Pan Tianshou s artistic proposition, what are Pan Tianshou s painting achievements

Western Europe and the East are different regions, different races, different skin colors, lifestyles, temperaments, customs and habits, Westerners say that there is no ink color in nature, but Chinese painting uses ink color to express objects, and ancient Chinese painted pottery is expressed with ink color; Wu Changshuo often painted peonies with ink and red, giving full play to the effectiveness of ink color, making the color change very complex and contrasting, reaching the most incisive degree.

Qi Baishi said that the beauty lies between the similar and the unlike, the pursuit of the god-like, not the superficial similarity, which is the characteristic of traditional Chinese art. Ink is the lord of the five colors, but it must be matched with white, then it is clear. Lao Tzu said:

Know the white and keep the black. Painting is done with the brush, rhyme with ink, and thick with coke, accumulation and breaking. This meaning is known to Xiangyang in the Northern Song Dynasty.

It is difficult to use ink to dry, scorch, moist and wet changes, and it must be dry and scorched and can be moistened, moistened but not diffuse, that is, the key to using ink. Ink is not water does not wake up, pen is not impermeable, wake up is clear and spiritual, luck is melted and there is no stagnation, the two can not be wasted. The color is easy to showy, not easy to be elegant, the ink is easy to be elegant, not easy to be vulgar, and the ink color matching is enough to help the difficulty of using color.

Ink painting, can be decent, black and white, dry and wet, and colorful, although colorless, better than colored, five colors are free, better than green, yellow, vermilion. Light color only for the clear, heavy color only for the ancient, know this, that is, to use the color of the extreme. Chinese painting has its own unique traditions and styles.

The study of Chinese art should be based on Chinese methods. For the basic training of Chinese painting, the first two points to be talked about for new students are:

1. Concentrate and immerse yourself in painting. Be determined to dedicate your life to art.

Second, we must be free from prejudice and learn from others' strengths.

The repetition of art is equal to zero!

The learning methods are roughly as follows: (1) to engage in the training of the technical foundation of Chinese painting; (2) Pay attention to the assistance of poetry and calligraphy; (3) Examination of the history and theory of painting, as well as the appreciation of ancient paintings and calligraphy; The final focus is on the cultivation of morality and mind. Perseverance, not seeking quick success, can naturally get the water to come true.

The foundation is real life, on the one hand, absorbing techniques from the ancients, and on the other hand, extracting the essence from the life of the natural world. Sketching should be written alive, not dead, and good works should be better than life. The paper and ink of finger painting are very different from those of strokes, which is where the interest of finger painting lies, that is, where its evaluation lies.

If you use your fingers as a tool for dazzling and exaggerating, and the paintings you make are similar to the strokes, why should you have finger paintings?

Finger painting is suitable for capitalization, and it is suitable for drawing simple and ancient themes. However, it is necessary to pay attention to simplicity but not simplicity, writing but not writing, in order to get the length of the finger drawing. Otherwise, it is easy to fall into monotony and sloppiness without any reserves.

The finger painting is a side path, and the first is unique between the finger and the ink, so it has not been abandoned since the height and the garden.

Finger ink is known for its solemnity and spiciness, which is difficult to reach by pen and ink.

Pan Tianshou's insistence on Chinese painting.

Pan Tianshou's calligraphy and painting achievements. Calligraphy and painting as a work of art not only has artistic value, you can appreciate the decoration, but also can collect investment, in modern society is the key object of investment collection, calligraphy and painting collection is a long-standing activity, calligraphy and painting treasures have always been the goal of painting and calligraphy lovers to chase, more and more people in the mechanical year to participate in the collection of calligraphy and painting, not only because of the artistic value of calligraphy and painting, but also because of the economic value of calligraphy and painting, there are constantly people involved in the collection and investment of calligraphy and painting, but want to succeed in Pei Infiltration investment, It is necessary to understand the knowledge of calligraphy and painting, and it is necessary to understand the market situation of calligraphy and painting. Pan Tianshou (1897-1971) was named Tianzhu in his early years, the word Dayi, the number of longevity, and the name of Lei Po Toufeng longevity.

A native of Ninghai, Zhejiang. Modern painter and educator. He is good at painting flowers and birds, landscapes, and good at finger painting, as well as calligraphy, poetry, and seal carving.

Graduated from Zhejiang Provincial No. 1 Normal School. He used to be a professor at Shanghai Art College and Xinhua Art College. In 1928, he went to the National Academy of Arts as the chief professor of Chinese painting.

In 1945, he became the president of the National Art School. In 1959, he was appointed president of Zhejiang Academy of Fine Arts. From 1915 to 1920, he studied at the First Normal School of Zhaoqing Provincial Government in Zhejiang, and was taught by Jing Hengyi, Li Shutong and others.

