Classification of painting language, how many languages are there in painting art?

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There are basically three kinds of painting languages:

1. Realistic painting language.

2. Exaggerated painting language.

3. Symbolic (i.e., tortuous and metaphorical) painting language.

The artistic language of painting is a way of expression in which the artist uses materials and tools such as pens, knives, ink, paper, and pigments as material carriers for the purpose of recording state, reflecting understanding, conveying information or expressing thoughts, and uses visual signals such as color, line, light and shade, and texture as the medium to create and depict artistic images and create visual experiences through plastic art means.

There are basically three kinds of painting languages:

1. Realistic painting language.

2. Exaggerated painting language.

3. Symbolic (i.e., tortuous and metaphorical) painting language.

The artistic language of painting is a way of expression in which the artist uses materials and tools such as pens, knives, ink, paper, and pigments as material carriers for the purpose of recording state, reflecting understanding, conveying information or expressing thoughts, and uses visual signals such as color, line, light and shade, and texture as the medium, and creates and depicts the visual experience of artistic forms and images through plastic art means.

1. The so-called painting language is a way of expression in which the artist uses materials and tools such as pen, knife, ink, paper, and pigment as material carriers for the purpose of recording state, reflecting understanding, conveying information or expressing thoughts, and uses visual signals such as color, line, light and shade, and texture as the medium to create and depict artistic images and create visual experience through plastic art means.

2. Meaning: The language of painting is the author's creative means and purpose. There are many factors that affect the language of art, such as media materials, cultural traditions, personal character, and the background of the times.

Media materials are the material basis of artistic language. The materials and tools used, the techniques of painting, the content depicted, the images expressed, and other objective behaviors and states reflect the subjective consciousness of the author's character, cognition, and thoughts. Subjective and objective factors together constitute the personality characteristics of his painting language.

3. Characteristics: Painting should not only express life and nature in a very rich and comprehensive way, but also extract the essence from the rough, and express life and nature in a more typical and universal way. This representation of painting is achieved through the language of painting.

In a sense, it is more important to grasp the language of painting than to impart the knowledge involved in painting a work of art.

For example, recognize the "line" in the language of painting. The line is divided into straight line and curve, and the curve has the characteristics of softness, flow, change and grace compared with the straight line; The curves reveal the style of grace and elegance, and the straight line reveals the style of strength. The specific use of lines in painting is ever-changing, reflecting the painters' respective qualities and interests, and conveying subtle and rich meanings and emotions.

4. Expression: The language of painting is an organic fusion of technique, form and content, and the depth and breadth of the language of painting is the standard for testing the artist's artistic level. In this sense, the different use of painting language produces different styles of paintings.

When painting evokes human aesthetic emotions, it acts on people in a form of language that is unique to painting. The language of painting is composed of a variety of elements, and the visual factors involved here are: point, line, shape, light, and color.