Su Shi s Juvenile Tour is a full poem, and Su Shi s poem is a juvenile madness

Su Shi's "Youth Tour, Runzhou as a Generational Sending Far Away" was sent last year, and outside the Hangzhou Gate, the snow flew like a poplar flower. At the end of spring this year, the poplar flowers are like snow, and they still haven't returned home. The wine roller blinds invite the bright moon, and the wind dews through the curtains. Just like the two swallows of Aunt'e, the light is clear and the beam is oblique.

Jade skin lead powder proud autumn cream. Quasi-quasi-phoenix. Linglun is gone, the fragrance is not spit out, and the chaff is blowing. There are two kings everywhere, and there are countless empty and rotten articles. A little sandalwood, who can borrow it, there is no more like Zhang Liang.

Ping Ping Ping, Ping, Ping (rhyme). Last year, outside the Yuhang Gate, the snow flew like a poplar flower. Ping Ping Ping, Ping, Ping (rhyme).

At the end of spring this year, the poplar flowers are like snow, and they still haven't returned home. Ping Ping Ping, Ping (rhyme). The wine roller blinds invite the bright moon, and the wind dews through the curtains.

Ping Ping Ping, Ping Ping, Ping Ping (rhyme). Just like the two swallows of Aunt'e, the light is clear and the beam is oblique.

Last year, outside the Yuhang Gate, the snow flew like a poplar flower. At the end of spring this year, the poplar flowers are like snow, and they still haven't returned home. The wine roller blinds invite the bright moon, and the wind dews through the curtains. Just like the two swallows of Aunt'e, the light is clear and the beam is oblique.

1.The old man chatted about the boyish madness, the left led Huang, the right Qingcang, the brocade hat mink Qiu, and the thousand horses rolled Pinggang. - Su Shi, "Jiangchengzi Mizhou Hunting".

2.Work hard tonight, and the young man can still boast. - Su Shi's "Keeping the Year".

3.In order to ask the young man if he is in his heart, the corner scarf has sideburns like a puff. - Su Shi "Wanghailou Silver Evening Scene".

4.Light clouds and mist are always a place for teenagers to have fun. - Su Shi's "Minus Magnolia Spring Moon".

5.At that time, the young talent was crowned, and the lonely wind in the evening was strange. - Su Shi's "Two Elegies of Kong Changyuan".

6.It was the least number of years, and Bai Xi did not have a mustache. - Su Shi "Sending Si Xunzi to Zizhou".

7.I know this reason, and I thank the young companion for a long time. - Su Shi, "Qiao Taibo Sees and Answers to the Rhyme".

8.I am glad to see three young people, all with thousands of miles of bones. - Su Shi "Sending Ouyang Tuiguan to Huazhou to Prison for Nuclear Wine".

9.In my old boyhood, I planted pines all over Donggang. - Su Shi's "Drama Planting Pine".

10.In the past, when he was a teenager, he was a hero. - Su Shi, "Wen Chaoyang Wu Ziye Monk".

Extended Information] Su Shi was a leader in the literary world in the middle of the Northern Song Dynasty, and made high achievements in poetry, lyrics, literature, calligraphy, and painting. The theme of the poem is broad, fresh and vigorous, good use of exaggerated metaphors, unique style, and Huang Tingjian is called "Su Huang"; The word is open and open, and Xin Qiji is the same representative of the bold faction, and is called "Su Xin".

The prose writings are rich, unbridled, and unrestrained, and Ouyang Xiu is called "Ou Su", and Han Yu, Liu Zongyuan, Ouyang Xiu, Su Xun, Su Zhe, Wang Anshi, and Zeng Gong are called "the eight masters of the Tang and Song dynasties"; Good calligraphy, and Huang Tingjian, Mi Fu, Cai Xiang together called "Song four"; He is good at literati painting, especially ink bamboo, strange stones, dead wood, etc.

The pinyin version of Juvenile Tour Su Shi is as follows:

Juvenile Tour·Runzhou 作代人送远 shào nián yóu · rùn zhōu zuò dài rén jì yuan

Song Dynasty: Su Shi sòng dài: sū shì

Last year, outside the Yuhang Gate, the snow was like a poplar flower.

qù nián xiāng sòng ，yú háng mén wài ，fēi xuě sì yáng huā 。

At the end of spring this year, the poplar flowers are like snow, and they still haven't returned home.

jīn nián chūn jìn ， yáng huā sì xuě ，yóu bù jiàn huán jiā 。

The wine roller blinds invite the bright moon, and the wind dews through the curtains.

duì jiǔ juǎn lián yāo míng yuè ，fēng lù tòu chuāng shā 。

Just like the two swallows of Aunt'e, the light is clear and the beam is oblique.

qià sì héng é lián shuāng yàn ， fēn míng zhào 、 huà liáng xiá 。

Translations. Last year, it was sent outside the Yuhang Gate, and the heavy snow was like poplar flowers. Now that spring is over, the poplar flowers are like snow, but they don't see people returning, how can they not make people worry?

Rolled up the curtain and raised the glass, leading the bright moon as a companion, but the wind and dew took advantage of the gap to enter, through the curtain, into the bosom. It is as if the moonlight infinitely loves the swallow that lives in both habitats, and sprinkles its brilliance and tenderness obliquely on the bird's nest on the painting beam.

Juvenile Tour: Word Brand Name; Runzhou: now Zhenjiang, Jiangsu; Yuhang Gate: one of the north gates of Hangzhou in the Northern Song Dynasty; "To wine" sentence: Write that you drink alone under the moon; Chang'e: Chang'e, the goddess of the moon. It also refers to the month.