In 1923, he came to Shanghai and successively served as a professor at Shanghai Academy of Fine Arts and Xinhua Academy of Art. Wu Changshuo, a beginner in freehand flowers and birds, later took Shi Tao and Bada, and served as vice chairman of the Chinese Artists Association and president of Zhejiang Academy of Fine Arts. for the first.

Deputy to the first, second and third National People's Congress, member of the China Federation of Literary and Art Circles; In 1958 he was appointed Honorary Member of the USSR Academy of Arts. He is the author of "History of Chinese Painting" and "Essays on Painting in Tiange". In 1928, he settled in Hangzhou and served as a professor at the West Lake Art Institute, and the following year he went to Japan to study art education.

After the Anti-Japanese War, he moved with the school. From 1944 to 1947 he was the principal of the National College of Arts. After 1949, he successively served as the vice chairman of the Chinese Artists Association, the vice chairman of the Zhejiang Federation of Literary and Art Circles, the chairman of the Zhejiang Branch of the Artists Association, the vice president of the East China Branch of the ** Academy of Fine Arts, and the president of the Zhejiang Academy of Fine Arts.

Deputy to the first, second and third National People's Congress, member of the China Federation of Literary and Art Circles; In 1958 he was appointed Honorary Member of the USSR Academy of Arts. In 1963, he visited Japan as a member of a delegation of Chinese calligraphers. Pan Tianshou is good at painting freehand flowers and birds, landscapes, occasional figures, part-time calligraphy with branches, poetry, seal carving, and often makes finger ink paintings in his later years. He is especially good at painting eagles, starlings, pines, plums, bamboos, lotuses, vegetables and fruits, mountains and rocks, wildflowers and other subjects.

The style of painting is influenced by the Eight Great and Shi Tao, and it has its own personal style of Shen Xiong, strange and magnificent. The works are fresh and beautiful, the brushwork is crisscrossed, the lines are rough and powerful, the composition is unexpected, it has a shocking power and a strong sense of modernity, sweeping away the kitsch painting style of Chen Chen Xiangyin in the 100 years after the Qing Dynasty, and is known as a great master of Chinese painting in the 20th century.

Pan Tianshou's painting achievements are very high, he mainly focuses on Chinese painting, and is good at the creation of flowers and birds, landscapes, figures and other themes. His works have a unique style, with old and spicy brushes, deep paintings, and endless interest. His achievements in painting are manifested in the following aspects:

1. Unique style of pen and ink: Pan Tianshou's pen is calm and powerful, and he uses a variety of techniques such as splashing ink, breaking ink, and accumulating ink to express the texture and layering of objects. His pen is like an iron steel bar, and his spirit is majestic.

2. Superb composition ability: His composition layout is peculiar, focusing on the contrast between the primary and secondary, virtual and real, and sparse in the picture, showing the harmony between mountains and rivers, people, plants and trees, and birds and animals.

3. Ingenious expression: Pan Tianshou uses a variety of techniques in his paintings, such as outlining, rendering, coloring, dot painting, etc., and skillfully combines elements such as ink, color, and blank space to make the picture more vivid and interesting.

4. Inheritance and Development of Chinese Painting Tradition: Pan Tianshou's paintings inherit the tradition of Chinese painting, and at the same time incorporate his own unique style and atmosphere of the times. He attaches great importance to the study of traditional painting theory and painting history, combines traditional aesthetics with modern art concepts, and makes important contributions to the development of Chinese painting.

5 Influential Educational Philosophy: During his tenure at the National Academy of Arts (now the China Academy of Art), Pan Tianshou put forward the educational concept of "cultivating artists, not craftsmen", focusing on cultivating students' creativity and artistic accomplishment. His educational philosophy influenced the development of modern art education in China.

In short, Pan Tianshou has made outstanding achievements in the field of painting, and his works not only have high artistic value, but also make outstanding contributions to the development and inheritance of Chinese painting.

The composition is novel, and the brushwork is magnificent. He is good at freehand flowers, birds and landscapes.

Pan Tianshouhui Chinese Painting Art Characteristic Paper Painting, was born from 1897 to 1971 in Guanzhuang Village, Ninghai, Ningbo.

The composition of the work is novel, and the brushwork is magnificent.

1) Pan Tianshou's flower and bird paintings are majestic and strange, with profound traditional skills. (2) Decisive and concise with a pen, with the characteristics of vigorous, concise, spicy and jerky. (3) Make good use of thick ink, occasionally use scorched ink and broken ink, dry and wet shades are appropriate, vast and heavy.

4) Pay special attention to the layout of the picture Zheng infiltration code, and shout that the ant management is rigorous and surprisingly successful.

