What are the key points of identification of blue and white dragon porcelain in the Qing Dynasty? Ho

Your question, such porcelain varieties, Qing Dynasty blue and white dragon pattern porcelain, is mainly from the fetal quality, color, modeling, production process as a whole comprehensive judgment; Genuine items can be auctioned!

Playing porcelain requires a lot of tuition to learn! Go on the **!

a.Graceful and luxurious, magnificent.

b.The dragon pattern is beautiful, leisurely and transcendent.

c.The momentum is fierce and the form is strong.

d.Calm and solemn, majestic and majestic.

Correct answer: Zhou Minwei: The momentum is fierce, and the form is strong.

<>1. Look at the glaze, most of the glaze of Qianlong porcelain has orange peel patterns, and some utensils, such as the blue and white six-character section of the green material part of the card, see a more obvious needle eye feeling. Most of the imitations have no orange peel lines, and the glaze is brighter than the real product, and there is no sense of thickness.

2. Look at the foot, the utensils in the Qianlong period are circled, and the Ji red and Ji blue in the official kiln are generally in the shape of glutinous rice flour loach back. The imitation fetal feet are neat and hard, and the mechanical process is obvious.

3. Looking at the pigment, Qianlong blue and white porcelain is blue and elegant, and the fruits and leaf petals in the decoration are colored by dot dyeing, with different shades of layering. Imitations are mostly colored by the smear method, and there are also those that are dyed with dots, but the blue and white pigment is thinner and floats on the surface.

4. Look at the decoration. The utensils of the Qianlong period are mostly decorated with dragon and phoenix patterns and auspicious patterns. In addition to some of the decorative styles following the Kangxi and Yongzheng legacies, there are also a variety of decorations and colorful glazed utensils such as pile paste, color painting, hollowing, color glaze, etc., which are bright and distinctive.

The pattern of the later imitation is multi-colored and gloomy, dull, and the painting style is godless and sluggish.

5. Look at the words, the porcelain output of Qianlong was more, and the people who wrote the potatoes changed hands several times, and the words of the paragraph were bent and bent more, among which the strokes of the five characters of "Qing", "Qian", "Long", "Year" and "System" were slightly different. There are also many people who write the Qianlong year number, and also write the six-character seal book of the "Qianlong year system of the Qing Dynasty".

1. Identification of the carcass of Qing Kangxi blue and white porcelain skills: Although the carcass of the early Kangxi period was fine and the porcelain was solid and compact, it still failed to get rid of the heavy characteristics of the late Ming Dynasty. In the middle and late stages, it became thinner, close to Yongzheng's light and handsome.

Modern high-imitation Kangxi porcelain, its carcass thickness is uniform, the beginning is calm and dignified, but the tire is thin but too light. The carcass has both thickness and thickness, the fine one is not as smooth and delicate as the real product, and it has a rough feeling when touched carefully, and it is difficult to distinguish its authenticity from the carcass.

2. Identify the enamel of Qing Kangxi blue and white porcelain skills: The enamel of Kangxi ware is delicate and closely integrated on the top of the fetal bone, which is completely integrated. It is known as white glaze, clear glaze and pink white glaze.

This glaze color is rarely seen in modern imitations. Now I use a general transparent glaze, although it is also delicate, but the fire is too great, and it is particularly dazzling. Nowadays, there are many imitations, there are many ways to do it, for the treatment of fire, it is generally used to soak in grinding or acidic potion, polishing, there are subtle scratches on the surface, and if you soak it, the surface is too rough and old.

3. Identify the shape of Qing Kangxi blue and white porcelain: Kangxi porcelain opened a precedent for modeling. Among them, the official kiln ware is mostly small pieces, and the large ware is rare, while the blue and white ware of the folk kiln is rich and diverse, and there are many large vessels.

We usually see the mallet bottle, the big square bottle, the phoenix tail Zun, and the Guanyin bottle are also mostly out of the folk kiln.

During the Kangxi period of the Qing Dynasty, the porcelain of the official kiln in Jingdezhen was recognized. The Kangxi Dynasty of the Qing Dynasty lasted 61 years (1662-1722), during which the economy flourished and overseas ** prospered. According to the literature, Kangxi officially burned imperial porcelain in the Jingdezhen Imperial Ware Factory in the nineteenth year.

