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There are three types of soft string techniques according to the way they move, they are: index finger pivot pose, thumb and index finger double fulcrum pose, and cantilever pose. 1 Index finger fulcrum index finger fulcrum soft string is the most important basic method in the soft string technique, it is the basis of other soft string methods, if this method passes, other methods will be quickly mastered, so this soft string method is also the main way for us to learn soft string skills.
2 Soft strings of other fingers 3 Double fulcrum soft strings of thumb and index finger This method of soft strings is basically the same as that of soft strings of the index finger, except that when the soft strings are performed, the thumb is placed on the neck, and when performing short soft strings, if we use the method of soft strings of the index finger, we need to add a movement of the thumb leaving the neck, which will affect the power time of the soft string technique, in this case, we are better to use the thumb and index finger double fulcrum soft strings. (The above is selected from the Guitar China Forum) The direction of kneading the strings is divided into left and right and up and down Personally, I feel that kneading the strings up and down is more commonly used, and the sound is also more powerful.
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I think the most difficult thing to grasp when pushing the string is to practice slowly and feel it slowly, and another point is to pay attention to the silence of the adjacent string when releasing after pushing the string, and you will master it with more practice; I kneaded the strings downwards, but what style of phrases do you play I think that kneading down is rougher than up, more suitable for rock, and I also practice slowly and many times, hehe, because I also come here like this!
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Kneading is to use the strength of the wrist instead of the power of the fingers, using the thumb and the fingers that press the string as support points to turn the wrist. If you only use your fingers, the force is uneven, and the amplitude of the amplitude varies.
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1. When taking out the chord cone, pay attention to how to insert the chord cone into the hole, put the string into the hole, and keep the thickest part of the double wire away from the sound hole;
2. Put the string into the slot hole and the leading edge of the groove on the corresponding chord cone, and put the string head into the hole about 4 to 6 cm deep;
3. The strings are properly held at the bridge by the small groove at the front of the cone, press the cone, and then pull the string to make sure that the string head is tightly pressed against the inside of the guitar top to fix it;
4. Tie the strings to the correct string bolt, thread the strings into the holes in the bolt, and reserve a section for the strings to prepare for tuning. After the string passes through the hole, wrap the end of the string around the string in the opposite direction around the string for half a turn, and knot the string to avoid slipping;
5. After fixing the strings, start tuning, and you can cut off the extra strings after tuning.
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<> electric guitar frets are low, and the push strings can be changed to achieve the right height. It is a product of modern science and technology, and it is significantly different from the traditional guitar in terms of appearance and sound. The body is made of new hardwood, and it is equipped with a delay and volume, a pitch regulator (buttons), and a vibrato structure (rocker).
Combined with the use of effects, the electric guitar has a strong expressive power and has a very important place in the modern **. Now it is mostly used for song accompaniment. From a regional point of view, an electric guitar is composed of a headstock, a neck, and a body (there are also a few electric guitars that are designed without a headstock, and a separate device is required for tuning in this kind of bending situation).
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Ah, actually.
Both kneading strings can be used, but the effect varies depending on the guitar.
If it is a classical guitar with nylon strings, it is generally used to vibrate the hands up and down, because the strings are very soft, and the length of the stretched strings does not have a very obvious effect, and due to the requirements for delicate timbre in the performance, it is not allowed to use left and right kneading. Kneading the strings up and down is a more formal usage.
However, if it is an electric guitar with steel strings, the length of the stretched strings can cause a large change in pitch, and it can even reach half a degree or even one degree or even more, and the way it kneades the strings can be used to knead the strings left and right, and the pitch changes greatly. Of course, if the pitch change is less demanding, the electric guitar can also use the method of kneading the strings up and down.
The folk guitar is between classical and electric guitar, it can use the technique of electric guitar, and it can also use some classical guitar techniques, and the light accompaniment does not need to knead the strings, but now the so-called finger play will use kneading the strings Therefore, depending on the music, both methods can be used. In fact, the steel line of the folk guitar is closer to the classical guitar, and the sound change effect of the left and right kneading is not as good as that of the electric guitar, so if it is a piece of music that requires delicate performance, it is generally used to knead the strings up and down, but when it comes to more modern music, it can be changed to left and right according to the need.
In short, there is no left and right kneading for classical guitars, and both electric guitars and folk songs can use left and right kneading, and can also use upper and lower kneading strings, which is temporarily decided according to the needs of the music effect.
Above. Hope it helps.
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Folk guitars don't have strings, classical ones are rubbed up and down, and electric guitars are kneaded left and right.
