Wang Wei is a representative writer of landscape and pastoral in the Tang Dynasty in China, why does

Wang wei. The poetry and art attainments are particularly high, and the pastoral landscape poetry style is natural and refinedIt shows his leisurely and chic emotions and quiet and relieved state of mind, leaving valuable cultural sentences for future generations

Most of Wang Wei's landscape poems were written in the later period, and compared with the poems of his predecessors, he expanded the content of the poems, increased the artistic style of the poems, and made the landscape poems reach an unprecedented height, which is an unprecedented achievement. Wang Weita has made outstanding contributions to the development of classical Chinese poetry, among which the poems that write about the rural landscape and the pastoral life of the peasants are particularly prominentIt's full of rural atmosphere.

Wang Wei's talent has been shown since he was a child, he has been smart since he was a child, and he went to the capital when he took the exam at the age of fifteen, because he wrote good poetry, and his attainments in calligraphy and painting were also very high, and his talent was also good, so the young Wang Wei soon became a famous figure in the capital as soon as he arrived in the capital. Later, Wang Wei became a representative of the pastoral landscape poetry school.

Wang Wei inherited and developed the tradition of landscape poetry pioneered by Xie Lingyun in the creation of poetry, and also absorbed Tao Yuanming.

The essence of the fresh and natural idyllic poetry makes the creation of landscape idylls unprecedented, so it occupies an important position in Chinese history. was given the nickname "Poetry Buddha" by later generations, he and Meng Haoran.

Li Bai and others are equally famous, and Wang Weihe uses poetic language to write lyricism and scenes, and the lines of the poems are eclectic.

The language of Wang Shi's poems is more subtle andSentence structureFresh, bright, harmonious rhyme, with the best beauty. In short, Wang Wei's landscape poems have had a profound impact on later poems, both in terms of subject matter and content, as well as in the writing of poems.

Because he has always lived in a beautiful countryside and is ignorant of the world, he will have a deep attainment.

It is also related to the environment he touches, and it is also directly related to his own personal level.

Living a life like an idyllic fairy without asking about the world, the artistic conception and ideas are of course different from ordinary people.

The back waves of the Yangtze River push the front waves, and the generation is stronger than the first wave, and it is still very literate.

Because Wang Wei studied sincerely, he was a representative writer of landscapes and pastorals.

Wang Wei is willing to learn, he is constantly improving, and it is inevitable to have this ability.

Wang Wei was full of wealth and talent, and everything he wrote was included in the historical records.

Because he is very cultured and versatile, his calligraphy and painting are very famous, and he is also very proficient.

<> from the perspective of Western psychology, the so-called imagery refers to the memory of sensory consciousness, that is, the result of any external world or one's own phenomena being perceived and conscious through the senses, usually composed of various specific sensory impressions: color, sound, taste, smell, cold and heat, movement and stillness, touch, etc.

From the perspective of the composition of the Chinese lexicon, as a compound noun that first abstracts and then concrete, imagery obviously mainly includes: abstract subjective "meaning" and concrete and objective "image", which is the harmonious blend and dialectical unity of "meaning" (the poet's subjective aesthetic thoughts and aesthetic feelings) and "image" (the scenes, things and scenes of real life as aesthetic objects).

Imagery is the elevation of objects, it gives the poet more subjective color, it is less copying than the image, more creation, it is the dynamic power of the poet's personality and emotions and the integration of all things, it is the aesthetic image that has been comprehensively transformed and reassembled by the poet. Integrate the virtual and the real, turn the scenery into feelings, so as to achieve the purpose of drawing the reader's feelings with the artistic image of combining the virtual and the real and the scene together.

For example, in "Xinyiwu", "wood powder hibiscus flowers, red calyx in the mountains." The stream is lonely, and they open and fall. It is no wonder that Hu Yinglin wants to say that this poem is a work of "entering Zen", "reading the life and experience of forgetting, and all thoughts are silent".

Another example: in "Mountain Dwelling Autumn Twilight", "the bright moon shines among the pines, and the clear spring stone is upstream." This method of depicting only the scenery and placing all the feelings in the scenery without directly revealing it at all is the method of "replacing the virtual with the real and hiding the feelings in the image", which can often receive the aesthetic effect of "the language is not full of feelings and the feelings are infinite".