The painting style of the painter Pan Tianshou can be described in the following three sentences:

1. The "delicate school" in the boldness; Clause.

2. Pay attention to details everywhere; Clause.

Third, the artistic conception is far-reaching. In fact, if you have carefully observed Pan Tianshou's paintings, you can almost feel his three painting styles, and he himself has not thought about how to establish the style, but after his paintings are completed, people can always feel that there are "traces to follow", which is also where Pan Tianshou is powerful.

1. The "delicate school" in the boldness;

First of all, it should be said that Pan Tianshou's overall style in painting is bold, but if you look closely, you will find that his painting style is actually very delicate. In the bamboo forest picture painted by Pan Tianshou, we can clearly see his bold painting style, it seems that every bamboo leaf is "fluttering with the wind", if you look at the bamboo leaves alone, it will even give people a sense of disorganization, but when you ** the whole picture, you will suddenly find that each bamboo leaf is painted very delicately, and there is really an illusion of "fluttering in the wind", which is also what Pan Tianshou is best at.

2. Pay attention to details everywhere;

The second thing to talk about is the ubiquitous details in Pan Tianshou's paintings, which is not only his painting style, but also his "originality". Generally speaking, there is nothing to draw in the bamboo forest except bamboo, fallen leaves, and weeds, but through the observation of Pan Tianshou's bamboo forest map, we will find that there are actually many elements that can be drawn into the bamboo forest map, such as insects, dew on bamboo leaves, etc., these details can make the whole picture look extraordinarily vivid.

Third, the artistic conception is far-reaching.

In fact, the artistic conception in Pan Tianshou's paintings is the opinion of the benevolent and the wise, but at least I think his paintings are full of artistic conception. When I am in Pan Tianshou's paintings, I can always feel the distant and plain temperament in the paintings, which is also the most attractive thing about Pan Tianshou's paintings.

Pan Tianshou's painting style is relatively novel and magnificent, and he will take the most beautiful passages in reality that others do not pay much attention to as the basis of his composition.

Mr. Pan Tianshou, who came from the first division of Zhejiang, after many years of artistic practice, has been called a master of Chinese painting, an educator and a calligrapher. In his early years, he studied under Mr. Wu Changshuo, Jing Hengyi, and Li Shutong to explore the mysteries of art. After that, he realized that "making plans for people and ending their descendants is realistic from the beginning of their own family".

The style of painting he pursues is majestic, dangerous, and strong. He is well versed in the fact that the wonders of the world, the strange, and the extraordinary are often far away.

Therefore, painstakingly and diligently, in the freehand, finger painting, ink ......In all aspects, the tradition of innovation, self-explanatory high standards, the blue thread of the road, and the courage to set a precedent. He is a real master of calligraphy and painting.

Pan Tianshou likes nature and is good at expressing the unpolished beauty and irrepressible tenacious vitality in nature in his paintings. He believes: "To be a person, to deal with things, to study, and to paint, all need to be based on the overall meteorological intention.

The pen is bold and the dot dyeing is careful. The ink color is criss-crossed, the composition is fresh and beautiful, magnificent, and the fun is endless.

Pan Tianshou is a traditional style of freehand painter, with books into the painting, the pen is strong, the structure is rigorous, the shape is solid, masculine atmosphere, the personality is obvious, the achievements are outstanding, inherited and developed the traditional Chinese ink freehand culture. If the style of Bada Shanren is the extreme of softness, Pan Tianshou's style is a typical example of rigidity.

Mr. Pan Tianshou's inheritance is mainly Wu Changshuo, who was a beginner, and later took Shi Tao and Bada. Its magnificence can indeed see the shadow of these people. In terms of innovation, the use of color and ink has made breakthroughs compared with predecessors.

The biggest breakthrough should be the opening of the game. So people summed up this piece: bold brushwork, careful dotting. The ink color is criss-crossed, and the composition is fresh and beautiful, and the momentum is magnificent.

His inheritance is mainly Wu Changshuo as a beginner, and later as Shi Tao and Bada. Its magnificence can indeed see the shadow of these people.

In terms of innovation, the use of color and ink has made breakthroughs compared with predecessors. The biggest breakthrough should be the opening of the game.

So people summed up this piece: bold brushwork, careful dotting. The ink color is criss-crossed, the composition is fresh and beautiful, magnificent, and the fun is endless. The graphics are smart and engaging.

Qi Baishi's painting of shrimp is fascinating, Xu Beihong's painting of horses is vivid, Zhang Daqian's painting of lotus flowers is exquisite, and Pan Tianshou's painting of orchids is wonderful.

Pan Tianshou's works of the top ten modern Chinese painters were selected.