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Guo Si wrote a book for his father Guo Xi, "The Elegance of Forests and Springs", which tells Guo Xi's creative experience in art and his insights on ancient art, which can be said to be an important monograph on the creation of landscape painting in ancient times, and Guo Si also spent great energy on "The Elegance of Forests and Springs".
Guo Xi was a famous master of landscape painting in ancient China, and Guo Xi's landscape painting could be said to be a school of its own at that time. In Guo Xi's early years of self-study of painting did not have a teacher, but in the early years of Guo Xi because he did not study well, so he appeared to be a little ingenious in painting, which is actually a mistake that most art learners will make, for this problem is more to see whether the individual can break through the boundaries set by themselves, many people are because they can not find their own craftsmanship in painting gradually become mediocre. After discovering his own problems, Guo Xi began to learn the landscape techniques of Li Cheng, a landscape painter in the early Song Dynasty of the Five Dynasties, and after breaking through the problem of his own craftsmanship, Guo Xi also achieved both intention and skill in painting, and Guo Xi also established his own creative system in artistic creation.
In order to make his father's painting theory proudly spread, Guo Si began the compilation of "The Elegance of Forest Springs". For the compilation of "The Elegance of Forests and Springs", Guo Si can be described as painstaking. After the death of his father, Guo Si sorted out his father's painting theory, because of the lack of his father's paintings, Guo Xi did not hesitate to spend a lot of money to buy, and combined the purchased paintings with his father's theory to compile and compile, and finally completed the compilation of "Lin Quan Gaozhi", a famous painting monograph of the Song Dynasty.
Guo Xi has a pivotal position in the history of Chinese painting, and his painting theory has been handed down, which has far-reaching significance for the development of modern painting.
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In order to expound his father's hidden virtues, filial piety, benevolence, and outstanding achievements in painting, Guo Si rearranged Guo Xi's oral notes on painting during his lifetime, and then added some of his own comments and observations to compile it into a book. This is what we know today as "The Elegance of the Forest Spring".
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After his father's death, Guo Si spent a lot of money collecting his father's works, sorting out his father's writings, and compiling the "Lin Quan Gaozhi Collection". He wrote about the virtues and beauty of his ancestors, and this book became a monument to his family.
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The compilation of the "Forest Pump Gaozhi Collection", which is the first work in China to completely and systematically expound the laws of landscape painting creation, is an important historical document for us to understand and study the aesthetic ideas of the era of landscape painting creation achievements at that time.
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He compiled for his father, "The Elegance of Forests and Springs", which is an important work on landscape painting in the Northern Song Dynasty of China, and is the culmination of the "Northern Song Dynasty tradition".
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Guo Si compiled for his father the "Forest Pump Gaozhi Collection", which is the first complete and systematic book in China to introduce the laws of landscape painting creation.
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In order to expound his father's latent virtue, filial piety, benevolence, and benevolence, Guo Xi compiled a book called "Lin Pump Gao Zhi Ji".
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This book is called "Forest Pump Gao Zhi Ji". At that time, he also wanted to expound his father's hidden virtues, filial piety, and benevolence.
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Guo Si compiled a book for his father, "The Collection of Forest Pumps", which systematically and completely expounded the creative rules of landscape painting.
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He compiled the first work in China that completely and systematically expounded the laws of landscape painting creation, and this work is called "Lin Pump Gao Zhi Ji".
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Guo Xi's son Guo Si said in the preface to "The Elegance of Linquan" that his father "learned less from Taoism, spit out the old and accepted the new, and traveled outside the country." The family background has no painting, and the nature is obtained, so the entertainment art here becomes famous".
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