Please write a poem prose, ancient style, close style with the title of Self Portrait .

Life creates different experiences, and growth composes moods. The journey is rushed, criss-crossing and complicated, and the ups and downs are blended. Time keeps slipping away in the hourglass of time, and we have to keep our feet steady and adjust our mood.

Life cannot be hesitated, and we cannot afford to live up to life. The journey of the years is engraved with joys, sorrows, sorrows, and sorrows, and today we have passed through the scenery of a road past, and the experience has shaped the stability of life, and the overlap of gains and losses has made us know how to be grateful and tolerant. After years of passing, it is no longer a mixture of joy and sorrow, but a life of heritage, engraved with exquisite layers in the annual ring.

There are many pursuits in people's lives, and everyone is looking for a kind of perfection, but what exactly is perfection? No one can give a reasonable explanation. If you have health, you want money, and if you have money, you want fame and fortune......And we're constantly distorting in the taking.

Desire is a deep sea, and no amount of hourglass can fill it. Demand is like waves of the ocean, endlessly impacting, and eventually sinking in a certain wave. Life is not just a gesture, but also a mind that controls itself freely, and does not rewrite life for the sake of external materials.

Contentment is the root of happiness, and if you explain a fame and fortune, you will win a peace of mind.

Life is a kind of sound, from the casual cloudy weather that begins with crying, to the majestic majesty of the mountains and flowing water, and finally lies in the heart of Yunshui Zen and listens to the process of flowers blooming. The road of life is to understand while walking, the world is impermanent, there are too many changes, the vicissitudes of life let us learn to bear, and the helplessness of human feelings makes us know how to be grateful. We can be obsessed with an unchanging emotion, but we can't hold the passing years of thinning, and a cherished voice often warms a lifetime.

The world laughs at me, I don't laugh, Hongchen knows himself.

Friendship The world of camouflage exudes infinite color But the vanity of knowledge and arrogance Only the day and night are the eternal purity Acquaintance in the wind Acacia in the rain Friendship lasts forever Into the realm of life's thirst Maybe you can't ask for anything anymore You can only regret the mistakes of the past, and friendship will always strengthen your soul There may be only half a glass of wine left in the cup The strong aroma of wine Bathing in the smell of sadness Sinking into the bosom of sores Go to the deep sores of duckweed Friendship is intriguing The story of the past is thrown into the space of a light smile Washed away A faint smile Let the melancholy on that face disappear The boring life of your arrival is the existence of a smile Friendship interprets everything and releases the future.

Hee-hee: Is that okay?

The peach blossom pond is 3,000 feet of water, which is not as good as Wang Lun to send me love.

First of all, you need to have a solid foundation in ancient Chinese, and you can go to Xiandao Lake Literature Online to read about this article.

You have to read more, have a sense of language, and then copy more.

Yes, before the Tang Dynasty, it was called ancient style poetry, and after the Tang Dynasty, it was called near style poetry. All belong to the old style of poetry.

Near-style poetry, also known as modern style poetry or rhythmic poetry, is a Chinese poetry Xun Wu style that pays attention to leveling, fighting and rhyming. In order to distinguish it from the ancient style of poetry, it has the name of close body. It refers to the rhythmic poetry style formed in the Tang Dynasty.

In the proximal psalms, there are strict restrictions on the number of sentences, the number of words, the number of words, and the rhyme. Near-style poetry is the main poetry style after the Tang Dynasty, and the representative poems are: Li Bai, Du Fu, Li Shangyin, Lu You, etc.

It has an important position in the history of Chinese poetry.

1 Fu, Pu Wen, Shi, Shuo, Treatise, Kumon and the like belong to the genre, the ancient genre.

Poetry, Fu, Prose, Prose, Drama, e5a48de588b662616964757a686964616f31333332623330

The pre-Qin dynasty had historical essays (sources such as: "Chinese", "Zuo Chuan Bai", "Zhandu National Policy", etc.), Chunzhi

At the end of the autumn, there were Zhuzi essays ("Laozi", "Analects", "Mencius", "Zhuangzi", etc.), and in the Han Dynasty, there were political and philosophical essays (Li Si's "Book of Exhortations to the Guest", Jia Yi's "Treatise on the Passage of Qin", "On Accumulation and Sparseness", Chao Cuo's "On Guisu Shu", Huan Kuan's "Treatise on Salt and Iron", etc.), the Han Dynasty also had historical essays ("Historical Records"), and the Han Dynasty also had epistolary prose (Sima Qian's "Book of Reporting to Ren'an", and Mei Cheng's "Shangshu to Advise King Wu").

Essays on the Wei, Jin, Southern and Northern Dynasties (Chen Shou, "Romance of the Three Kingdoms").

The "Ancient Literature Movement" of Tang Han and Liu was a widely influential reform of the style and style of ancient prose. Ancient Chinese refers to prose style, and the promotion of this style is intended to restore the ancient prose characterized by prose single sentences in the pre-Qin and Han dynasties, and to promote the innovation and development of prose.