Su shi. January 8, 1037 - August 24, 1101) Zizhan, Hezhong, Tieguandao people, Dongpo layman, known as Su Dongpo, Su Xian, Han nationality, Meizhou Meishan (Meishan City, Sichuan Province) people, ancestral home in Luancheng, Hebei, Northern Song Dynasty famous writer, calligrapher, painter, historical water control celebrity. Su Shi was a leader in the literary world in the middle of the Northern Song Dynasty, and made great achievements in poetry, poetry, prose, calligraphy, and painting.

The text is unbridled; The theme of the poem is broad, fresh and vigorous, good use of exaggerated metaphors, unique style, and Huang Tingjian is called "Su Huang"; The word is open and open, and Xin Qiji is the same representative of the bold faction, and is called "Su Xin".The prose writings are rich and unrestrained, and Ouyang Xiu is called "Ou Su", one of the "Eight Masters of the Tang and Song Dynasties". Su Shishanshu, one of the "Four Song Families"; He is good at literati painting, especially ink bamboo, strange stones, dead wood, etc. Together with Han Yu, Liu Zongyuan and Ouyang Xiu, they are known as the "Four Masters of Ancient Articles".

His works include "Dongpo Seven Episodes", "Dongpo Yi Biography", "Dongpo Yuefu", "Xiaoxiang Bamboo and Stone Picture Scroll", "Ancient Wood and Strange Stone Picture Scroll" and so on.

Don't blame the mandarin duck embroidery belt is long. The waist is lighter than the dancing clothes. Bo Xing is only greedy for trouble and hiding.

Whence. Weeping poplars are reckless and frivolous. The flowers are flying and springing again.

Hateful. Broken string dust pipe with crying makeup. I don't believe it, but I look at myself.

I'm afraid to see. For Lang Shed, he is haggard but ashamed. Poetic works:

Juvenile tour (feeling old).

The special feature of this poem is that the author writes from the other party in the form of "sending people away", and expresses his feelings of homesickness through the tone of the wife who misses her husband who is on the go. The following is my introduction to the original text and appreciation of Su Shi's "Youth Tour: Last Year's Gift", welcome to learn from it!

[sic].

Last year, outside the Yuhang Gate, the snow was like a poplar flower. At the end of spring this year, the poplar flowers are like snow, and they still haven't returned home.

The wine roller blinds invite the bright moon, and the wind dews through the curtains. Just like the two swallows of Aunt'e, the light is clear and the beam is oblique.

[Appreciation 1].

In the words, "Auntie" is compared with the author's wife, using fiction to set off reality, and fiction to confirm, setting off his wife's loneliness and uncompanionship; and use the contrast method to set off the picture, through the description of the picture of the two swallows together, to contrast the lonely and unaccompanied concubine in the sky and the lonely and unaccompanied wife under the beam, the loneliness and coldness of the love. This superb artistic technique, together with the metaphor of Feixue and Yang Hua in the previous film, produced a strong artistic appeal and deeply touched the soul of the reader.

At the end of March and the beginning of April in the seventh year of the reign of Emperor Shenzong of the Song Dynasty (1074), Su Shi, who served as the general judge of Hangzhou, was far away in Runzhou (now Zhenjiang, Jiangsu) because of the relief of the victims. In order to express his feelings of missing his wife Wang Runzhi, he wrote this poem. This word is the author's work of pretending to be his wife in Hang, which implicitly and tactfully shows the deep love between the husband and wife.

[Appreciation 3].

The film writes about the long time that the husband and wife have been separated, telling that the relatives should not say goodbye and should not return. The first three sentences respectively point out the time of parting - "last year's Qiaozhi Spring Farewell"; The place of parting - "outside the Yuhang Gate"; The climate at the time of separation - "snow like poplar flowers". The time and place of separation are so clearly stated, which shows that husband and wife are thinking about each other all the time.

The heavy snow was not a day to go out, but when I was on official business, I had to send my husband to set off in the snow, and this bleak atmosphere naturally deepened my thoughts on weekdays. The last three sentences and the first three sentences also point out the time - "this year's fierce laughter is the end of spring", and the climate - "Yang flowers are like snow", but the husband who said goodbye last year "still hasn't returned home". I thought that the time of this campaign was not long, and I could return home in the spring, but now that the spring is over, the poplars are fluttering, but no one has returned, how can it not make people worry?

This paragraph introduces "Poetry, Xiaoya, Caiwei" "In the past, I went back, and the willows were still there; Now I think about it, the rain and snow are like the technique, and the two sentences of "snow like poplar flowers" and "poplar flowers like snow" are comparable to both work and exquisite language, which can be described as a wonderful word to push through the old and bring forth the new.

The next film transcribs the night, deliberately portraying his wife's loneliness and melancholy towards the moon. "Invite the bright moon to the wine curtain, and the wind dew through the window screen", it is said that in loneliness, I wanted to imitate Li Bai's "Raise a glass to invite the bright moon, and the shadow becomes a trio", roll up the curtain and lead the bright moon as a companion, but the wind and dew took advantage of the gap and entered through the window screen. The last three sentences say that the wife misses her husband lonely in the world, just like Auntie misses her husband Houyi lonely in the Moon Palace.

She loves the amphibious swallow and sprinkles her brilliance and tenderness obliquely on the bird's nest on the painted beam, which cannot but make his wife envy the swallow and miss her distant relatives even more.