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The 123 strings are pushed up, the 456 strings are pulled down, and the other strings should be protected when the strings are pushed, otherwise there will be noise when the strings are loosened, and there will be more noise on the electric guitar, and the playing method should be more exquisite. LZ can first try to push the string with the ring finger, for example, from the 2nd string to the 7th fret, push the pitch to the 9th fret, and the index and middle fingers will also be used to push the string, but the ring finger pushes the string the most. Special attention should be paid to two points of string pushing, one is the pitch and the other is the string guard.
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On the guitar, there are three ways to knead the strings:
1) Fix the finger ends of the fingers close to the frets against the fretboard, use them as a fulcrum, and shake the whole palm around this point in the direction of the treble fret, the bass fret. Be careful not to slide the finger that is the fulcrum.
This method of kneading the strings is a regular practice, but it is also used on the violin, with which the change in the tone is smaller.
2) Hold down the note that needs to be kneaded, so that the fingers of the left hand pull and push the string where the note is located, in the direction of the treble string and the bass string. Be careful not to leave the fretboard.
It should be noted that kneading the strings in this way on the first string will easily pull the strings out of the fret. With this method, the amplitude of the change in the tone is larger, and if necessary, it can be half a note.
3) The combination of the first method and the second method is the third method.
Note: Either way, keep your forearms still and don't shake the piano from side to side when kneading the strings. Don't exaggerate and abuse kneading the strings either.
Kneading the strings is one of the most important methods of decorating the sound in a stringed instrument, giving it emotion and dynamism. If the strings are not used where they should be kneaded, the effect of this piece will be dull and unexpressive.
How to use the kneading strings completely depends on the player's comprehension of the music and decides for himself. However, in general, there is a principle for reference: when it comes to notes and phrases of an elegant nature, phrases in the low register, and phrases in the weak range, the speed of kneading should be slowed down and the amplitude should be increased; When encountering strong notes or phrases, phrases in the high register, and when powerful sounds are needed, the speed of kneading the strings should be increased and the amplitude decreased.
In general, you should not learn to knead the strings easily until you have mastered other skills that you are quite proficient in, otherwise it will be a great obstacle to learning the guitar formally.
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Maybe your whole hand is too stiff, and you pay attention to the violin, kneading the strings and guitar, which is a little easier to understand.
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Classical guitar with a lot of ... Electric guitars generally use rockers, don't rub them... But I don't understand, that's what I'm thinking...
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It should be the same as the violin, it was awkward at first, just practice more and find a feeling.
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Pushing the strings is a common technique used on folk guitars and electric guitars, in which the fingers of the left hand hold down one of the one, two, and three strings, and push them flat from the bottom to the top, while the right hand plays at the same time, and the strings are proportionally increased due to the change in tension. There are quarters of the strings.
1. Semitone, whole tone and other ways. Good strings can push out thirds.
Four, five, and six strings also have push strings, but they are pulled down from top to bottom. The ring finger is usually used to push the string, and the middle and index fingers can be used as an aid.
Guitar tabs are usually marked with a C or B to push the strings. The staff will mark the string with a curved arrow + half (semitone) or full (whole tone) or the word 1 4.
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Guitar pushing, is in the guitar playing, in the playing of certain notes, the left hand holds down a line and plucks the right hand at the same time, the left hand pushes the string up...
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It is a long technique when playing the guitar. When the strings are pushed, the sound will also brighten as the strings are tightened, up to two notes higher, and are used for a long time in the blues and rock 'n' roll. Most of them are used on electric guitars, but acoustic guitars are rarely used because the strings are relatively tight.
Ah, actually.
Both kneading strings can be used, but the effect varies depending on the guitar. >>>More
Basically, the brown fingerboard turns black, which means that the moisture and humidity of the fingerboard are quite high at the moment, so that it can't be pushed at all. This is not too clear because it was not used on the spot, and it is generally recommended that unless the humidity is really in a low state, for example, the pores of the fingerboard have white spots, and at that time a thin layer of lemon oil or fingerboard oil is good on the top, and the application method should be to put the fingerboard oil on the piano cloth or toilet paper first, and gently wipe the fingerboard, so that it is good, and then due to the different humidity in the region, there will be different maintenance methods, and the humidity is generally high in the summer of the domestic coastal areas. I would recommend that you don't apply fretboard oil at all at this time, and it's usually fine to apply the oil once a season or two months unless the fretboard is very dirty, otherwise try to do as little as possible: (because of your sweat.) >>>More
Take out the strings, pass the side without the small circle from the headstock, all the way to the end, fix it, and then don't pull too tightly, leave part of the string at the headstock, and then start winding, about three turns. >>>More
Don't talk nonsense upstairs. It's true that in theory, it's absolutely possible, but with good effects. At least 3000 or more. >>>More
It should be that the effect point is too flat and distorted, that is, the so-called sound "split", is there a sound similar to "stabbing and stabbing" when sweeping at a high volume? Turn the total output volume of RP55 down a bit.