Singing, reading, doing, and fighting are the four artistic means of Chinese opera performance, wh

The four artistic means of "singing, chanting, doing, and fighting" refer to the skills of singing, the skills of chanting, and the performance movements.

Because singing is more important to be good at using vocal skills to express the character, feelings and mental state of the characters, and express the hearts of the people in the play through the artistic appeal of vocal music.

Singing is the singing technique of actors, and reading is chanting and playing is the action of performance. It's all basic.

Singing must mean singing skills, which is a very important part of opera.

"Singing" refers to singing skills. "Do" means to do work, that is, to perform. "Nian" refers to the pronunciation of white. And "fighting" refers to martial arts.

Singing mainly refers to singing skills, face refers to the recitation part, doing refers to the expression aspect, and playing refers to martial arts.

Singing is the singing technique, and reading is the recitation and other skills, doing is generally, doing is the performance of the skills, and playing is the foundation of martial arts and dance.

Singing refers to the singing technique, reading, that is, reading white, is the recitation technique, doing, refers to doing the work, is the figure and expression technique; Fighting, refers to the martial arts in the performance.

This is arguably the most basic function.

Singing and playing is Chinese opera.

What are the four artistic means of acting, and what does "doing" refer to?

"Singing, chanting, doing, and fighting" is a Chinese drama.

The four performance techniques, singing, refers to the singing technique, reading, that is, reading white, is the reading technique, doing, refers to the work, is the posture and expression technique; Fighting, which refers to the martial arts movie posture in the performance, is a Chinese martial art in China.

Basically produced a folk dance.

Chemical martial arts skills. <>

These four forms of artistic expression are easy to sum up, but they are not easy to do. Everyone looks at Peking Opera masters, and they have been doing this kind of art all their lives, but there are not many who can be called everyone. Since any of these four items are not so easy to say.

As far as singing is concerned, "singing" focuses on "clear speech", which is one of the key forms of expression in the art of opera. For their respective polyphonic words.

There are very strict regulations on the methods of four tones of yang and yin, sharp round and voiced, and five tones and four calls. Because singing is more important to be good at using vocal techniques to mainly express the character's temperament, emotion and spiritual outlook, according to the artistic appeal of instrumental music, express the playwright's heart song.

It is not uncommon to see Peking Opera performers winning a full house after singing a paragraph.

Applause, this kind of applause is not only for the singing skills of the Peking Opera actors, but also for the praise and applause of the Peking Opera actors for interpreting the characters and promoting the storyline. Because of such a proper singing style, the whole art of opera can be raised to a higher level.

In addition, "singing" and "reading" actually complement and cooperate with each other, and Peking Opera actors have gradually practiced basic skills since childhood, and reciting classic dialogues is one of the necessary course contents. The "reading" of Chinese opera stipulates that the artist should have rhythm and quality, be strong and powerful, melodious to the ear, and be in harmony with "singing" in order to achieve the maximum level of art.

The above is my detailed introduction, after reading it, I hope it will be helpful and understand it clearly as soon as possible.

Among them, "doing" refers to the dance-like body movements, and "doing" and "fighting" complement each other to form the element of "dance".

It refers to performance, and in opera, all kinds of performances are depicted as doing, and there are a lot of physical movements in it.

This means that in the performance, there must be flexible limbs, manners, very suitable for the role, have an inner experience, and can also be expressed through the appearance to create a whole-body image.

Friends who are familiar with Peking Opera performances should have heard that Peking Opera performers need to learn the "Four Skills and Five Methods", which refer to singing, reading, doing, and playing, while the "Five Laws" refer to the hands, eyes, body, law, and steps. Let's talk about the "four skills".

As the name suggests, "singing" refers to singing skills, which is the use of various vocal skills to express the character and emotions of the characters; "Nian" refers to the reading of the white, popularly speaking, it is the dialogue and narration of the characters in the opera, and the reading of the white in the opera is mainly divided into prose and narration, which cooperates with the singing and has a sense of rhythm and **; "Fighting" refers to martial arts and the skills of various stage turns, which are generally divided into two categories: gong blanket and gongzigong.

The so-called "doing" is a variety of body language in opera performances, usually this body language needs to be combined with the music point, every move on the stage must be integrated with the drum rhythm in the background, so that there is a way everywhere, every step is a law, so the "do" in the opera is a body movement that looks a little danced.

When creating a role, opera actors need to use a variety of programs such as eyes, hands, steps, and bodies, as well as beards, feathers, hair throws, and water sleeves, which also have their own different techniques, which are all "doing" skills in opera, and actors need to flexibly use these stylized actions, combined with the age and identity of the characters in the drama and the situation at the time, to highlight the character characteristics of the drama characters, so that the character image they create is deeply rooted in the hearts of the people.

In order to practice "doing" skills well, actors need to systematically train their heads, necks, hands, arms, waist, and legs from an early age, but in order to really shape the roles in opera, only basic skills are not enough, so "doing" cannot be regarded as a technical performance, but also need to integrate into the hearts of the characters while performing, and carefully figure out the drama and character characteristics of the repertoire, so as to bring the play to life.

Doing refers to workmanship, which is the so-called performance, and this basic skill must be done well in order to perform a beautiful drama.

