Excuse me, all the masters, about the guitar tabs G to C tunes, thank you

What is EM? Is it a rest? And what about the unchanged G7? Is it f? Then it becomes B.

All e becomes a, a becomes d, g becomes c, c becomes f, d becomes g, then it is a-d-c-em-d-c-f-c-f-c-d-c-d-f-c-g-f-b-em-f-g-f-g-f-g-f-g-em-f-c-f-c-f-c

Sorry, I haven't played a guitar. But apart from the harmonic tone, the other transposition should be correct.

Add: em should be e, g, b, right? The g7 chord should be g, b, f, right?

Just change it accordingly

a-d-c-am-d-c-f-c-f-c-d-c-d-f-c-g-f-c7-am-d-f-c7-am-d-f-g-f-g-c-am-f-c-f-c-c-f-c.

The conversion of em and g7 in g to c is am and c7

Upstairs? Ever played the guitar?

em g7 is all and spin

Everything else is pretty much the same, but it's not called a tune, it's all a harmony

I think the landlord meant that he wanted to change the harmony in G to the harmony in C and try what he wrote, even though he had never played the guitar! But the theory of ** is the same, so it should be about the same

Here's how:

The first one can be considered with a capos.

Clamp it in the position of the 2nd fret. Second, you can just follow the score, without thinking about the pitch shift, and the third is the deepest relative to you, reasoning about the transition chords.

The key is G, the original key is A, convert all the chords on the score, em on the score you play as fm, em f into fm g, d into e, g into a, g for a major seven f into a major seven g chord.

Guitar skills. 1) Flat hook method: the right fingernail hangs straight to touch the string, and the flat hook hooks to the palm of the hand to make the string vibrate and make sound. This is the most widely used hooking method. Pay attention to the velocity marker symbol when playing, and if there is no velocity marker, use moderate velocity.

2) Diagonal hook method: touch the string with the right fingernail close to the direction of the thumb, and hook the oblique hook to the palm.

3) Segovia Hook String Method: Apply your fingers and nails on a string at the same time, touch the strings with your fingers, and then hook the strings with your fingernails.

C to G, just turn the chords of C and G to correspond, such as C=G, DM=Am, Em=BM, F=C, G=D, Am=Em, G7=D7.

Chord series: ,

C: c, d, e, f, g, a, b.

G: g, a, b, c, d, e, f.

And so on. The chord on the red line indicates the key of C to G.

Tuning Tips:

The sound quality compensation of the mixer is to be processed in conjunction with the sound source, not only technically but also artistically, but also in conjunction with the auditory psychology of the listener. Sound quality compensation is the use of sound quality compensators.

Adjust the center frequency of each frequency band to change the timbre of the sound. Sound quality compensation must follow the following principles.

1) Bass compensation.

16Hz 64Hz is the lowest note, and the lowest note that can be played by the existing instrument is the pipe organ.

It can play 16Hz, such a low frequency is generally inaudible to the human ear, but the body can feel it; It can be heard by the human ear from 20Hz to 64Hz, but it must be used with high-fidelity equipment to get out.

From 63hz 250hz is the bass area, it is the top priority of our bass compensation, this frequency band is very important to **, it is the basis of **, bass rhythm instruments belong to this frequency band, the sound quality of such instruments is adjusted, determines whether the skeleton is complete. Therefore, the low frequency characteristics should be flat, which can make the sound warm and powerful, and of course, it can also be compensated according to the requirements and preferences of the instrument.

2) Midrange compensation.

From 250Hz to 1000Hz for the middle and low frequency range, this frequency band is the main component of the sound, determines the fullness, is the backbone of the sound, and is also our most important regulation object. 1000Hz and 4000Hz are the middle and high frequency ranges, which make an important contribution to the coolness and coolness of the sound. If the tone is too warm, you can increase this frequency band, you can attenuate the sound to make it warm when it is too cold, and you can raise it to cool it when it is hot, but if you boost it too much, the sound will be cold.

C to G, just turn the chords of C and G to correspond, such as C=G, DM=Am, Em=BM, F=C, G=D, Am=Em, G7=D7.

Chord series: ,

C: c, d, e, f, g, a, b.

G: g, a, b, c, d, e, f.

And so on. The chord on the red line indicates the key of C to G.

To put it simply, the corresponding 1234567 on C are CFFGAB

The G key is gabcdef, and the guitar is not tuned. Just play the chords on the score.

Hehe. Would love to give.

It doesn't matter what tone your guitar is tuned to. It is important that you adjust the pitch. The average acoustic guitar is tuned one or two pitches lower than the standard pitch, so that it doesn't hit.

Tuning is a must-learn for newbies. Thank you for being able to contact me for something. Teach you!

Just press the score and play it. The tuning of the guitar is fixed and general, and there is no need to tune it.

Do you mean finger bullets??? Generally speaking, according to the spectrum bullet G key, I think that G and spin are 1 and spin, and push it down like this? Special rotation can only be performed when finger playing

This is easy to do by understanding the relationship between sound names first:

The basic phonetic name is cdefgab (which can be understood as equivalent to 1234567), and so on, where the relationship between EF(3 and 4), BC(7 and 1) is chromatic interval, and the other neighbors are diatonic intervals.

Therefore, if you want to transpose the key, see how many steps the target key is different from the original key, for example, C to D, one whole tone apart, then you can raise all the chords in C key by one whole tone, for example, C chord becomes D chord, Am chord becomes BM chord, E chord becomes F chord. That's it. If C is in E key, which is equivalent to two whole tone raises, then it is enough for all chords to be two whole tone raises, for example, C becomes E, Am becomes cm, and E becomes G.

In addition, the same chord can be pressed in many different ways, and the chord that is most conducive to conversion should be selected according to the change of the chord before and after the actual playing.

On the guitar staff, you see 1=C, 1=G, and say that the song is in C or G and so on.

It's the key. Modulation, as defined as: a number of musical notes of different heights and lows, organized together according to a certain interval relationship around a certain central tone with a sense of stability, into an organic system, called a key.

It is to take a certain note in the cdefgab as the dominant tone, and then arrange it according to a certain interval relationship. And what is formed is the tonal scale. For example, with c as the main sound (1=c), the interval relationship of the whole whole half is organized to form cdefgabc, which is pronounced as 1234567 (do

re mi fa so la

si), which is the C scale.

C, D, E, F, G, A, B, C, which is also a C, but not a natural one.

In the same way, with g as the main sound (1=g), the interval relationship of the whole whole half is organized to form d, e, f, g, a, b, c, d, which is pronounced as 1234567 (do

re mi fa so la

si）。It should be added that the key formed by the full half-full half is the major key, and the key formed by the relationship between the full half full and the full interval is called a minor key. For example, the above cdefgabc is the C major scale, c, d, eflat, f, g, a-flat, b-flat, c is the c minor scale.

The name of the tone is the name of the scale.

The chords of C are: c dm em f g am b-

The chords of G are: g am bm c d em f

Introduction to guitar notation: Guitar notation is a notation method for playing the guitar, which can be divided into "six line notation", "five line notation" and "simple notation", as well as a "chord notation" (that is, a guitar notation with only the chord name and lyrics), which are indispensable parts of learning the guitar.

It's the key of the piece, and as for why it's the key, you have to learn music theory (the theoretical foundation). I can't tell you what I can't tell you ...

It is also the level of the singing key.

You can set the tone by the notes and scales in the score.

C is to sing 1 g in the C tone, and 1 g is to sing 1 in the G tone