Singing with breath doesn t mean not using your voice at all

Updated on society 2024-05-23
8 answers
  1. Anonymous users2024-02-11

    Breath and voice are integrated, sing more with your voice, you will be tired when you sing, and you will feel more relaxed with more breath, there is no obvious boundary, you need to exercise your listening according to the specific song, you need to exercise your hearing, when listening to the song, you can distinguish how the sound of the song is made, is it more throat or more breath?

    This is a process of listening training, when you have honed enough, you want to sing other people's songs, first of all, you can distinguish what the song is, about how the breath and voice should be distributed, of course, this distinction is a feeling, not to say that it is necessary to calculate accurately, the feeling will slowly strengthen, after the distinction, you will start singing, so what should you pay attention to? For example:

    Treble: For example, the high pitch of the letter song mainly uses the breath, the sound is loud, the penetration is strong, you need to exert force in the abdomen, sometimes even the whole body has to exert force, the whole body pushes the breath up from the bottom to the top and the head cavity rushes to the high pitch, many novices mistakenly think that the treble will be very tired, in fact, the breath is smooth and the treble is smooth, you will use the breath to sing the treble voice and will not feel very tired, tired is your body, your body will feel sweating, this way of singing is correct, you can't use your voice too much, otherwise you will find that the voice is very tired, And the singing voice is not penetrating, and the correct feeling of singing a high note with breath is: soaring, and the wrong one is called:

    Roar. High pitch: For example, Jacky Cheung's songs, it is necessary to reduce the amount of breath, at this time the voice is relatively more, Jacky Cheung's chorus is high, but the voice is not too big, the penetration is small, soft, to ensure the feelings of the singing, why is it tiring to sing Jacky Cheung's songs, because the treble you can't use a lot of breath to rush, otherwise it will become a singing voice that loses its taste, and to ensure that this special treble will appear natural and smooth, this is a more advanced singing skill, which needs to be honed in depth, which is why Jacky Cheung is called: God of Song.

    Ordinary people use a lot of their voices, and they will naturally get tired, and to be able to imitate such songs is a high requirement for singing skills, so novices should not try it.

    For example, Qiu Haizheng's song, the person who loves me and the person I love, the song is gentle, the tone is centered, this kind of song learns to sing more with breath, the singing voice is soft and smooth, full of emotion, and the noise is less, it is very easy to sing a song, the voice is very relaxed, if you use your voice to sing more, the voice is noisy, there is no emotion, and the voice is tired.

    Summary: Practice listening and get a proper sense of the respective distribution of the singing voice and breath fusion.

    For this type of penetrating treble, it is also the most common treble in popularity, practice using abdominal strength, and even full body strength to push the breath and rush the treble.

    For gentle songs, you can use more breath and try to use your voice less.

    Suggestion: Start practicing with a gentle song, experience the feeling of breath, exaggerate a little bit like talking softly, have the feeling of exhaling, experience this feeling, process on this feeling to practice singing.

  2. Anonymous users2024-02-10

    Of course, this just means that you don't sing with your voice, you have to learn to combine with the breath and apply it to each other

  3. Anonymous users2024-02-09

    Singing with breath is the first thing to practice qi. The method is to inhale through the nose, naturally and easily, to avoid inhaling sharply and causing the chest to rise. Feel that the lower abdomen is relaxed and the chest is relaxed.

    The lower abdomen is slightly raised, which is the state of inhalation, and the adduction of the lower abdomen is the state of exhalation.

    Feel the bulge in your lower abdomen, hold it for ten seconds, and then let the breath rub out between your teeth to make an "S" aspirated sound. When doing this exercise, you can experience the confrontation between the waist and abdomen, and you can also do the long and short coordination exercises according to your own situation.

    Open your mouth slightly, relax your throat, close your vocal cords, and hum softly or lowly like a goldfish spitting bubbles, and feel the vibration of your chest. Relax the larynx. Open the upper and lower molars to leave room for oral resonance, and touch the position of the large teeth in front of the base of the ear with your hand to see if they are open.

    Then make some vowel sounds, such as a feeling that your voice is changing rapidly.

    Strictly follow the ventilation point to ventilate, so that the sound is rich in breath. When attacking, it is necessary to prepare the breath for each subsequent tone, not to leak a large part of the breath in one mouth, and to do it quickly and deeply when ventilating, the breath needs to be controlled and used. If you can't do four bars and one ventilation at the beginning, you can change three bars first.

