Does the empty man in the Dream of Red Mansions refer to the author himself?

No, it's just a general term, similar to the meaning of a witness, and it can't refer directly to the author.

No, the author is Zhen Shiyin in the article.

No, he's just a fictional character of the author.

, Baoyu is the prototype of Cao Xueqin.

The author's fictitious fantasy character. Because of the visit to the road to seek immortals, from the Great Wilderness Mountain nonsensical cliff Qinggang Peak passed, see a large piece of stone, the handwriting on it is clear, compile the calendar, the stone phantom world, go through the joys and sorrows, a story of the hot and cold world, that is, "Stone Record". A dialogue between the empty man and the stone can be seen as a debate on literary and artistic thought.

The Kongdao people represent the traditional literary and artistic viewpoint, and the stone is the author's own condition. The Kongkong people expressed their dissatisfaction with the stories recorded by the stones: first, there was no dynastic age to test; The second is the good governance of the court that has no great sages and great loyalty, and the rule of the court and customs, but it just describes the life experiences of a few strange women who are either in love or infatuated, or small and talented, and I am afraid that the world will not like to see it.

denied the inheritance value of "Dream of Red Mansions". The stone refuted the views of the empty people one by one. He advocated that literary and artistic creation should not be confined to the age of dynasties and should not be limited by historical facts.

Emphasizing the use of "fake village dialects" to express "things are reasonable", and criticized the good governance that specifically describes the ideal people of the feudal class, the good governance of the physical court and customs, and advocates that literary and artistic works should be changed from Confucianism, showing the "book of governance" of the great sages and great loyalty to the court and customs, to the "appropriate and interesting idle writing" with aesthetic significance that the laity like to see. The empty Taoist was finally convinced by it, copied it back from beginning to end, and came out as a legend, so he changed his name to the love monk, and changed the "Stone Record" to the "Love Monk Record". Later, Cao Xueqin and "Mourning Hongxuan" read for ten years, added and deleted five times, usurped into a catalog, divided into chapters, and inscribed "The Twelve Hairpins of Jinling", which is the origin of the book "Stone Records".

The empty people, the stones, and their dialogues with each other are based on the author's artistic fiction, not the real person. Therefore, the author said in another place: "After experiencing a dream, the real thing was hidden, and the book "Stone Record" was written by means of 'psychic'.

It means that what the author wants to show is a life lived by his personal manager, such a life, which has disappeared like a dream, and now uses the story of the stone to narrate it in the "fake village dialect", and interprets it into a moving story of joys and sorrows. The dialogue between the empty man and the stone shows the uniqueness of the artistic conception of "Dream of the Red Chamber", which constitutes an important feature of the art of "Dream of the Red Chamber".

In fact, Cao Xueqin's homonym "grass blood", Wu Yufeng's homonym "no jade crazy", and Kong Meixi's homonym "I'm afraid of no seal", the names of these three people are related to the jade seal that represents the imperial power. and "The Story of the Stone" alludes to "The Story of the Treasure Seal", "The Record of the Love Monk" alludes to "The Record of the Qing Monk", "Dream of the Red Chamber" alludes to "Dream of the Forbidden City", "Fengyue Baojian" alludes to "Xuanyuan Treasure Mirror", and "The Twelve Hairpins of Jinling" alludes to "The Twelve Hairpins of the Later Jin". "Dream of Red Mansions" is not adapted by predecessors many times, its content is composed of five major sections, including Baoxi, Qing monk, Forbidden City, Xuanyuan Mirror, and court women, and is written by the same person.

These five plates are like a three-dimensional landscape painting, with distant mountains and close scenes, and multi-dimensional time and space are intertwined with each other. In other words, everything with gold, jade and stones in the book is related to the emperor's treasure seal and belongs to the content of the "Stone Record"; Everything that involves the content of ordination is related to Shunzhi ordination and belongs to the content of "Love Monk Record"; All the content of the Mid-Autumn Festival Yongyue is related to the Xuanyuan Mirror and belongs to the content of "Fengyue Baojian"; Most of the contents involving judgments, poems, and characters are related to the secret history of the Qing Dynasty and belong to the content of "The Twelve Hairpins of Jinling".

Emperor Shunzhi, his name has long been written on the title of "Dream of Red Mansions". It turns out that "Love Monk Record" is actually "Qing Monk Record", this Qing monk is Emperor Shunzhi. It shows that he did not die of illness, but became a monk.

In the Dream of Red Mansions, Zhen Shiyin, Jia Lian, Liu Xianglian, etc., actually played the role of Emperor Shunzhi, and staged the big drama of Shunzhi monkhood.

Is Shunzhi really a monk? In fact, it is only necessary to keep an eye on the movements of the Qing court. Look at which eminent monks the Qing court was dealing with, and there were abnormal behaviors between Yongzheng (Qing court) and Jialing Zen Master.

Just after the death of Zen Master Jialing, Yongzheng posthumously awarded him the title of national teacher and was awarded the title of "Yuantong Miaozhi Dajue Zen Master". Emperor Yongzheng also transported his remains back to Beijing from Lushan, thousands of miles away. Open "Dream of Red Mansions", we suddenly realized that Shunzhi was indeed a monk, he was the "dragon old monk" in "Dream of Red Mansions" "Zhitong Temple".

Because the word "Zhitong" is hidden in the four words "Yuantong Miaozhi"! Jialing Zen Master is the Shunzhi Emperor. The real cemetery of Emperor Shunzhi is in today's Xishan Dajue Temple in Beijing!

The Kongkong Taoist copied the stories carved on the stones, and after passing the stories to the people, they saw through the red dust, converted to Buddhism, and changed their names to love monks.

The reason why the Dream of Red Mansions changed its name to the Love Monk is to highlight the lifeblood of the word "love", and to tell the story of the Red Mansion.

It is estimated that Buddhism pays attention to compassion, and after reading such a miserable story, I want to change it to a monk and lament such a bleak story.

The reason is that the empty people have realized Baoyu's inner world of not pursuing fame and fortune and not passing on the ancestry. I also realized the truth that color is emptiness and emptiness is color in life. All in all, with the word "love", I feel the ups and downs of life. Then he changed his name to "Love Monk".