Kangxi Palace kiln model, with blue and white cobalt material writing is more, followed by enamel color model, printing and engraving style less. Among them, the blue and white writing model, the blue and white color is pure and bright, deep under the glaze, with typical characteristics of the times.

Due to the long firing time and large changes before and after, Kangxi porcelain can be divided into three periods: early, middle and late: the early period is from the first year of Kangxi to the nineteenth year of Kangxi; The middle period is from the 20th year of Kangxi to the 40th year of Kangxi; The late period is from the 40th to the end of the Kangxi Dynasty, the most prominent of which is the porcelain in the middle of the Kangxi Dynasty is the most charming, and the styles of the three periods are also different.

Kangxi official kiln paragraph, italics accounted for more than 90%, with blue and white double circle regular script "Kangxi year of the Qing Dynasty" six-character paragraph is more, the font is dignified and neat, strong and powerful, each stroke has a touch, the distance between the words is relatively large, and the seal section is less than 10%. In the early Kangxi period, the official kiln regular script was thick, vigorous and upright, ancient and clumsy, and the layout was wide; In the later period, the font gradually became clearer. The italic "Kangxi Imperial System" official kiln model is mostly written with imported enamel materials, the font is strong and thick, the outer frame of the outer frame is wider.

The blue enamel color material model, because of the thick glaze, the tone is deeper than Yongzhengshi. The word "Qing" in the six-character regular script official kiln, the word "Kang" has two ways to write, of which the first stroke of the word "Kang" will have two situations, one is independent, and the other is connected with the seventh stroke. Kangxi seal palace kiln is a thin and hard iron line drawing.

Kangxi enamel porcelain, the general book "Kangxi Imperial System" four-character material. Kangxi color glazed porcelain, blue and white glaze red and colored porcelain, most of the books "Kangxi Year of the Qing Dynasty" two lines of six-character regular script. Small and delicate Kangxi cowpea red porcelain, sky blue glazed porcelain and other court stationery utensils are often written in three-line six-character regular script of "Kangxi Year of the Great Qing Dynasty".

Literature**Bobao Art Network.

In the early days, the blue and white carcass of Kangxi was heavy, the glaze was fat and blue-white, there were shrinking glazes and small brown eyes, and there were also inconsistencies between the glaze color of the body and the bottom of the vessel. , Kangxi kiln common glaze, sticky sand, not smooth phenomenon, the bottom of the foot glaze is thin and white, common radial jumping knife marks, some foot wall with the same side obliquely cut is pointed, the diameter of the circle foot is large, many bottles, goblet, jar of the bottom foot of the shape of the step, its corner is extremely straight, commonly known as the two-layer platform or the bottom of the step. Double circle foot is also popular in this period, especially the Kui Long fold along the wash, the printing box is the majority, the inner circle is shorter than the outer ring, the two circles are exposed without glaze, the circle foot is wide and thick.

In the middle of the Kangxi period, due to the further increase in the firing temperature, the carcass was white and hard, and the section was like glutinous rice cake. There are few impurities, the carcass is thin and moderately thick, and the tire is repaired. There are two kinds of glaze, powder white and pulp white, the powder white glaze has high hardness, the pulp white glaze is slightly loose, there are occasional open pieces, and there is a bright green glaze.

The middle blue and white porcelain circle foot is not as large as the early stage, and some of the foot ends have been polished, smooth and loach-like, but there is no roundness of the late Yongzheng blue and white flowers, flint red is rare, the tire glaze is very tightly combined, and the glaze color of the inner and outer walls of the vessel and the bottom foot is basically the same. At that time, there were also porcelain tires made of finely washed slurry, commonly known as slurry tires, and the products included water bowls, ink boxes, etc., and the carcass was light.

The late blue and white glaze is blue-white glaze, the bright green glaze is the majority, there is also a pink and white glaze, the glaze luster is deep and subtle, the carcass is heavier than the middle stage, the hardness is high, the bottom foot is deep, and the flat cut is generally used, and the cutting is neat.

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