As Wang Guowei said: "All scenery is love." The predecessor's comment that "Wang Youcheng is like a hibiscus in autumn water, leaning on the wind and laughing at himself" is the most appropriate.

He is good at discovering and capturing the image characteristics and states of natural scenes, composing and selecting colors with the painter's painting skills, and integrating the poet's unique emotional experience, aesthetic feelings and spiritual realm of nature into the scenery, creating a quiet and elegant artistic realm.

He expressed his love for freedom, because he has always had his own unique understanding and pursuit of freedom.

It expresses his longing for his hometown, and also expresses his thoughts and feelings about his hometown. And also expressed his thoughts and feelings of yearning for a better life. Wang Wei is a very good poet who has written many excellent ancient poems, and many people like him very much.

As a poet of the pastoral school of landscapes, Wang Wei's poems express his yearning for pastoral life and longing for his hometown.

It is known as "Poetry Buddha, Wang Youcheng".

Wang Wei, a poet and painter of the "Landscape Pastoral School" in the Tang Dynasty of China, is known as "Poet Buddha, Wang Youcheng".

Wang Wei was born in the Wang clan of Hedong, and was promoted to the Shidi in the ninth year of the Kaiyuan Dynasty (721) of Xuanzong of the Tang Dynasty, and was Taile Cheng. The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. During the Tianbao period, the worship of the Ministry of Langzhong and the matter were in the middle of the matter.

When An Lushan captured Chang'an, he was forced to accept a false position. After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, so he was called "Wang Youcheng".

I checked it for you.

Wang Wei participated in Zen enlightenment, learned Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., and was famous for his poetry in Kaiyuan and Tianbao, especially long five words, and many landscapes and pastorals, and Meng Haoran was called "Wang Meng", known as "Poetry Buddha" [1].

Meng Haoran is Wang Wei and Meng Haoran.

Landscape idyll, one of the ancient Han poems. Xie Lingyun and Tao Yuanming of the Jin Dynasty originated from the Northern and Southern Dynasties, represented by Wang Wei and Meng Haoran in the Tang Dynasty and Yang Wanli in the Song Dynasty.

These poems are known for their depictions of natural landscapes, rural scenes, and a peaceful and tranquil life of seclusion. The poetry is timeless and beautiful, the style is quiet and elegant, the language is clear and concise, and the white drawing technique is mostly used.

In the Tang Dynasty of China, the landscape idyllic poetry school mainly reflected pastoral life and depicted landscapes. He inherited and developed Tao Yuanming's idyllic poems and Xie Lingyun, Xie Hao's landscape poems, etc. Representative figures include Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian in the Tang Dynasty, Wei Yingwu and Liu Zongyuan in the Tang Dynasty.

Meng Haoran (689-740) was a native of Xiangyang, Xiangzhou (now Hubei Province), whose poems were fresh and elegant, and the scenes were blended, and Wang Wei was equally famous, and he was known as "Wang Meng".

Yes, the landscape idyll school is represented by Meng Haoran and Wang Wei, in addition to Chu Guangxi, Chang Jian, Zu Yong, Pei Di, Qi Wuqian and others. They inherited the creative traditions of pastoral and landscape poems of Tao Yuanming, Xie Lingyun, Xie Hao and others since the Jin and Song dynasties, and formed a poetry genre with common themes and similar artistic styles. Their poems depict natural landscapes and pastoral landscapes, express the taste of returning to simplicity and temperament, and express the leisure and elegance of a secluded life.

Their poetry style is fresh and natural, the artistic conception is distant and leisurely, and the writing of scenery is expressive, which improves the artistic skills of poetry to express natural scenes, and is a wonderful branch in the Tang Poetry Art Garden.

Specific style: fresh, high-minded, broad pattern, and thousands of weather.

