Calligrapher Cao Bin His words are not worth a little bit of money Large rice paper

I guess that's it.

Cao Bin, the word Wenwu, was born in January 1973, and his name is to hold Bingxuan and listen to Shizhai.

He is now a member of the Xiling Seal Society, a member of the Chinese Calligraphers Association, a member of the Heilongjiang Calligraphers Association, a member of the Heilongjiang Provincial Seal Carving Committee, the Secretary-General of the Harbin Seal Carving Committee, and the Deputy Secretary-General of the Sanmu Printing Society.

Seal carving works: Bronze Award of the Youth Group of the First International Youth Seal Carving and Calligraphy Grand Prix of Xiling Seal Seal Society (2002); Excellence Award of the Fifth Seal Carving Art Exhibition of Xiling Seal Society (2004); Second Prize of the 6th Seal Carving Art Exhibition of Xiling Seal Society (2006); "Centennial Xiling" and "China India" large-scale auditions joined Xiling Seal Society (2007); Xiling Seal Society's First International Art Festival China Printing University Exhibition (2005); Selected for the 2nd International Seal Carving Calligraphy Exhibition of Xiling Seal Society (2000); Selected for the Contemporary Classical Fine Zhu Printing Exhibition (2001); Yuan Zhu Wen Essence (2002); Excellence Award of the 10th Seal Carving Exhibition of Heilongjiang Province (2000); Heilongjiang Provincial Seal Carving Committee 10th Anniversary Calligraphy Seal Carving Exhibition Seal Carving Group First Prize; Awarded the 11th Heilongjiang Seal Carving Art Exhibition (2006); The 5th National Seal Carving Exhibition (2005); The 5th Exhibition of New Artists and New Works of Chinese Calligraphy (2005); **Finalist of the 2nd Xinghuacun Cup Calligraphy Exhibition (2005); Commemoration of the 85th Anniversary of the Founding of the Communist Party of China (2006).

His works have been published in "Calligraphy Newspaper", "Seal Carving", "Calligraphy Appreciation", "Xiling Art Newspaper", "Railway News"; Heilongjiang ** Special Topic (2005).

After looking at the work, I am mainly good at seal carving, and the calligraphy is practiced, but it is not too high. In terms of level, I think 50-200 yuan square foot is appropriate.

value, a piece of rice paper is very expensive.

Haven't heard of it. Estimated not worth much. It is estimated that there are not thousands.

But the market has the final say on the quality of all works of art, some buy high-end, some buy low-end. In addition, the same and not the same calligraphy and painting are different in the eyes of different people, but no matter who has good or bad calligraphy and painting, there are valuable and worthless, expensive and relatively cheap, so you can't use a square foot in general, you can only say how much a square foot is. Runge didn't have any accuracy, it was just a reference, mainly relying on his own judgment and understanding of his calligraphy and painting, as well as the hype of the market at that time.

A calligraphy and painting, in different places, different times, and different auctioneers, will be different.

If this calligrapher is famous, it's best not to frame it now. Because the framing is also very knowledgeable. It should be framed according to the quality of the word.

Very good words to hardcover. If it's a general new product.。 The framed is almost on it.

Be careful to keep it well. It's not good if the rice paper gets wet, and it also has to bask in the sun often.

Framed by hand, the work that has not been framed is not a complete work, if you don't know how to invite someone who knows how to frame it together.

Practice pen writing and brush writing are good, as Chinese, they are written in Chinese characters, the structure of the frame between the characters needs to be mastered, and the side and side of the word need to be humble and coordinated. Writing well with pen writing is helpful for writing brush words, and vice versa. In addition, there are many differences between them, such as different tools, different writing paper, different postures of holding the pen, different pen movements, and so on.

Fountain pens belong to hard pens, and brushes belong to soft pens; Fountain pens are used more in work, and the calligraphy written by the brush is a national treasure of China, such as: Wang Xizhi, Lan Tingxu, Yan Zhenqing, Magu Xiantan Ji and so on. When writing calligraphy with a brush, you need to concentrate and hold your breath, just like practicing Tai Chi, which can exercise your body.

I don't know how big the brush and rice paper you are referring to, generally write big characters with a big brush, the characters are written big, of course, the rice paper is also bigger. For example, when writing a list book, and when writing an extra-large book, the brush is as big as a mop, and the ink should be filled in a bucket, and as for rice paper, it depends on the number of words written.

If you search for rice paper manufacturers, they all use paper of various sizes, and there are also special practice papers, which are very cheap. I don't buy online and my friends help buy a four-foot whole sheet for 53 yuan a knife.

If it's cheap, it's still raw edge paper and meta book paper.

Shouldn't you use the ...... of cooked xuan?

Shouldn't Chinese painting use cooked rice paper?