How do you unleash your nature in the process of learning to act?

The first class for students majoring in acting is to "release their nature", in fact, to put it bluntly, it is to let everyone "let go", if you want to act, you can't be embarrassed, you can't let go of twisting and pinching, you should use all your imagination to put into the proposed role, and fully express it!

It's not difficult to unleash your instinct in the process of learning to perform.

First, we must have an in-depth grasp of the content and materials of the performance program. Eat the direction of the performance thoroughly, the degree of joy, anger and sorrow. This is very important and can be said to be the basis for grasping the performance.

Second, blend into the role. On the basis of grasping the direction of the performance, carefully read the positioning of the role, seek a breakthrough from it, and integrate into the role as soon as possible.

Thirdly, to achieve a state of self-forgetfulness. In the process of performing, you must forget who I am. Don't bring me in life, but put a pure and pure me into the character.

I believe that if you can do the above points, you will definitely be able to release your nature in the performance.

You need to have a sense of substitution in the role and imagine yourself as orange, so that you will become orange, so you can perform your role better, so that your acting skills can gradually and slowly improve and be recognized by everyone. You can also help some other actors.

I think it's easy to release your instinct in the process of learning acting. First of all, you should add some of your own understanding when learning acting. Rather than a machine-like practice.

Add something unique to yourself. In this way, we can better release our nature and do our best.

If you want to release your nature, you don't have any baggage, you have to bring yourself into what role you play, but you can't blindly interpret this role according to the meaning of others, you should add your own thoughts, and use your own understanding to inject soul into this role.

I think the most important thing is to put yourself in the role, to be the person in the role, to feel what he was feeling at that time, so understanding is the most important thing. Secondly, I felt that there were some props that could be used to help the actors. For example, it is better to put some ** and create an atmosphere that fits the scene.

I think it's more about adding personal emotions to your own performance process, when you are acting in a play, you have to seriously experience the feelings expressed in this scene, and then put yourself in the shoes of yourself to think that you are really in that situation, so that you can actually perform to feel, and you can also form your own performance style.

I've seen it on TV, the students of the acting department will be asked by the teacher to release their nature, this release of nature is to let the students go, not to twist and grin, to make the performance have tension, after letting go of the role, you can better substitute into the role, inject soul into the role, this can be called an actor.

Strictly speaking, the word nature is the product of a misreading of translation, and in Stanley's original work, there is no word for nature, but rather a kind of nature. This topic is inextricably linked, to put it simply, in fact, the "liberating nature" we misunderstand is a release from the outside, in fact, this is superficial, or rather, this is just a behavior, the real actor to achieve a natural performance state, it should be inward, deep inside, subconscious excavation, which is why many half-baked teachers come up to teach students to liberate nature, this is not right, and the real opening lesson of performance should be self-awareness.

To put it simply, we must first understand ourselves in an all-round way. The way to become a good actor is to constantly dig into your own heart, to be able to fully immerse yourself in it, and to be able to transcend the outside and see yourself from the perspective of another person. The reason why there is this part of learning to perform is to train your inner quiet power and the power of concentration.

At a certain stage, it's like meditation, and it doesn't matter what form it takes. However, it must have been a painstaking and interesting process.

Nature is actually freedom, people are yearning for freedom, and nature is the meaning of freedom, people want to be able to liberate nature, that is, freedom.

Nature is to release the potential in you, and learning to perform is to be open and try all kinds of possibilities, so you must liberate your nature.

Nature means that you are born with such a character, or you are born with such abilities, which others say requires acquired efforts.

It can make some students who are shy by nature very embarrassed, and it is difficult to get rid of this emotion, unable to distinguish the difference between reality and performance, and it will take a long time to adjust.

These trainings tend to lead the student to misunderstand himself, and he will forget what he is and imitate primitive animals.

It's easy to get students immersed in emotions and find it difficult to get out. It may have a negative impact on the spirit and psychology of some students, but it will adjust after a while.