he flew away, he would not lose anything.
The plan was good, but Yan Li observed Zhang Sengqiu's paintings day and night, and his mind was full of dragons. One night, while the guarding monk was asleep, he secretly went to get his eyes on it. As a result, the main hall was also like thunder, but the dragon changed from raising his head to bowing his head, and he was lifeless.
Yan Liben's failure left him disappointed and decadent, and from then on, he vowed never to touch his paintings again. He also cautioned future generations not to engage in painting either. Because if you paint, you can't paint Zhang Seng Miao and Cao Buxing, at most you are worthy of being a craftsman, serving them in a clear code.
It seems that this incident hit him quite hard.
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1. The finishing touch specifically refers to writing the main idea of the original text and running through the whole text, so it is the finishing touch. From "The Book of Jin: The Biography of Gu Kai", it refers to the addition of incisive sentences in key places when composing or speaking metaphorically, so as to make the content more vivid and expressive. Refers to the brilliance of the article.
2, "The Book of Jin: The Biography of Gu Kai": "Every painting of Kaizhi is successful, or it is not eye-catching for several years. People ask why. Answer: 'The four-body Yan is less than the subtlety, and the portrayal of the spirit is in the middle of the vision. ’”
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画龙点簈 [ huà lóng diǎn jīng ]: Originally described as the wonderful painting of the Liang Dynasty painter Zhang Seng Xuan. When writing an article or a speech, use a few sentences at key points to point out the essence and make the content vivid and powerful.
目不转目 [ mù bù zhuǎn jīng ]: The eyeballs stare motionlessly. Describe concentration.
眼不回眸 [ yǎn bù huí jīng ]: Same as " 目不回目 ". The second episode of "Tianyuhua": "Guoying was numb when he saw it, and his eyes couldn't look back. ”
Drumeye Storm Eye [ gǔ jīng bào yǎn ]: Refers to the appearance of the eyes protruding.
目乱目迷 [ mù luàn jīng mí ] describes the scene seen as complex or strange and changeable, which is amazing. Same as "confused".
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Pinyin: diǎn jīng zhī bǐ
Source: Jin Shu Gu Kai's Biography "Tie Pei: Hao Cong "Kai Zhi every painting is successful, or a few years without eyesight. People ask them to know the socks. Answer: 'The four-body Yan is less than the subtlety, and the portrayal of the spirit is in the middle of the vision. Example sentence:
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1. The finishing touch refers to the wonderful point of the article.
2. Source: In "The Book of Jin: The Biography of Gu Kai": "Every painting of Kaizhi is successful, or it is not eye-catching for several years." People ask why. Answer: 'The four-body Yan is less than the subtlety, and the portrayal of the spirit is in the middle of the vision. ’”
3. Translation: Gu Kaizhi often doesn't paint his eyes after painting portraits, and people ask him what the reason is, (he) said: The arms and legs are beautiful or ugly, and it doesn't matter at all to the beauty of expressiveness, and the key to vivid portrayal of the image is precisely in this thing (eyes).
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