Ask for poems to write about, 20 ancient poems to write about

Yugezi Zhang Zhihe.

The egret flies in front of the Xisai Mountain, and the peach blossoms flow and the mandarin fish is fat.

Green hats, green clothes, slanting wind whispers do not need to return.

Send Yuan Er envoy Anxi Wang Wei.

Weicheng is light and dusty towards the rain, and the guest house is green and willow-colored.

Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west.

Wanglu Mountain Waterfall Li Bai.

The sunshine incense burner produces purple smoke, and the waterfall hangs in front of the river.

The flying stream went straight down to 3,000 feet, and it was suspected that the Milky Way had fallen for nine days.

Yong Liu He Zhizhang.

The jasper is made into a tree high, and ten thousand green silk ribbons hang down.

I don't know who cut out the thin leaves, and the spring breeze in February is like scissors.

Quatrain Du Fu.

In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.

The mud melts and flies the swallows, and the sand warms the mandarin ducks.

Xiao Chi Yang Wanli.

The spring is silent and cherishes the trickle, and the shade of the trees shines on the water and loves the sunshine.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Mountain line Du Mu.

Far up the cold mountain stone path slope, Baiyunsheng has a home.

Parking sits in love with the maple forest in the evening, and the frost leaves are red in February flowers. From the point of view of rhythm, ancient poetry can be divided into ancient style poetry and close style poetry, with the Tang Dynasty as the boundary, the previous poems were ancient style poems, and then, the ancient style poetry gradually declined, gradually died out, ancient style poetry is also called ancient poetry or ancient style, near style poetry is also known as modern style poetry.

From the "Book of Songs" to the Yu Xin of the Northern and Southern Dynasties, they are all ancient style poems, but the poems after the Tang Dynasty are not necessarily all close style poems, specifically because of the rhythm and rhyme.

Summary. Peach Blossom [Author] Luo Yin [Dynasty] Tang Nuan touched the placket of the clothes and was indifferent, and the plum and willows were not fragrant. A few branches of Yanfu Wenjun wine, half a mile of red Song jade wall. No one doubts the hope of the day, and sometimes it is desolate through the rain. The old mountain is still like this, looking back at the east wind and breaking the bowels. >

Peach Blossom [Author] Luo Yin [Dynasty] Tang Nuan touched the placket of his clothes and slowed his hands to be fragrant, and the plum covered the willow banquet Zheng Bushengfang. A few branches of Yanfu Wenjun wine, half a mile of red Song jade wall. No one doubts the hope of the day, and sometimes it is desolate through the rain. The old mountain is still like this, which Song looks back at the east wind and breaks his bowels. >

The riverside walks alone to find flowers, its fifth [Author's lead] Du Fu [Dynasty] Tang Huangshi Pagoda in front of the river to the east, the spring royal Biguang is lazy and leans on the breeze. The peach blossoms are blooming in a cluster without an owner, and the cute crimson loves the light red town Xiaoqin?

Peach Blossom [Author] Su Shi [Dynasty] Song Dynasty does not wait for the leaves, and there is no order for the dense embellishment. The swamp people spied on the prison, and the fish splashed the bridge.

Send the king to the bamboo building Tang · Li Jiayou is proud of the five marquis, and the Xijiang River takes bamboo to raise high-rise buildings. The south wind does not use the palmetto fan, and the gauze hat sleeps on the water gulls.

Qinzheng Lou Xilaoliu [Author] Bai Juyi [Dynasty] Tang Dynasty is a half-decayed wind tree, and he is amorous and immaculate. A willow in Kaiyuan, the spring of the second year of Changqing. >

Two willow branches[Author] Bai Juyi[Dynasty] Tang Yishu has thousands of branches in the spring breeze, tender in gold and soft in silk. In the deserted garden in the west corner of Yongfeng, no one belongs to anyone all day long. A tree decays and buries the soil in the wilderness, and the twin branches of the glorious orange shout to plant the heavens.

After knowing that after this spring, two stars will be added to the light of Liusu. Liquid >>

"Light Rain in Early Spring" Han Yu Tianjie The light rain is as moist as a crisp, and the grass color is close but not close. It is the most beneficial spring of the year, and it is absolutely better than the smoke and willows in the imperial capital.

Yongliu" He Zhizhang jasper is made into a tree high, and ten thousand green silk ribbons hang down. I don't know who cut out the thin leaves, and the spring breeze in February is like scissors.

Weicheng Song" Wang Wei Weicheng is light and dusty, and the guest house is green and willow-colored. Persuade you to have a glass of wine, and there is no reason to go out of Yangguan in the west.

