Noun explanation or short answer Briefly describe the image of the cub in Han Shaogong s Daddy Dad

The whole significance of Bingcub lies in his inferior roots and national spirit as a Chinese national culture.

A symbol of Chinese national character. The cub living in the "Jitou Village" culture has surpassed his own practical value and risen to a cultural fossil at the rational level. The cubs can't be beaten, starved, or poisoned.

It shows that this cultural monster that exists in a specific socio-cultural and historical background not only survives tenaciously, but will continue to survive; Behind the words "father" and "mother" of Bingcub, there is a childishness and degeneration of thinking and intelligence, and this is precisely the simple linear logical thinking in the national mentality.

Loss of form and the spirit of the subject.

Bingcub is a character in Han Shaogong's "Daddy Dad", he is a little old man who is not old but never grows up, with a strange and obscene appearance, and can only say two words repeatedly: "Dad Dad" and "X Mom". Bingcub symbolizes the stubborn, ugly, and irrational nature of life, and his two proverbial mantras not only contain the most primitive and basic form of human life creation and continuation, but also imply the eternal and unchangeable way of thinking of the absolute "duality" in traditional culture that has long affected and restricted the progress of human civilization.

Through the image of Bingcub, Han Shaogong dissects the cultural inertia of the ancient, closed and almost primitive state, and clearly shows a negative and critical attitude towards traditional culture.

Bingcub is a little old man who "declines before getting old" but always "doesn't grow up".The appearance is strange and obscene, and he will only say two words repeatedly: "Daddy Daddy" and "X Mommy". It is a character who lacks reason, speaks poorly, and thinks confusedly.

This image that never grows up,It symbolizes the stubborn, ugly, irrational nature of lifeHis two proverbial mantras not only contain the most primitive and basic form of the creation and continuation of human life, but also have the mysterious meaning of the close connection between individual life and traditional culture, and at the same time, it also implies the eternal and unchangeable way of thinking of the absolute "duality" in traditional culture that has long influenced and restricted the progress of human civilization.

"Daddy Daddy" has created an artistic image that is difficult to summarize. We try our best to use Bingcub as an image or a symbol of life, and see the atmosphere and environment in which he lives as a kind of solidified social space. The author presents a mode of production and way of life with ancient consciousness and the ideology of the early people in front of the readers, with the intention of attacking and amplifying the ignorance, desolation, and stubbornness of the "collective unconscious".

The protagonist of "Daddy Dad" should be Bingcub, he didn't cry when he was born, he slept for two days and two nights, and he cried out on the third day, he looked ugly, like a little old man, his IQ was offline, his language was unclear, and he would only be "Dad" and "Mom". I was always bullied and scolded by the villagers. There is no father, and it is said that because the mother is ugly, the mother and son were abandoned.

The villagers were ignorant, killed the hairy adult men to sacrifice to the heavens, and cut the meat for the dogs to eat. Feng Bingcub is a yin and yang hexagram, called "Bingxian", thinking that he can indicate the will of heaven. In the end, Bingxiao's mother died, and Bingxiao was picked up by the tailor.

Márquez's One Hundred Years of Solitude won the Nobel Prize for Literature, which aroused the enthusiasm and reflection of contemporary Chinese writers to return to national culture. This also led to a literary trend of root-seeking. Han Shaogong is the proposer of the slogan of roots-seeking literature.

"Daddy Dad" is exactly the embodiment of this. Han Shaogong entered the inferior side of national culture, and in a mysterious atmosphere, he showed the ugly cubs.

This ** should be the prelude to Han Shaogong's exploration of "root-seeking literature", which already shows the meaning of "searching", but what is looking for is "self". It can be seen that Han Shaogong's road of "root-seeking" began from the search for himself. However, what is the "self"?

The ancient Greek philosophers had a motto of "knowing oneself" very early, and Freud also discussed it and incorporated it into the system of "three selfs", which countless writers have also covered in their works, and Han Shaogong's attempt is only one of the personal efforts of writers in the 80s to "rebuild themselves".

It's just that when we look at the end of "Homecoming", we know that this kind of "attempt" finally falls into the quagmire of metaphysics: Who am I? Because of the complexity of the self's problems, the tendency of ** to magical reality is very natural.

The protagonist's invasion of the village is equivalent to breaking into the "magic", he becomes a different person, and goes through various stories under this identity, until one day he takes a shower, the heat is thick, and he feels a certain sense of unreality, and then returns to reality - an inn, magic and reality are intertwined. Isn't that what the self asks?

This is actually an "existential" question, and Sartre's belief that actions shape oneself seems to contradict Han Shaogong's ideas presented in this article, which is worth pondering.