Seeking the characteristics of Rococo s artistic style is urgent

Updated on culture 2024-05-07
8 answers
  1. Anonymous users2024-02-09

    The answer upstairs is already very comprehensive.

  2. Anonymous users2024-02-08

    "Rococo" is also known as "Rococo", so-called"Rococo"Hara is a derivative word that originally meant to describe the kind of shell-like ornamentation. This preference for bright colors and elegant ornamentation replaces the vigorous and unrestrained taste of the Baroque era and expresses a light-hearted and lively character. It became popular after the formation of the court of Louis XV in France, spread to Germany, Austria and other countries, and became the dominant power in Europe in the 18th century"Rococo"style of art form.

    In the field of plastic arts at that time, there was a genre struggle between the pure glorification of Rococo court art and the realist art that reflected the life of the common class. This contradiction is also reflected in the works of Watteau, Boucher and Vragonar, whose creations have elements of realism in addition to the dominant Rococo style. However, Watteau was far more than the embodiment of the popular fashion of his time, it was precisely his dreams and ideals that created the precedent of Rococo's style, and the extremely delicate decoration and fantasy abstraction of his works played a fundamental role in the formation of Rococo art.

    Of course, the Rococo style is more prominent and intense in the works of Boucher and Vragonar. Their pursuit of sensual beauty, authentic, bold, and emotional, became the interpreters of that carefree era of luxury.

    In"Rococo"In a world dominated by style and court art, artists such as Chardin and Grez also emerged who reflected the interests and lives of the emerging bourgeoisie. Chardin is a master of still life painting and genre painting, his works are strong and solid in color, simple and natural in style, and have an elegant and unpretentious beauty. However, Glaze was influenced by Diderot, and his works were more focused on moral propaganda and preaching, but his style was somewhat tainted with the aristocratic taste and mood of Rococo painters.

    English painting began its boom in the 18th century, and in the 100 years between the first works of Hogarth and the death of Constable, a number of genre paintings, portraits and landscapes were notably produced. As the founder of English genre painting, Hogarth's works borrowed from 17th-century Dutch genre paintings, integrated their own national characteristics, and gave the works a sharper irony, and reached a creative state. His oil portraits, often with sketch-like rough brushstrokes, are full of vitality.

    And in the second half of the 18th century in England"Portrait Era"The most famous painters are Reynolds and Gainsborough. Reynolds is a representative of the British academic school, and his portraits have a sublime realm like historical paintings, which has established the characteristics of British portraiture. He especially likes to draw innocent children, with a strong pen and a good style.

    Gainsborough's artistic characteristics are more focused on beauty and nature, he is good at painting women, good at using color, and likes to place people in nature. The landscapes of his later years are as light as flowing clouds, as agile as flashes, and with a kind of sadness and melancholy.

  3. Anonymous users2024-02-07

    The typical representative painter is: Chardin.

  4. Anonymous users2024-02-06

    1.The Rococo style emphasizes the interiority of architectural decoration. Vienna.

    The decoration of the Belvedere Palace shows that Rococo art was abruptly transferred from the exterior of the building to the luxurious interior of the building. The Rococo style pursues elegant chic and intimate. and Baroque.

    In contrast, the Rococo style rejects all architectural motifs in the interior. In the past, pilasters were used instead of panels or mirrors, surrounded by delicate and intricate borders. Concave round line feet and soft cartouches replace the cornice.

    and hill flowers and so on.

    2.The Rococo style focuses on the naturalness of decorative subjects. The rococo style is characterized by a continuous leaf-shaped pattern.

    Its favorite decoration is the curly, tangled blade of grass and ocean style. Grassy Leaf State Hunger, with roses and palms, etc.; There are shells, 179 waves, corals, seaweeds, rolling waves, foam, and scrolls. In addition, most of them are C-shaped and S-shaped.

    The main exponents of Rococo architecture are Messoni and Bov Dahuailang.

  5. Anonymous users2024-02-05

    Rococo is a transliteration of the French rococo, which is derived from the French ro-caille. This means that the style is characterized by rock and mussel shell decorations.

  6. Anonymous users2024-02-04

    Rococo is Wang Liwen

  7. Anonymous users2024-02-03

    With the death of Louis XIV, the "Baroque" style of French art, which was pretended to be grandiose, also declined. During the Regency period (1715 1723), a culture of refinement and refinement began to grow, and this was the beginning of the "Rococo" style. This style first appeared in the design of the classicist Mensa for Louis X.

    In 1701 it appeared in the glass corridor and in a vaulted room in the Palace of Versailles, with a richly painted ceiling and 17 windows on one side of the arcade and 17 mirrors on the other side of the arcade.

  8. Anonymous users2024-02-02

    The characteristics of Rococo's art in painting are as follows: (1) In terms of subject matter, they are all aristocratic or serve the nobility. Its subjects can be divided into three categories, one is the portrait theme of kings and nobles.

    One is a courtship theme and the other is a pastoral theme. (2) The painting technique and expression method do not have the strong chiaroscuro that is remarkably present in the Baroque, but rather a light and flat feeling. (3) In the use of color, I don't like heavy and bright colors, but like to use silver, not bright golden yellow, white, etc.

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