Which World Expo National Pavilion has the concept of cultural, creative, technological and technolo

Personally, I think it's the Italian Pavilion and the German Pavilion, and these two national pavilions are quite thoughtful.

Expo 2015 in Milan, so the Italian Pavilion needs to make a good impression on the world first, and it will be more thoughtful in all aspects. However, the cultural creativity is better, the technology is slightly lacking, and almost all the museums are based on the concept of environmental protection and sustainable development.

The German Pavilion is very reflective of the country's characteristics, rigorous and refined, and thoughtful in all aspects, and it is one of the best I have ever been to. It's really hard to explain, but it makes you feel like it's not fooling you.

Almost all of the places I went to Tai Kwun made me feel worth it. Hope to help you.

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Emblem of the Shanghai World Expo: The emblem of the 2010 Shanghai World Expo is shaped by the calligraphy of the Chinese character "Shi", expressing the "understanding, communication, gathering and cooperation" of the Expo.

The theme of the Shanghai World Expo is "Better City, Better Life".

3. Shanghai World Expo Mascot: The mascot of the 2010 Shanghai World Expo is a blue child with a slightly humorous appearance of the traditional Chinese character "人". The name "Haibao" means "treasure of the four seas".

2. Knowledge analysis.

1) Life and Philosophy Perspective:

From the perspective of materialism: the design of the emblem and mascot of the World Expo embodies the essence of consciousness and the role of consciousness.

From the perspective of dialectics: the design of the emblem and mascot of the World Expo embodies the perspective of development, the dialectical view of negation, the spirit of revolutionary criticism and the spirit of innovation; The works exhibited in various countries have their own characteristics, reflecting the relationship between culture as both national and global, and between contradictions, universality and particularity.

From the perspective of historical materialism, the theme of "Better City, Better Life" embodies the guiding role of correct values, and we must consciously follow the law of social development and consciously make value judgments and value choices from the standpoint of the interests of the broadest masses of the people.

2) Cultural life perspective:

The Chinese character creativity of the mascot of the World Expo emblem reflects the long-standing and profound Chinese culture, and it is necessary to promote the Chinese culture.

Culture is both national and global, and it is necessary to be the messenger of cultural exchanges between China and foreign countries, and enhance China's international influence and international competitiveness.

The way of cultural innovation: based on social practice is the fundamental way of cultural innovation. The emblem pattern of the World Expo symbolizes people's pursuit of a better and harmonious life, and is based on the performance of social practice; Cultural innovation is inseparable from the inheritance and development of traditional culture.

The emblem and mascot of the World Expo are in the form of Chinese characters and calligraphy, which is the inheritance and development of traditional Chinese culture.

The income of the World Expo, the development of tourism driven by the World Expo, and the influence of Chinese culture in the world reflect the mutual influence and integration of culture and economy, and culture is an important factor in the competition of comprehensive national strength.

The emblem pattern resembles the Han Dynasty.

Copy the word "world" and with.

The number "2010" is cleverly combined.

Bai complements each other, expressing the strong desire of the Chinese people to hold a world-class, multicultural integration expo event.

The emblem pattern looks like a family of three embracing each other, expressing family harmony. In a broad sense, it can represent all mankind including "you, me, and him", and expresses the concept of "understanding, communication, gathering, and cooperation" of the World Expo.

1.The main building structure is the dougong type, which is the most representative kind of ancient Chinese architectural structure.

2.The color of the Chinese Pavilion is called Chinese red, which is the main color of the traditional palace.

3.The museum exhibits a dynamic version of the "Riverside Scene at Qingming Festival", which shows the prosperous scene of Bianjing in the Song Dynasty and is a representative of ancient Chinese cities.

4.The name of the Chinese Pavilion Garden is "New Jiuzhou Qingyan", Jiuzhou Qingyan is one of the earliest areas built in the history of the Old Summer Palace, its name means "the land of Kyushu, the river is clear and the sea is clear, the world is leveled, and the rivers and mountains are eternal", and the water system is separated from small continents according to China's typical climate and landform.

The China Pavilion is a permanent pavilion in the Shanghai World Expo, which will systematically display the Chinese wisdom with "harmony" as the core with the theme of "Chinese Wisdom in Urban Development". "Ancient" means "new" to reveal a fresh breath.