From the perspective of rhythm, poems can be divided into ancient style poems and close style poems. Ancient style poetry is also known as ancient poetry or ancient style; Near-style poetry is also known as today-style poetry.

Ancient style poetry is written according to the ancient poetic style. In the eyes of the Tang people, from the "Book of Songs" to the Gengxin of the Northern and Southern Dynasties, they are all ancient, so there is no certain standard for the so-called imitation of ancient poetry. However, there is one thing that the poets write in the ancient style is the same, that is, they are not bound by the rhythm of the close style of poetry.

We can say that anything that is not bound by the rhythm of close poetry is ancient poetry.

Yuefu was born in the Han Dynasty, and it was originally matched, so it was called "Yuefu" or "Yuefu poem". This kind of Yuefu poem is called "song", "word", "song", "line" and so on. After the Tang Dynasty, the ancient style poems written by the literati in imitation of this style of poetry were also called "Yuefu", but they were no longer worthy of **.

Due to the gradual formation of a new ** in the Sui and Tang dynasties, the lyrics with a new ** were later produced, called "words". The word probably originated in the Tang Dynasty. After the decline of Yuefu, a transitional period before the production of words, the lyrics with new music were composed of near-style poems.

A poetic genre as opposed to a close poem. Before the formation of near-body poetry, there were various poetic genres except Chu Ci.

It is also known as ancient poetry and ancient style.

The ancient style poems are free in rhythm, informal, even, rhyme wider, length is not limited, and the sentences are four, five, six, seven and miscellaneous.

Ancient poems are divided into rhythmic poems and quatrains (five words)!

1. Classification by metrical law:

In addition to the need for rhyme, ancient style poems are not restricted by metrics. In addition to the need for rhyme, close poems are limited by metrical rhythm.

2. Classification by word count:

There are only two forms of near-body poems: five-character and seven-character poems. Ancient style poems have four words, five words (called five ancients), seven words (called seven ancients), and the untidy number of words is called miscellaneous ancient poems (miscellaneous ancient poems are also called seven ancient because they have seven characters), and there are also a few three words and six words.

3. Classification by number of sentences:

Ancient style poems range from two sentences to one hundred sentences. There are four quatrains in close poetry, eight lines in rhythmic poetry, and more than eight sentences in rhythm.

Fourth, by rhyme:

a) Ancient style poems:

1.The whole poem can be rhymed with a flat sound or a rhyme, and it can be converted into other rhymes at will.

2.Every sentence in a poem can be rhymed, and the words used for rhyme can be repeated.

3.The use of rhyme in poetry is not limited to even sentences, and odd sentences can also be rhymed.

4.In the poem, you can use adjacent rhyme and go up to rhyme.

5.Sentences that allow for loose culture.

2) Near-body poems:

1.A poem is limited to one rhyme, except for the first sentence that can rhyme or not, the rest of the sentences are rhymed in even sentences.

2.Words used for rhyme feet cannot be repeated.

3.The last word of a rhyming sentence is not used, and the flat sound cannot be the same as the last word of a rhyming sentence.

4.Adjacent rhymes cannot be used except for the opening sentence.

5.All rhyme with flat sounds.

The quatrain is four verses, and the rhyme is eight verses.

Resources.

The physique of poems can be roughly divided into two categories: modern and ancient.

Rhythmic poems, including rhythmic poems and quatrains, are called near-style poems or modern poems, the ancients called it so, and we now call it so, although it is actually very ancient, it has started in the Qiliang period of the Northern and Southern Dynasties, and matured in the early Tang Dynasty. The poems before the Tang Dynasty, except for the so-called "Qiliang style", were called ancient styles. Poems that do not fit into the body after the Tang Dynasty are also called ancient styles.

There are differences between archaic and proximal forms in syntax, rhyme, and flatness:

Syntax: The number of words in each sentence in the ancient style is indefinite, four, five, six, seven and even miscellaneous words (uneven sentences), and the number of sentences in each poem is also uncertain, less than two sentences, more than a few.

Ten or a few hundred sentences. There are only two kinds of five words and seven words, and the rhythm poem is stipulated as eight sentences, the quatrain is specified as four sentences, and the more than eight sentences are arranged for the rhythm, which is also called the long law.

Rhyme: Each song in ancient style can use one rhyme, or two or more rhymes, and it is allowed to change rhyme; Each song can only use one rhyme, even if it is dozens of sentences long, it cannot be changed. Archaic can rhyme with even-numbered sentences, or with odd-numbered sentences and even-numbered sentences.

The close body only rhymes in even-numbered sentences, except for the first sentence which may or may not rhyme (it rhymes if it ends with a flat voice, and does not rhyme if it ends with a voice). Five words do not rhyme, seven words do not rhyme), and the rest of the odd sentences cannot rhyme; The ancient style can be used in flat rhyme, but also in the sound rhyme; Near-body generally only uses flat rhyme.

Pingqian: The biggest difference between the ancient and the near body is that the ancient style does not talk about the plain, while the near body pays attention to the flat. After the Tang Dynasty, the ancient style also paid attention to the plain, but it was not a rule, so it could be ignored.