What kind of criticism does literature need to influence and lead the reader?

1.Ferryman", no matter how strong the negative influence of the academic evaluation system is, there will still be idealists who love literature. Between the academic background of literary history and the fresh literary field, academic criticism should play the role of a ferryman.

2.Whether literary criticism can be pinned on "amateurism" can be further discussed. But one thing is for sure, literary criticism cannot be far from the present.

3.Only by innovating and effective criticism, breaking through the shackles of outdated concepts, forging ahead with the times and creation, and even having the grand ambition to lead the cultural trend of the times and influence the trend of literary creation, can criticism have a future.

4 The hope for the development of criticism lies in the liberation of criticism from the "tools", the liberation of criticism from these secular or non-secular tools, and the return of criticism to literature itself.

Literary criticism is a text-oriented and reality-oriented practice, and it is an indispensable mentor and friend for readers. Literary criticism is like drawing a map in a prosperous and chaotic land and presenting it to a general literary audience. Whether a reader is exposed to literature, how he or she is exposed to literature, and what kind of literature he or she is exposed to depends to a certain extent on literary criticism.

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Whether literary criticism can be pinned on "amateurism" can be further discussed. But one thing is for sure, literary criticism cannot be far from the present. In fact, literary criticism itself is a very contemporary discipline.

The keen grasp of the pulse of literary development, the timely exploration of new forces and new qualitative elements, and the combing and improvement of the experience of realistic literature all vividly confirm the indispensable immediacy of literary criticism. Strangely, however, in our evaluation mechanism of literary criticism today, presentness has become an element to be eliminated. Especially within the college, deliberately avoiding the present and pursuing the so-called purity and academicity have become quite marketable insights, and even become the standard for judging criticism.

This is a denial of the essential characteristics of literary criticism, and it is also a dissolution of the value of literary criticism.

1. First of all, we must have a fair and just heart and integrity.

2. Be knowledgeable and be able to understand a lot of things.

3 Furthermore, all aspects of the relationship should be understood, (social relations, officialdom,

Literary criticism has the following effects for readers:

First, literary criticism has a certain role in suggesting or guiding literary creation. The ancient Roman critic Horace once used the magic knife stone and the steel knife as a metaphor for the relationship between the critic and the writer: I might as well be a whetstone to make the steel knife sharp, although it can't cut anything by itself.

I don't write anything myself, but I would like to instruct [others] what the duties and functions of the poet are, where to draw rich material, where to absorb nourishment, how the poet is formed, what is suitable for him and what is not for him, where the right path will lead him, and where the wrong path will lead him.

Second, literary criticism can influence readers' understanding of the work, and have a certain influence on and shape their literary values. After reading Ru Zhijuan's "Lilies", Mao Dun fully affirmed the "fresh and handsome" creative style of the work, as well as the "lyrical flavor" of the work.

Literary criticism can also play a role in warning and preventing harmful works or negative factors in works. As Lu Xun said: "What is the iron fence of harmful literature? Critics are. ”

Third, literary criticism has a certain screening function for literary works, and its analysis and evaluation of literary works express specific concepts and ideals of value, filial piety, and dispersion, which have a direct or indirect impact on society.

Lu Xun saw Harbin in the early stage of the Anti-Japanese War from "The Field of Life and Death", and highly affirmed Xiao Hong's "The Field of Life and Death": "This is naturally just a sketch, narrative and scene, better than the description of the characters, but the strength of the people in the north for life and the struggle for death are often through the back of the paper; The meticulous observation and deviant writing of the female author add a lot of brightness and freshness. ”