The Shanshui Pastoral School mainly depicts natural landscapes such as landscapes and sings about pastoral life, mostly with rural scenery and the labor of farmers, herdsmen, fishermen, etc. The poets take the natural landscapes or rural natural scenery and pastoral life as the objects of their chanting, and cast delicate brushstrokes on the quiet mountains and forests and leisurely fields, creating an idyllic life, in order to express their dissatisfaction with reality and their yearning for a quiet and peaceful life. Landscape idylls belong to the category of writing landscape poems, and the main feature of this type of poetry is that "all scenery is love."

Wang Wei's poems, the ancients made two most important evaluations.

1. There are paintings in poems, and there are poems in paintings. It is said that Wang Wei's poems can copy the natural scenery without losing the true meaning, and when reading the poems, it is like being able to appreciate a beautiful picture, and his poems are "fresh and distant, natural and refined".

2. Wang Wei is known as the "Buddha of Poetry", his good Buddha and the same Buddha's principles, he knows the ideas of Buddhism very well, and incorporates a lot of Zen of Buddhism when writing (Wang Wei rarely writes poems about Zen principles, but Zen is integrated into his works), such as "Reward Shaofu" in "The pine wind blows the belt, and the mountain and the moon shine on the piano." Jun asks the poor and reasonable, and the fishing song enters the depths of Pu".

Wang Wei is the master of landscape poets, who has pushed the ancient landscape idylls to a higher level.

China's landscape idylls originated during the Wei, Jin, Southern and Northern Dynasties. It is the crystallization of the historical and cultural development of the Chinese nation, and its most significant feature is that it focuses on lyricism and expression, and is accustomed to using hazy, empty, and distant scenery to render the emotional tone. When depicting natural landscapes and customs, they often have a variety of colors such as simplicity, nature and agility at the same time.

And Wang Wei is the master of the collection after Xie Lingyun and other landscape poets. It pushes the ancient Chinese landscape idyll to a higher level.

The fundamental reason why Wang Wei was able to stand out in the poetry of the Tang Dynasty was that his landscape idylls were very good, which was unattainable by his predecessors, and he was respected as a generation of masters and craftsmen who were proficient in Zen theory, and was a typical representative of Chinese landscape idyll. Wang Wei is good at capturing the dynamics, colors and sounds in the natural world, and can convey the quiet and ethereal Zen through the natural landscape of the landscape and pastoral, creating a simple, fresh, natural and quiet artistic conception, making the landscape idyll full of interest.

Wang Wei's natural landscapes are colorful. Because Wang Wei is not only a simple poet. He was also proficient in rhyme, calligraphy and painting, which laid a solid foundation for him to develop his own style of poetry.

And prompted it to create an artistic realm of landscape idylls that are intertwined with poetry and painting, strong Zen, and dynamic and static.

Wang Wei's idyllic landscapes give people the enjoyment of beauty and Zen fun, which is a very unique place for him.

Meng Haoran was a representative writer of the Tang Dynasty Landscape Idyllic School, which was as famous as Wang Wei, and was the first poet in the Tang Dynasty to write a large number of landscape idylls.

Wang Wei participated in Zen and enlightenment, learned Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., and Meng Haoran was jointly called"Wang Meng"。

The main content of Wang Wei's poems is to reflect the idyllic life and describe the natural landscape. For example, "Weichuan Tianjia", "Autumn Dusk in the Mountain House", "Zhongnan Mountain", "Birdsong Stream", "Luchai", "Bamboo Pavilion", "Xinyiwu", etc., or write about the quiet and leisurely life of the countryside, or write about the quiet and beautiful natural scenery.

The so-called pastoral poet is not a person, but a class of people. It refers to those poets who do not value fame and fortune and raise flowers at home, and the poems they write are relatively elegant and full of interest.

Wang Wei is a representative of the Tang Dynasty landscape idyll. He inherited and carried forward the landscape poetry pioneered by Xie Lingyun and became unique, so that the achievements of landscape idylls reached a peak, and has an important position in the history of Chinese poetry.

Meng Haoran and Wang Wei are known as the pastoral poets of the Tang Dynasty, although Meng Haoran's poems are not as broad as Wang Wei's poems, but they have unique attainments in art, and they are the forerunners of the Tang Dynasty pastoral landscape poetry school after Tao Yuanming, Xie Lingyun and Xie Wei.