It refers to doing a performance, and it also represents an act of doing gong. It is a form and means of Chinese opera performance.

"Doing" refers to the basic skills of opera, and the basic skills of opera are very important for a person who sings opera.

Doing is talking about one's own work, that is, the way and characteristics of the performance, which is a very important aspect.

Singing, chanting, and playing are the four artistic means of Chinese opera performance, in which doing refers to doing gong, that is, performance. Gong Gong also refers to a variety of performance techniques, such as dance-based body movements. As the saying goes, three minutes on the stage, ten years off the stage, the work here is to do the work.

On the stage, the actors' hands, eyes, body, and steps need to be moved, so as to highlight the character's personality and give the audience a sense of substitution.

What does it mean to sing and do hits?

With the inflow of foreign culture, China's opera culture has gradually declined, but in recent years, many young people have re-engaged in opera creation and become theater performers. If you want to have some achievements in opera, you must learn to sing and play well, and it is very important to do it. When performing, the actor must make a variety of movements, to show the connotation of the character, so that the audience can see what the actor is performing.

Opera actors have to practice a variety of skills from an early age, such as leg skills, hand skills, and head skills. Only in this way can the opera performance have a sense of internal and external integration, not just a formality.

How do you practice your work?

If you want to practice this kung fu well, you must start from a young age, and you must also have the spirit of hardship and hard work. Children like to play more, and there is no way to calm down and practice, so they can only let the master supervise. When practicing, you need to be unswerving, even if you endure hardships, you must persevere, and you can't give up halfway, otherwise all your efforts will be in vain.

This kind of performance is interspersed throughout the opera performance, and the physical strength of the actors is required, otherwise they will be exhausted during the performance. If you want to know more about the four kinds of Chinese opera, you have to take a look at the professional science popularization**.

Summary. Compared with ordinary art forms, opera needs to be trained as an actor from an early age, and it is necessary to get up every day to hang his voice and practice various skills, so that he can be more proficient in performing and will not fall off the chain.

"Do" refers to the work, which pays attention to some techniques and skills of posture and expression, and expresses the character and characteristics of the character through some details and actions, the purpose is to create a more new image and fit the role.

Doing refers to performances that can make the opera a little more expressive and can bring a very good visual experience.

It is a posture and expression technique, and they pay great attention to the development of this when they perform the program.

Singing, chanting, and playing refer to the four basic skills of Peking Opera performers, and they are also the four forms of expression of Peking Opera art. At the same time, it is also the four basic skills of opera actors, which are often called "four skills", and "singing" refers to singing skills. "Do" refers to doing gong, that is, performing, "reading" refers to ** sexual reading, and "fighting" refers to martial arts.

The characteristics of chanting and playing

Singing skills are one of the main artistic means of opera, the first step in learning singing skills is to shout and hang the voice, expand the vocal range, volume, exercise the endurance and timbre of the singing voice, respectively the four tones of yin and yang, sharp and round and voiced, five tones and four calls, practice the skills of articulation, rhyme, spout, moistening the cavity, etc., and sing is good at using vocal skills, through the artistic appeal of vocal music, to express the hearts of the people in the play.

Nianbai and singing complement each other and cooperate, and it is also an important artistic means to express the thoughts and feelings of the characters, actors have practiced basic skills since childhood, and chanting is also one of the compulsory courses.

When creating a role, the actor has a variety of procedures for his hands, eyes, body, and steps, as well as a variety of techniques for his beard, feathers, hair throwing, and water sleeves, and flexibly uses these stylized dance vocabulary to highlight the characteristics of the characters' personalities, ages, and identities, and to make their own artistic images more successful.

Fighting is another important part of the physical action of opera, is the dance of traditional martial arts, and is also a high degree of artistic refinement of fighting scenes in life, which is generally divided into two categories: Zigong and blanket Gong, not only to have a deep foundation, but also to be good at using these extremely difficult skills, accurately show the character's mental outlook and expression.

Singing and doing is Peking Opera. Singing, chanting, and playing are the four artistic means of Peking Opera performance, and they are also the four basic skills of Peking Opera performance. On the stage of Peking Opera, the actors' portrayal of characters is inseparable from a series of performance methods, which are usually summarized in four aspects: singing, reading, doing, and playing, and they are customarily called the "four skills".

When an actor plays a role, these four aspects must be organically combined and indispensable.

The relationship between singing and fighting:

Singing, reading, doing, and beating are the most important artistic techniques for Peking Opera to create characters and express emotions. Singing skills are mainly the skills of singing, with the help of the vocal performances of Peking Opera actors to create artistic appeal, revealing the psychological changes of the characters in the play, which is an important way to create characters.

Nian Gong is talking about the character's recitation, which contains a certain amount of **, and "singing Gong" are mutually restrictive and complementary, which can express the characters' thoughts and emotions more thoroughly. Gonggong refers to the movement skills of stage performance, mainly the physical movements of the actors, which tend to be dance-oriented, and convey the psychological changes of the characters with the help of the actors' hands, eyes, body methods, and footwork.

Dagong, especially refers to the dance of traditional martial arts, and the meticulous artistic condensation of fighting in life.