Can an electric guitar strumming sweep out the effect of a folk guitar?

Don't talk nonsense upstairs. It's true that in theory, it's absolutely possible, but with good effects. At least 3000 or more.

As for what is completely impossible to match a good speaker, even if all the effects are turned off, open the original sound, it is also the taste of the electric guitar, and the folk song is very different, only through thousands of monographs (acoustic guitar effect monol, there are such monoblocks, and to tubes) can sweep out the original acoustic guitar sound. High-end band gigs use this pedal.

In addition, some people say that it is good to buy a good combination effect (800 to 2000 or so) and send it out. I'll it! Isn't this fooling people?

What comes out is the sound of an acoustic electric guitar, not an acoustic guitar. Don't confuse an ineffectless acoustic electric guitar strumming with an acoustic guitar. And don't mix the sound of an acoustic guitar plugged into the speakers with an acoustic electric guitar strumming that doesn't work.

A normal person can hear that the two are completely different.

Originally, the acoustic guitar was pure and natural, and the classical charm was that it played a sound similar to pure nature with the acoustic guitar. So that the listener can feel the heart directly from the ear. If you don't use an acoustic guitar, you will never be able to produce an electric guitar.

If the landlord is playing guitar, it is recommended that you can buy this monoblock if you have the economy. If you don't have a lot of money, you can buy a cheaper acoustic guitar and then buy an electric guitar. As a guitarist.

It doesn't matter if you play folk or electric guitar or something. At the very least, you should have an acoustic guitar in your life. (This is very important).

The above pure finishing typing, hope. If you have any questions, you can ask me directly.

If an electric guitar could sound exactly like an acoustic guitar through equipment, the acoustic guitar would have been discontinued long ago. Current technology cannot fully mimic the sound produced by the vibrations of natural wood.

Theoretically, yes, it's what we usually call clean, clean or something, generally you have to use a single-coil pickup, because the single-coil pickup is very bright, suitable for such a light timbre, and then you can use your effect to do a little peripheral effect, or directly connect the speaker to the speaker.

Of course, the quality of the amps and effects, as well as the piano and pickups, can determine whether the clean tone you produce is pure or closer to the acoustic guitar.

Also, the single-coil pickup is not very suitable for distortion, the timbre is too bright, and the noise will be relatively large, so it is generally used to make a clean or shallow distortion of the timbre.

Yes, with a good case, it is recommended to buy an effect.

Guitar, picks.

First of all, of course, the finger strumming is this method, which refers to the strumming without using other tools, and is divided into two ways: thumb strumming and thumb and index finger strumming together.

Thumb strumming: The upper and lower strumming strings are completed by the thumb, the thumb is slightly cocked when strumming, the thumb and index finger are pinched, but the top of the index finger is covered, and the remaining three fingers are naturally curved.

Then there is the method of strumming the strings with the thumb and index finger, which does not mean that the thumb and index finger participate in a single strum, but that the index finger is strummed when pointing down, and the thumb is strummed when sweeping upwards. The technique is to pinch the thumb and index finger, and then expose the index finger to show that the two fingers are crossed. It's a bit like the gesture that is popular now.

Another way is to strump the string with a pick. The tool needed here is the paddle. The pick is a common tool in guitar strumming, and it is not just used for strumming.

When using the pick to sweep the strings, be careful not to perpendicular the picks to the strings, preferably in a certain arc, so that in the process of strumming, it can not only be more smooth, but also make the sound of playing brighter.

1. There are generally two techniques for finger strumming:

Thumb strumming.

The fingers are naturally extended, slightly arced, and all the anti-string movements are done with the thumb, which is full of sound and good integrity, but the disadvantage is that the timbre is not uniform enough and the brightness is poor.

The thumb and index finger are crossed to form a "cross", and the rest of the fingers are stretched out in a birdlike shape (naturally together), and the back of the index fingernail is used for downward strokes and the back of the thumb nails for upward strokes. This strumming sound is crisp and bright, with a uniform timbre, and the disadvantage is that the sound is slightly thin.

Second, in addition to sweeping the rhythm accurately, the quality of the timbre is also an important criterion to measure the level of a guitarist. There are two main mistakes that guitar enthusiasts like to make when strumming the strings

The sound is fragmented, the timbre is muddy, and the timbre varies greatly from one to the other, especially when the first string is turned up, which gives people an abrupt feeling.

When the fingers of the right hand do not eat the string or do not eat the string enough, the voice is frivolous and lacks tension.

Third, the correct strumming is very important to unity and coordination. The angle of the arms, wrists, and fingers, the trajectory of the strings, and the depth of the strings all directly affect the timbre of the strumming. A beautiful strumming requires all of the above to be at its best.

When strumming the string, the movement of the right hand should be dominated by the wrist, and the forearm of the right hand is driven by the wave of the wrist. The wrist must be relaxed, but it should have some control, which is a difficult point. You have to shake your hand in the mirror repeatedly to feel it.

Until your wrist posture is chic, loose and elastic, and well controlled, you are qualified.

The angle at which the back of the finger touches the string is also important, this should not be a right angle, but an acute angle of about 60 degrees. Figuratively speaking, the index fingernail (or thumb pad) is slightly inward when the string is pulled downward, and the thumb nail is also slightly inward when the string is struck upwards, and the purpose of "let" is to ensure that the back of the nail is touched rather than the tip of the nail.

The trajectory of the back of the fingernail should be arc-shaped, not straight up and down. Draw a circle with your finger in the direction of the headstock when you play the string downward, and circle your finger in the direction of the saddle when you exit the string upward.

The depth of finger contact with the strings also has a big impact on the timbre. Touching the string too deeply is easy for the finger to trip on a certain string, resulting in the breakage of the sound, too shallow will not be able to eat the string, the sound will be frivolous and lack of tension.

Remember, the acoustics of the chords should be whole, and the feeling of strumming should be "piece by piece" rather than "piece by piece". It takes a lot of brains and practice.