As one of the most important pavilions built by the host country of the World Expo, the China Pavilion takes "Chinese Wisdom in Urban Development" as the core display content, carrying the expectations of the Chinese nation for scientific and technological development and social progress. Savor it carefully, the design plan of the China Pavilion condenses many Chinese elements. At the same time, these traditional elements are "ancient" and "new", revealing a fresh breath

1. The China Red China Pavilion uses the atmospheric and calm "Forbidden City Red" as the main color of the building in a large area, which is eye-catching and easy to be understood by the world.

In the composition of the China Pavilion, the overall layout of the national pavilion and the regional pavilion is a metaphor for the intersection of heaven and earth and the saltiness of all things, reflecting the understanding of the relationship between "heaven" and "earth" in Eastern philosophy. The national pavilion is "heaven", like a sculpture towering above, like a towering crown, the granary of the world; The regional pavilion is "land", like a pedestal extending below, implying that Sheze Shenzhou is rich and prosperous.

With an absolute height of 63 meters and a lower 33 meters, the symmetrical space in the center and the flat extension of the regional pavilion provide ample open space for people to communicate freely. This kind of openness and openness is an important concept in international architectural design.

The National Pavilion embodies the cultural elements of traditional Chinese architecture with the overall atmosphere of the crown shape. At the same time, the traditional curved design is straightened, and the main body shape that stands out layer by layer shows the strength and structural beauty of modern engineering technology. This kind of minimalist decorative lines naturally completes the contemporary expression of traditional architecture.

The spatial composition order of the "Gui" and "Hui" Unified China Pavilion is composed of two parts, "Gui" and "Hui", both of which originate from the prototype of traditional Chinese urban architecture. "Gui" originates from the ritualized space of traditional Chinese architecture. The introduction of human walking in the central symmetrical spatial pattern that symbolizes the essence of nature makes a single space evolve into a spatial sequence with a sense of hierarchy and progression, which is the origin of the spatial order in the Forbidden City.

Hui "Originates from the non-ritual space of traditional Chinese architecture, using people's visual, auditory and other aspects of experience to endow the seemingly disordered natural landscape with structural order, so that the natural space is sublimated into the essence of nature that can be grasped by human culture, which is the reason for the spatial order of Jiangnan gardens. The China Pavilion project blends these two modes into one, introducing different modes of human activity between the central symmetrical space of the National Pavilion and the flat and extended space of the Regional Pavilion.

1) The spirit of hard work.

2) Sustainable development strategy.

3) Implicit circumstance: It is development that meets the needs of the present without compromising the ability of future generations to meet their own needs.

Requirements: Human beings are required to live in harmony with nature and to be aware of their responsibilities to nature, society and future generations.

4) It is enough to meet the topic.

This question is based on the Shanghai World Expo and tests students' knowledge and understanding of the spirit of hard work and sustainable development strategy. The spirit of arduous struggle is an indispensable spiritual driving force for people to achieve all undertakings, and is the foundation and source of all cultural achievements of human society. The first question can be answered.

The second question focuses on low-carbon life, energy conservation and environmental protection, and the strategy is sustainable development. The third question is a circular question of the second question. The fourth question starts from small things, focusing on the theme, and measures related to energy conservation and environmental protection.

1) Culture, economics and politics influence and blend with each other. Holding the World Expo can drive China's industrial upgrading and economic development, enhance the country's image and cultural soft power, and enhance the comprehensive national strength. The holding of the World Expo is a manifestation of respect for cultural diversity, which is not only conducive to promoting Chinese culture to the world, promoting the prosperity and development of world culture, but also conducive to the introduction of foreign cultures into China and promoting the development and progress of Chinese culture.

The World Expo will be held to facilitate the exchange, reference and integration between different ethnic cultures, highlight the inclusiveness of Chinese culture, and promote the innovation of Chinese culture, so as to promote and cultivate the national spirit and forge the spiritual pillar of the Chinese nation.

2) From the perspective of the state: It is necessary to strengthen the construction of socialist spiritual civilization, cultivate generation after generation of citizens with ideals, morality, education and discipline, and improve the ideological and moral quality and scientific and cultural quality of the entire Chinese nation: build a socialist core value system, and vigorously carry out education on the socialist concept of honor and disgrace and the basic norms of civic morality.

From the perspective of citizens: culture affects people's way of thinking and behavioral habits, citizens should learn environmental protection knowledge, enhance environmental awareness, improve their ideological and moral cultivation, and implement environmental protection concepts into practical actions. (If students answer other points, they can also be given points as long as they are reasonable.) ）