How to Sing a Good Song 5

Updated on amusement 2024-05-18
7 answers
  1. Anonymous users2024-02-10

    Exercise, first practice the lung capacity, you can go to the vocal class, pay attention to the vocal method, try to make the sound round, practice the voice every day, I am the choir.

  2. Anonymous users2024-02-09

    Hehe, I'm also 15 years old, but my voice is much better than yours, I imitate Xu Song very similarly, and I can also write songs and compose music! I don't plan to enter the entertainment industry in the future, I just want to create silently alone and become an Internet singer! A little more talking, hehe....I think the voice is something you have, and if you have to practice, you can only change it a little bit, and also, are you angry sometimes and have no sound at times?

    In fact, in some places, ventilation should be very fast, Xu Song's is that I only need half a second to ventilate, otherwise I can't connect it! The voice is gone, that is, the place where you sing is bass, you have to practice more, it is recommended to take Xu Song's "Qingming Rain" or "Bancheng Smoke and Sand" to practice bass, I am also good bass now, it is from practicing these two songs, come on! Hope you've changed....

  3. Anonymous users2024-02-08

    Women learn to sing with male voices, men learn to sing with female voices, and it won't be long before your singing skills go up.

    There are many such people! For example, Xu Song, Ashin, Jay Chou, Li Yuchun, Li Yugang, ......

  4. Anonymous users2024-02-07

    Make good use of the dantian, that is, under the stomach, luck.

  5. Anonymous users2024-02-06

    Li Guyi said that as long as you can hear yourself out of tune, you can still correct it, if you feel good and others listen to it out of tune, you will be cured.

  6. Anonymous users2024-02-05

    Here's how to sing nicely:

    Singing posture. The head is straightened, the facial and neck muscles are relaxed, and the chin is slightly retracted. Straighten your chest and relax your shoulders, arms, and hands.

    Stretching your shoulders down and back quietly, helps your chest expand. The vertebrae in the back should always have the feeling of extending upwards and downwards, that is, the spine should stand up. Standing with your feet naturally apart, or standing back and forth, has an upward sense of accomplishment.

    The whole person is in a positive and relaxed state.

    Breathing patterns. Singing breathing is a controlled breathing movement based on natural breathing, the purpose of which is not only to gain the ability to breathe in large amounts of air, but also to exhale air with a conscious cavity and controlled force, thus ensuring the smoothness and unity of the voice. Chest and abdominal breathing is borrowed from bel canto, where the diaphragm and ribs are combined to breathe.

    Oral resonance. The mouth opens naturally, the face is smiling, the lower forehead is naturally lowered, and the palate is raised. This resonance effect is bright, anterior, easy to contact with the head cavity, and reduces the burden on the laryngopharynx, which in turn protects the vocal cords. (dot on the anterior part of the hard palate).

    Vocalization:

    The vocal process of singing is composed of three parts: breathing, vocal cord vibration, and resonance. When we master the correct breathing method, so that the vocal cords vibrate scientifically and the resonance cavity of the body opens and coordinates with the premise, a scientific singing vocal method is formed.

    The correct vocalization should be combined with the correct articulation and articulation. Through the practice of combining words and voices, the flexible movement ability of the lips, teeth and tongue is improved, so that it can express the song and emotions and content more perfectly and vividly.

    True voice: If all the vocal cords vibrate when singing, you are singing with your true voice, and the timbre of the true voice is bright and full. Its vocal state is:

    The vocal cords are tensed during vocalization, and the overall vibration of the vocal cords is clearly felt. The voice produced by the real voice is strong, bright and strong, and the sound quality of a person's speech is relatively close.

    Falsetto: The timbre of falsetto has a special artificial sound. Its vocal state is:

    The vocal cord vibration is relatively relaxed during vocalization, the vocal cord tension is not strong, and the sound in the middle and low vocal areas is not strong enough. If the treble is pure falsetto, it will make the tone monotonous, lose its "personality", and be unexpressive.

  7. Anonymous users2024-02-04

    Singing skills: the first step is breathing, the second step is vocalization, and the third step is articulation.

    When it comes to breath, many people think it's very mysterious, but it's actually the state you are in when you sleep. Or if you look in front of the mirror, inhale and exhale sharply, your shoulders don't move at all, that's basically right, first develop this habit (not only singing, but also use this breath in your daily life), and then strengthen it with some technical exercises.

    After you get used to using the above breath state, I recommend the simplest vocal exercise: the use is to pull out your natural timbre, the breath requirements are the same, use the feeling of sighing to naturally pronounce the vowel "ma", you can use your hands to lift the laughing muscles, with the feeling of laughter to make a sound, remember, do not hang up your throat when vocalizing, sigh the breath to the chest cavity to make a sound, and stop if you feel uncomfortable during the practice.

    But make time to make time every day to feel the sensation of being vocalized. During the practice, the state of the oral cavity should be kept as natural as speaking, but it is more exaggerated than speaking: the oral cavity is moderately open, the soft palate is appropriately raised, the Adam's apple is in a low position, the tongue is relaxed and flat without shrinking, and to put it bluntly, it is the feeling of yawning.

    In fact, the articulation of all songs is basically inseparable from the four articulation methods of "open, up, clumsy, and combined", except for a very few words that need to be combined with the method, roughly all songs are universal, and some of the high notes when singing can rely on these four articulation methods to help themselves sing the high notes.

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