The terracotta warriors and horses embody which of the ancient craftsmen s super high skills

The Terracotta Warriors and Horses of the Mausoleum of Qin Shi Huang have the following artistic characteristics:1) The shape is tall, advocating realism, and the technique is rigorous.

2) There are many types, distinctive personalities, and vivid images.

3) In the overall layout, the repetition of many upright stationary bodies is used to create a majestic momentum, which makes the people of the hood chong have an awe-inspiring and unforgettable impression.

Terracotta Warriors of Qinling.

Discovered in Lintong County, Shaanxi Province in 1974, it is known as "the eighth wonder of the world, the Qin Terracotta Warriors and Horses."

With its majestic momentum, it shocks the soul and fascinates people all over the world.

People look at the Qin figurines.

The praise of the Qin figurines is, of course, derived from the beauty of the sculptures of the terracotta warriors and horses, which is not only manifested in the tallness and subtlety of individual sculptures, but also in the grand scale formed by thousands of terracotta figurines and terracotta horses, reflecting extremely high artistic characteristics.

The first step is to use clay to make a large figurine (rough tire or first tire); secondly, on the large foundation of the figurines, the mud is re-crushed and decorated and detailed; The third step is to combine the head, hands, and torso sets that were made inherently made to complete the large-scale terracotta figurines.

The large terracotta figurines are usually dried and then calcined in a kiln at a temperature of about 1000 °C. After the figurines are fired out of the kiln, they are painted one by one, and finally the production of the terracotta figurines is completed. As far as the terracotta figurines as a whole are concerned, the production and manufacturing method is the fusion of plastic molds and the dominance of plastic.

The figurines were fired on the spot around the terracotta pit, and the soil used was a layer of local loess and quartz sand.

According to the information content of the crushed terracotta figurines for us, it can be inferred that the head and hands of the terracotta figurines are made into rough tires with molds and then complete the detailed sculpture. The production of the figurine head is often made by the mold clamping method, which is to divide the figurine head into two sections that are about the same before and after, and then mold them with a single piece, and then the two single molds are bonded together to become a large head. Most of the clamping lines are behind the ears and are usually neat, with no impressions of overlapping structures.

The necks that are connected to the figurines are hollow. After the figurines are made into the first fetus, the ears are piled up with mud to connect the ears, buns, braids, and crowns, and the details of the facial features are depicted. The main points of the carving on the top of the head are the facial features, beard and hair strands.

The facial features are completed on the basis of molding, and then according to the sculpture and decoration of the heart, in order to show the different personalities and psychological characteristics of the characters.

The rough tire of the terracotta figurine's body is made of stacking from bottom to top, and its process can be divided into six steps: the first step is to make the terracotta figurine's upright foot pedal; secondly, to create the feet of the figurines; The third step is to plastic the legs and shorts; The fourth step is to create the body of the terracotta figurine; The fifth step is to dry the large body of the terracotta figurine, and then glue the arms of the figurines; The sixth step is to connect the figurines' hands.

After completing the large-scale figurines in the above six steps, they are further carefully carved. The pattern of the terracotta figurine's clothes is carved after the thick tire of the figurine's body is covered with a layer of fine clay; Armor, trouser belts, and belt hooks are carved directly on the thick tires of the figurines. The body, hands and feet of the terracotta figurines are carefully sculpted according to the heart, and then the self-made figurines are assembled to complete the overall shape design of the terracotta figurines.

Painting process. The terracotta figurines unearthed in the terracotta warriors pit were originally all colorful, most of the colorful figurines have already peeled off when they were unearthed, and only mottled remnants are left on the body of the terracotta figurines, and the color of a few figurines with more residual colors is as new. According to the analysis of the color of the terracotta figurines, we can roughly understand the characteristics of the various clothing colors of the Qin figurines, which is a precious physical example for the color of the Qin Dynasty and the condition of military uniforms and equipment.

The basic process of terracotta warriors and horses is to shape the art of large-scale sculpture firing, and the basic process of terracotta warriors and horses is to shape them by hand, and then fire them in the kiln, and then apply color painting on the surface after the utensils are cooled down after leaving the kiln. After the terracotta warriors and horses have made samples, they need to make basic mud tires in batches, and this part of the terracotta warriors is made of water and mud

Clay is the main material used to make terracotta warriors and horses, which is composed of silicon oxide, aluminum oxide, iron oxide, and other components. Then the terracotta model was made by the method of pottery and firing. Fine clay, on which the initial model of firing is covered with a layer of fine clay, on which the processing and engraving continue.

The method of pottery firing is adopted, the preliminary appearance is made with the pottery mold, and the firing is carried out after the model is made, and the division of labor is different; It is composed of fine mud, the skin of wheat grains.

In general: the carving technique is realistic, and the attention to detail is depicted.

The Terracotta Warriors and Horses of the Mausoleum of Qin Shi Huang contain infinite power in the harmony and unity of the overall movement, revealing the admiration and reverence of the artistic designers for the military power of the Qin Dynasty. As a sculptural individual, the concretization of the image, especially the individualization of the face, adds to the vigor of the military formation. The terracotta figurines are made by a combination of molding and hand-kneading.

The use of figurative realism, "to the vast, as subtle as possible."', truthfully reflecting the strong situation of the Qin State.

I adopted! Realistic depiction and shaping of expression!

It adopts the expression technique of combining painting and plastic.

2018-11-11 20:49:36 Vocational University 2017 Art Appreciation Check-in!

This is a double negative sentence. In other words:

1. Walking into the hall, all the people were impressed by the magnificent momentum and superb craftsmanship of the terracotta warriors. (declarative sentence).

2. Walking into the hall, how can people not be impressed by the magnificent momentum and superb craftsmanship of the Terracotta Warriors? (rhetorical question).

Engraving or something... Go to Xueba and ask.。。