Huaishang Farewell to Friends" Tang Zheng Gu Yangtze River Head Yang Liuchun, Yang Huachou killed the people who crossed the river. A few bagpipes leave the pavilion late, Jun to Xiaoxiang and I to Qin.

The above is an ancient poem that describes things.

Momei. Wang Mian Yuan Dynasty

My family washes the inkstone pond tree, and the flowers bloom with light ink marks.

Don't let people praise the color, only leave the air full of goodness.

"Momei" praised the high wind and bright festival of plum blossoms, and the poet also borrowed things to express his nostalgia and borrowed plum blossoms to express his self-metaphor, showing his attitude towards life and noble sentiments.

Lime groans. Yu Qian Ming Dynasty

Thousands of hammers were carved out of the deep mountains, and the fire burned as if it were idle.

The congratulatory letter is not afraid, and it is necessary to leave innocence in the world.

This is a poem of words. The author uses lime as a metaphor to express his loyalty to the country, his willingness not to be afraid of sacrifice and his determination to adhere to noble sentiments.

Bamboo stone. Zheng Xie, Qing Dynasty

Insist that the green mountains are not relaxed, and the roots are in the broken rocks.

Thousands of blows are still strong, and the wind blows from east to west, north and south.

This is a poem that uses things to metaphorize people and support things, and it is also a poem of things. This poem focuses on the tenacious and persistent quality of bamboo, the tenacity and tenacity of Tuoyan bamboo, and the backbone of his old and slippery, upright and unyielding, and iron-clad backbone.

Plum blossom. Wang Anshi Song Dynasty

There are a few plums in the corner, and Ling Han opens it alone.

I know that it is not snow, but there is a dark fragrance.

The first two sentences of this poem write that the plum blossoms in the corner of the wall are not afraid of the cold and bloom proudly; The last two sentences write the fragrance of plum blossoms, personify with plums, Ling Han opens alone, the character of the metaphor is noble, the dark fragrance is refreshing, and the Zen wheel symbolizes its talent. It is also a metaphor for those who, like poets, can still adhere to ethics and advocate justice in difficult circumstances.

Komatsu. Du Xunhe, Tang Dynasty

From the small thorns in the deep grass, and now gradually feel basil.

At that time, people didn't know Lingyun Mu, and they waited for Lingyun to start high.

"Komatsu" borrows pine to write people, supporting things and irony, with profound implications. Pine, the hero and warrior among the trees. Counting nine cold days, the grass withered, and the trees withered, but it was green and cloudy, resisting the wind and snow, and calm.

However, the Lingyun giant pine grew from a newly unearthed small pine. Although Komatsu is small, it has already shown signs of "Lingyun".

Coal. Yu Qian Ming Dynasty

Chisel through the chaos to get the gold, hiding the deepest meaning of the sun and the meaning.

The bonfire burns to rejuvenate the vast spring, and the furnace shines through the night.

Ding Yi Yuan relies on generating power, and the iron and stone still exist after death.

I hope that the people will be full of warmth and work hard to get out of the mountains and forests.

The first four sentences describe the image of coal, and write about the life of coal. The last four sentences are full of feelings, expressing the poet's feelings of doing his best for the country and the people. The whole poem uses things as metaphors for people, and supports things and words.

The poet worries about the country and the people all his life, and takes the rejuvenation of the country as his own responsibility. His ambition is clearly pointed out in the last four sentences, and his self-sacrificing desire for the public is especially evident in the last two sentences. Synthesizing the whole poem, the poet expresses such an ambition in the poem:

Although the iron stone is hard, but still has the heart of the country and the people, even after a lot of hardships, he is not afraid of difficulties, and sacrifices himself to serve the country and the people.

The first "Goose".

Goose, goose, goose, song to the sky, white hair floating green water, anthurium plucking clear waves.

The second "Fortune Operator Yongmei."

Read Lu Youyongmei's words and use them contrary to their meaning.

The wind and rain send spring back, and the snow welcomes spring.

It is already a cliff with a hundred feet of ice, and there are still flowers and branches.

Pretty doesn't compete for spring, only reports spring.

When the mountains are full of flowers, she laughs in the bushes.

The third "Dream Order (Snow) [Zhang].

People are in the deep courtyard of Liluan. Mistaken for a plum sparse piece. The east wind is dancing chaotically, and the clouds are light and the level is far away. Curtains. Curtains. Fly on the embroidery and disappear.

The fourth < [Yonghe] >

Yi Chi repeatedly danced solo.

Shadow or solitary sound.

Suddenly moved.

When turning into the sound of the piano.

There are a lot of poems that describe things in the references.