  4. Anonymous users2024-02-08

    Methods and skills of singing, how to correct singing and squeezing your voice? Two tricks to help you solve it!

  5. Anonymous users2024-02-07

    The voice should be rooted in the lower abdomen, imagine that the sound passes through the back of the spine, to the back of the head, to the back of the mouth, and the whole sound should be erect and backward. Look for the sensation that when you take a big bite of an apple, expose your upper teeth, and at the same time make an "um" sound, and feel the position of the sound at the back of your mouth and the upper part of your nose, which is a resonance point of bel canto vocalization.

    Next, sink the breath, expand the lower abdomen, push a little the lower abdomen, and make a sound in the position just now, the male voice Adam's apple is pressed, and the female voice pays more attention to the position of the voice on the back of the head, and you will find that the voice is much louder than before. Practicing against the wall often helps with vocalization, because leaning against the wall touches the back of your spine, making it easier for you to find sensation, and the resonance of the ribcage resonates with the wall, making it easier for you to find the sensation of resonance in the ribcage. Start with the practice of "Mi Ma" and gradually work your way up to help practice the treble breath; Practice from top to bottom, repeat, and one day you will find the feeling.

    Bel canto is "transparent", often imagining that one's voice is erect rather than flat; In addition, we pay attention to "resonance", and the sound will be mellow and full after passing through the resonance of the chest cavity or above. To experience the resonance, you can do this: close your mouth and make an "um" sound, which is a little more affectionate, and a longer "um" will feel the head and chest vibrate, and if you breathe well, this resonance will add a lot of color to your voice.

    Listen carefully to some tall Americans and you'll know what chest resonance is.

    In addition, I also want to mention the lung capacity, the singer needs a large lung capacity to sing, such as some very long, non-breathing melody, but don't sing after the red ears and only panting. Lung capacity is maintained by regular exercise. There are also certain skills that can make up for some lack of lung capacity.

    First of all, it is necessary to practice breath, a good vocal method, which can well control the flow of sound through the voice, such as singing "......I'm not afraid that you will betray my ......At this time, the singer with unsteady breath may sing the sound of the word "afraid" in a blasting way, and let go of the gas that was originally insufficient lung capacity at once, and it would be strange if there was a long sentence that did not breathe after him and did not suffocate him. And singers with good breath skills can control the flow of these pops, and the microphone will not have some fluttering sound when singing. Therefore, I suggest that you put a candle in front of your mouth when practicing your voice, and try to keep the candle from shaking when you practice your voice!

    This way your qi will stay in your body for a longer period of time. Think about it, do you keep exhaling and holding on for a long time, or do you hold back and hold your breath for a long time? Of course, this also requires the singer to relax, not to be nervous, as soon as you are nervous, your heart beats faster, and your breath will be more unstable.

  6. Anonymous users2024-02-06

    Solve with your throat singing! The vocal teacher will teach you a simple trick to make your voice look good!

  7. Anonymous users2024-02-05

    Just like poop, that feeling, you feel how to use the dantian qi to pull it out when you are usually constipated, as long as you find that feeling, then. Congratulations, you've finally learned to sing with breath.

  8. Anonymous users2024-02-04

    Actually, it should be said to be abdominal breathing.

    Generally, you breathe in the chest position.

    The breath is not very deep, only to the chest.

    But when you relax and calm down, the ups and downs of your breath will move down to your abdomen.

    When you lie down before going to bed, it is easier to feel abdominal breathing) When singing, the breath is to be heavy, that is, to use abdominal breathing, so that people's breath is deep and stable.

    Second, it is necessary to keep the overall breath smooth.

    Oral, lower abdomen and professionally mentioned head cavity resonance.

    For example, like a big tree, the roots are solid to grow the leaves.

    The breath is stable (the word confident enough can probably be said here) while keeping the ducts open (including the opening of the mouth and throat and the coordination of the vocal cords and muscles during the bite) to achieve an up-and-down connection. in order to better convey the sound.

    Regardless of the classification of popular bel canto nationalities, the principle of singing is the same, although the degree and skill required are slightly different, but they are all similar. It feels abstract to say, and you still need to practice a lot to experience it.

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