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I understand your feelings very well, when I was in high school, I also had such a dream, and in the college entrance examination, I had the ability and opportunity to enter the Chinese opera performance department, but in the end I gave up, not because I was not enthusiastic about this career, but because I didn't want me to limit the road too narrow from the beginning, even if it was not a major, but I could still like drama. Aren't you like that?
The atmosphere of drama in Beijing is very strong, and I often went to watch dramas when I was in my third year of high school, and I often performed in school, and I once fantasized that I could be on a bigger stage. But then I still chose to go abroad, and it's been almost ten years, and my current job has nothing to do with drama, but I still love drama very much, which is a hobby of mine.
Listening to what you mean, it doesn't seem to be for money, which is good, because drama returns are much harder than film and television actors, but the rewards are much less. Although I admire you and support you, there are some things that I think it is necessary to say, first of all, you are still very young, this is likely to be a good dream of yours, but you have to understand that most of us, after the baptism of reality, will actually return to the ordinary, there is a distance from our dreams. You have to think about whether it's really worth doing it, because it's a very hard road, and you're in Chongqing, and frankly, I personally think that Beijing and Shanghai will be more beneficial for this kind of theater art, and if you don't want to leave home, it's hard for me to say what can happen.
In addition, in addition to the requirements of the body, the more important thing is the requirements of the voice, although the pronunciation can be corrected and standardized after a long period of training, but if you can use the correct pronunciation and master the accurate Mandarin pronunciation, I believe you can save a lot of effort.
If, after you have thought about it, you must go down this path, I suggest that you go to some people in the circle through your relationship to show you the conditions, and then, if possible, find some more troupes, run with them, and see if you really love this profession, or if you just have an irrepressible urge.
That's my suggestion, I hope it helps you a little.
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Although I have a little bit of that, I think I'm also very honest with you -- drama, especially the stage arts.
It's still thicker in Beijing.
Shanghai is also okay, but generally there are more commercial performances.
Not to mention other cities.
You have to really want to do acting, especially drama.
Let's go to Beijing, Beipiao or go to school in this area.
Why don't you try a major in Chinese opera, or maybe you try it out in one of those acting troupes.
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Brothers... Wake up...
In China, this road is most likely a dead end...
Take Beijing, for example... Every year, the "grand occasion" of the enrollment of the two schools in Guangzhong Opera and Beiying can be seen. . . There are too many people like you who dream of being a stage or a star... And don't touch these things without endless money and endless energy...
Also advice about ls... Do what you can... The days of North Drift (I haven't experienced it, I've never been out of Beijing since I was born 22 years ago), especially those like you who want to take the art exam.,It's said that it's not a person at all.。。。
And also... Troupes like Beijing Renyi have always gone directly to Chinese opera to pick graduates. As for other troupes, to be honest, I have come into contact with some, and there are very few who can make money to make a living, and most of them lose money and make money and then die halfway...
I don't want to discourage you by saying this, but it's just to calm you down a little bit, don't hit your head with a bloody blood... Of course... If you really come out of this way and become famous ... Remember to sign me...
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First of all, let me introduce you to a well-known school with acting majors in China.
There are ** Drama Academy, Beijing Film Academy, Shanghai Theater Academy, Chinese People's Liberation Army Art Academy, Beijing Dance Academy, Communication University of China, Sichuan Normal University Film and Television College, Nanjing University of the Arts,
Jilin University of the Arts, Sichuan ** College, Zhejiang University of Media and Communication, Beijing City University, Beijing Union University Advertising School, Donghua University, Tongji University Film School, Shenzhen University, Tianjin University, Shanghai Normal University Xie Jin Art College, Liaoning University Benshan Art College, Dalian Art Institute, Beijing Modern ** College, Tianjin University of Physical Education, School of Sports, Culture and Arts, Hebei University of Media, Wuhan University of Media and Communication, Chongqing University Meishi Film School, etc.
In fact, there are different opinions about drama actors, and the qualities they need to have include:
1. Standard Mandarin, good voice condition, high enough and clear, with a certain ability to recite.
Second, the limbs are flexible and expressive.
3. The image meets the requirements of the role.
Fourth, the expressiveness of the stage drama has high requirements for the actor's sense of belief, so when the actor is connected with the foundation, the foundation of the sense of belief must be laid, and the requirements of the drama actors for the lines are also different from those of film and television dramas, and the lines of the drama should be clearer than that of film and television dramas, in addition, physical training should be carried out to help the actors better control and use their body language. To put it simply, this is the case, and it depends on the training process.
Employment depends on the individual, now these colleges and universities do not have a management allocation, are to see their own development, these colleges are a platform, if you are this material, from which college you have the same chance, if you are not this material, which college will graduate after obscurity.
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1. Relax, completely relax, all laughter is an emotional release of tension.
2. Understand the script and character requirements. Understand the author's intentions and be able to give the character certain character traits based on his own life experience (both direct and indirect experience, although you have never been a princess, but you can imagine the mood of a princess).
