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1.The "passage" here comes from the intercalary earth. For example, the use of "purple", "gray", "red and round", "thick and stupid" in "pine bark" has an expression effect.
Answer: The use of contrasting techniques, "purple", "gray", "red and round", "thick and stupid" to compare the changes of face and hands, showing the hardships of middle-aged leap soil and his poor and embarrassing living situation.
2."I knew that there was already a pathetic thick barrier between us, and what does "thick barrier" mean? What causes it?
Answer: "Thick barrier" is a metaphor for the barrier between people, the bondage of feudal hierarchical concepts, here refers to the separation between "me" and the earth.
3.In the face of middle-aged leap soil, "I" never forget the young leap soil, and still have a deep nostalgia for the past.
Answer: "I then have many words that I want to use in general: horned chickens, jumping fish, shells, and ,......The image of the little hero in the silver collar on the watermelon field" can be seen.
4.What kind of emotions does the author express when he writes about the great changes in the leap earth?
Answer: It expresses the author's depressed mood of disillusionment in the face of the bitter and severe real life, and also expresses his hope for a "new life" that is no longer separated from each other. To support...
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1. I was happy and excited to see my childhood friend, but after more than 20 years of hot and cold world, the life of the tribulation of men felt sad, painful, and ugly, and I couldn't find the right words for a while, so I "moved my lips, but I didn't make a sound."
2 I don't know what to say because there is a gap between us.
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1 Brother Xun, I'm sorry, we can't call you brother anymore, although I miss you very much, but our status is very different, from now on, I can only call you master.
2 Brother Runtu, I miss you so much, do you remember our childhood story? I still remember the jumping fish, the horned chicken, the ru, and the shells, can you still see them now?
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The main content of "Hometown" is: on the one hand, it is a reflection of objective reality. Through the contrast between the hometown in memory and the hometown witnessed in reality, the work exposes the suffering caused to the people by imperialist aggression and feudal oppression, and reflects the reality of rural bankruptcy and the miserable life of peasants before and after the Xinhai Revolution.
On the other hand, it embodies the significance of Mr. Lu Xun's exploration of "human nature". The work profoundly points out that due to the influence of the traditional concepts of feudal society, the toiling masses are greatly constrained spiritually, and the high walls built by ancient precepts separate people from each other. It reflects Lu Xun's salvation of "national character".
"Hometown" specifically depicts what "I" saw and felt when I returned to my hometown, but it shows more than that. What is "hometown"? "Hometown" is the place where a person has lived, especially as a child.
But the scope of this "hometown" can be large or small, in Hangzhou, Shaoxing is Lu Xun's hometown; In Beijing, Zhejiang is Lu Xun's hometown; And in Japan, China is Lu Xun's hometown.
The tone of the whole "Hometown" is also dim, cold, and low. It was "deep winter", the weather was "cold" and "cloudy", the "cold wind" was blowing, the sound was "wooing", and what I saw was "the deserted village of Xiaosuo". Even the argumentative language at the end has dim colors, a gloomy atmosphere, and a low tone.
It is not a bitter complaint, nor is it a passionate call; Not a desperate struggle, nor an optimistic progress. It is a mixture of many shades. It encompasses all shades, and no one shade is overwhelming.
Melancholy is such a complex emotion.
Lu Xun (September 25, 1881, October 19, 1936), formerly known as Zhou Zhangshou, later renamed Zhou Shuren; The word Yushan, later changed to Yucai, was a native of Huiji County, Shaoxing, Zhejiang, and a great modern Chinese proletarian writer, thinker and revolutionary. In 1921, he published a novella vernacular** "The True Story of Ah Q". On May 15, 1918, he published "Diary of a Madman", which was the first modern vernacular text in China**.
He died of tuberculosis in Shanghai on October 19, 1936.
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