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Dream of Red Mansions
Now there are many places in the Dream of Red Mansions that have been repaired beyond recognition, and some of the parts that Gao E did later were not the ending originally designed by Cao Xueqin
There are only the first 80 meetings of the Red Mansion, which preserves the original appearance of the Red Mansion and analyzes the meaning of the Red Mansion more objectively and correctly.
But it doesn't seem to be anymore
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Introduction to the background of the creation of Dream of Red Mansions.
Cao Xueqin was born in a family of official eunuchs who inherited poetry. Ancestors with the Qing army into the customs meritorious reward, grandmother Sun is Kangxi nurse, grandfather Cao Yin and other three generations of Jiangning weaving, relatives Li Xu and other Suzhou weaving. However, in the Yongzheng Dynasty, the family was raided and completely declined.
Therefore, the author's writing of Dream of Red Mansions was inevitably affected by the decline of the family.
**That is, it is based on this background and mixed with the author's life and emotional experience, and it is not a record of writing. Emotions are real, some stories are real, but you don't have to.
Cao Xueqin's life has gone through ups and downs, he has fallen from a noble child to a down-and-out literati who "eats porridge and wine often on credit", and after experiencing the sadness of losing his only son in his later years, Cao Xuebi Zhiqin died within a few months, and it was "a real injury in his life". His life was unfortunate, and it was precisely because he experienced the misfortune of life that he had a deep understanding of society and life. His unfortunate life experience, combined with his literary talent, led to the creation of the book "Dream of Red Mansions".
The creation period is from the early years of Qianlong to about the 30th year of Qianlong.
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The background of Cao Xueqin's life in writing Dream of Red Mansions is.
Cao Xueqin's family was very wealthy when he was a child, and his ancestor Cao Yin was made in Jiangning, and he was a very famous official in the Jiangnan generation of the Kangxi Dynasty. He is also a confidant of Emperor Kangxi. Later, during the Yongzheng period, the Cao family fell.
Cao Xueqin lived a life of non-argumentation and often despondency after middle age.
In the context of this Fengkai-like life, Cao Xueqin had the desire to create a dream of red mansions. "Dream of Red Mansions" went through many twists and turns before it was passed on.
"Dream of Red Mansions" was originally called "The Story of the Stone", and Cao Xueqin's original manuscript only left the first 80 times. The last 40 episodes were written by Gao E.
Through the love tragedy of Jia Baoyu and Lin Daiyu, this ** highlights the process of the feudal family from prosperity to decline. also profoundly describes the tragic fate of the women of his family.
So it can be said that Cao Xueqin wrote this book based on his own family background.
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His family background is still well-known, and he was one of the four major families at that time, but unfortunately because of the deficit in the treasury, Yongzheng copied his home.
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Cao Xueqin came from a prominent background, and his grandfather Cao Yin was a close friend of Emperor Kangxi. Live a life of fine clothes and fine food. His house was ostensibly Jiangnan weaving, but it was actually arranged by the emperor and trusted by the emperor. If you want to know more about it, you can take a look at the relevant history books.
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Cao Xueqin's family background is very good, her grandparents are in business, the family is very rich, her father is an official, her mother is a famous lady, and the family is both powerful and powerful.
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When Cao Xueqin was a child, her family was quite prosperous, but she was forced to move back to her old house after a raid.
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the family history of the Cao family; The history of the Qing Dynasty is in the register. Available. Cao Xueqin's family history is fine. Who is the mother of "Qin"?
Dream of Red Mansions is generally said to have two major version systems, one is the lipid batch system and the other is the Cheng engraving system. The so-called fat criticism refers to the book with the author's relatives and friends (at least including Tera Wat Suo) on the **. The title of this kind of book is usually "Fat Yan Zhai Re-evaluation of the Stone Record", these books are eighty copies of the author's original work, and they were circulated in the form of manuscripts at the beginning. >>>More
There are also many original versions of the fat batch, such as Jiazhuben, Jimaoben, Gengchen Ben, Qi Ben, Dream Manuscript Ben, Bian Zangben, Cheng Gaoben, etc. >>>More
The background of the production of "Dream of Red Mansions" was produced in the Kangxi, Yongzheng and Qianlong periods of the Qing Dynasty, which is the traditional "prosperous era of Kang Yongqian". The author is Cao Xueqin. >>>More
Gengchen Edition, there are originals, and even the recently seen Leningrad Lipo Yaben, the paper they copied did not indicate the name of the person or the name of the book in the middle seam. Only sixteen times remain in the Jiazhu book, and there is no criticism in the first eleven times of Gengchen's book. Recently, the "Fat Yan Zhai Re-evaluation of the Stone Ji Gengchen School Book" edited by the red scholar Deng Suifu was published by the Writers Publishing House. >>>More
Dream of Red Mansions is a great work with a high degree of ideology and high artistry, from the perspective of the ideological tendency reflected in this book, the author has a preliminary democratic thought, he has a deep understanding of the reality of society, including the darkness of the court and officialdom, the decay of the feudal class and its family, the feudal imperial examination system, the marriage system, the slave and maid system, and the social ruling ideas that are suitable for the hierarchy, that is, the way of Confucius and Mencius, Cheng Zhu Lixue, social morality, etc. All of them were profoundly and critically criticized, and put forward vague propositions with a rudimentary democratic character. These ideas and propositions were a tortuous reflection of the embryonic factors of the capitalist economy that were growing at that time.