3. Turn your inner understanding into external physical movements. For example, anger can be a clenched fist, a stomping of a foot, or an order to cut off a random head——— depending on the mood of the context and the character of the person.
4. Be aware of the environment. Whether the range of motion is exaggerated or not is determined by the environment. If a "small theatre" play is performed in a venue of 50,100 people, then the range of action is exaggerated compared to life.
If it's a large auditorium of 1,000 people, then the audience in the last row must not be able to see your frowning clearly——— unless your drama still has a lot of ** content, a large screen will be placed and the camera will be pointed at you.
5. Familiarize yourself with the venue. Positioning is very important——— whether you are professional or not, from the grasp of the position of the light, the control of your own positioning. The so-called "helpless" refers to not knowing how to put your hands and feet on the stage.
6. Study the theory of performance. If you have enough time, I recommend that you read Stanislavsky's theory of performance. There are two main schools of performance theory around the world – performance and experience.
In general, at the beginning stage, what we learn is realistic performance, and our audience is more receptive to this kind of so-called "performance" of "likeness".
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First of all, you must be able to speak, in fact, you must be able to perform, and thirdly, you should figure it out yourself.
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I've always found drama to be a very interesting stage play. It's also a very challenging performance. I may not have any specific experience to tell you how to play it well, but I think if you really want to do a good job, first of all, you must have enough courage and confidence.
Then, it is necessary to learn to "dare to ask" and "dare to say no". Finally, you also have to be patient enough and have the perseverance to not be afraid of hardship.
Finally, I would like to give you a phrase that the protagonist of "Fuii House" often says: "A za a za, and I wish you success!"
From the audience's point of view.
1。Be sure to pronounce the words clearly and pronounce them clearly.
2。The performance should be natural, not pretentious, but not non-performing, not relaxed.
3。Always know what you're doing and don't be distracted. Any little action you make, the audience will see.
4。Be polite and respectful of everyone in the audience.
5。The most important thing is to be proficient in acting... Remember.
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Acting talent is one, articulate is the basic, with these two things can be self-taught or apply for colleges, many students majoring in acting will be absorbed by large drama groups with good grades. As for the external image, basically they must have a good image and good temperament, but there are also characteristic actors, not all of them can play heroes with thick eyebrows and big eyes, but also have negative roles. In terms of lines, you can train yourself.
Give you a set of learning processes in professional colleges and universities, start with tongue twisters to practice pronunciation, front and back nasal sounds, flat tongue sounds, distinguish clearly, listen to the news more and read more newspapers. This is the foundation and then start the prose recitation, the teaching materials are based on the recitation clips of famous online hosts and actors, and learn how to express inner emotions in words and language. Then start the recitation of the character monologue, which can pick out the character monologue in some fragments of classic dramas, figure out the character's heart according to their way, and use language to try to shape different characters, different personalities, and different mentalities.
Finally, try to rehearse more plays, go on stage when you have the opportunity, and cooperate more with people with professional benchmarks and abilities, of course, this is a little more difficult, and it is good if you can find like-minded friends like you.
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To become a full-fledged actor who can perform on a big stage and earn a regular income, it's basically impossible to come from a non-professional background, because you can't find a team to play with. If it's just a pure hobby, whether it's high school or college, there are a lot of opportunities to exercise, for example, in our college majors that are related to art, each class can rehearse a drama to participate in the competition, and it is not difficult to find such an opportunity to perform. You don't need to go to graduate school to become an actor, and if you are not an undergraduate student majoring in drama performance, you can start your career in this area by participating in open audits for some plays.
If you want to go to graduate school, it is best to go to graduate school after you have practiced. Otherwise, I have learned a lot of theories, and I don't know how to use them when I come to power, and I still scratch the blind.
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Some actors with very different personality traits have certain moments when they forget who they are, otherwise Brecht would not have rated the actor who hurt people on stage as the worst actor. It is true that some people can completely forget themselves at certain moments on stage, but in fact, if you analyze it carefully, it is not so much forgetting yourself as being willing to regret and enjoy the feeling of playing a certain role or immersing yourself in a certain emotion. This phenomenon has a lot to do with the actor's physiological condition and psychological preferences, for example, a child who has been oppressed by his parents since he was a child, and when he becomes a member of the actor, he must like to yell or say his lines loudly.
Because he has to open up the meridians in his lungs (being oppressed for a long time and being pessimistic will block the meridians in the lungs).
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We can imagine if an actor is completely integrated into the character and forgets himself, can his opponent be equally integrated into the character as he is? There is absolutely no way to guarantee this! For an actor who has forgotten about himself, there is no way to control his actions.
In other words, since he forgets himself, it means that he has forgotten his identity as an actor. That being the case, every sentence he makes, every anti-suffrage should be a reaction to the character he understands, not a reaction of the author to the character's prescribing. It's a bit of a mouthful, but to put it simply, if the actor is fully integrated into the character, then the audience will see a madman.
There are two sides to everything, and it is not easy to enter the play, but it is actually not advisable to completely enter the play and completely go out of the play. The so-called drama is relative to entering the play, which can be understood as the actor's first self, and can also be understood as the actor's control over the role.
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