What is the transcendence of Du Fu s poetry?

This is purely a personal understanding.

In my opinion, there are three highlights of Du Fu's poetry.

1. The refinement of language.

Du Fu pays attention to the scrutiny of words, and every word of his poems is well thought out, which is his attitude towards poetry creation.

Second, the rhyme is accurate, perfect, and neat.

Du Fu pursued the perfection of rhyme, especially the poems of his later years, which were more mature in rhyme, represented by "Eight Songs of Autumn Xing".

Third, the sincerity of emotions, worrying about the country and the people.

Du Fu was the hardest of all poets, but even when he was struggling to survive, most of his poems still expressed his deep patriotism and concern for the country, and even when he was dying, he never forgot the war-torn country.

As for why Du Fu is called a poet, this concept was put forward by the Song people. The Song people said that he was the culmination of poetry, and the concept of a sage is in the middle of Confucian terminology. Yang Wanli, a famous lyricist in the Song Dynasty, said that Du Fu was "a saint to the poet".

But specifically the title of "poetry saint" was finally established in the Ming Dynasty - Wang Sizao at the end of the Ming Dynasty first proposed it in "Du Zang", and Ye Xie's "Original Poem" in the late Ming and early Qing dynasties: "Poetry Saint Tui Du Fu". Du Fu's title of "poet saint" was finally established.

Du Fu lived in the historical period of the Tang Dynasty. He loves life, loves the people, and loves the great rivers and mountains of the motherland. He was jealous and hateful, and criticized and exposed the corruption of the imperial court and the dark phenomena in social life.

He sympathized with the people and even fantasized about being willing to sacrifice himself for the relief of their suffering. Therefore, his poetry creation has always run through the main line of worrying about the country and the people, with the most ordinary people as the protagonists, which shows Du Fu's greatness. His poems have rich social content, strong color of the times and distinct political tendencies, truly and profoundly reflect the political current affairs and broad social life of a historical era before and after the Anshi Rebellion, revealing social turmoil, political darkness, and people's suffering, known as "poetry history", he is good at using many systems of classical poetry, and develop them creatively, he is the pioneer of the new Yuefu poetry, his Yuefu poems, contributed to the development of the new Yuefu movement in the Tang Dynasty, his Wuqi ancient long, also poetry and history, paving the narrative, and focus on the repetition of the whole text, marking the high achievement of China's poetry art.

Du Fu was worried about the country and the people all his life, with a noble personality and exquisite poetry, and was respected as a "poet saint" by later generations.

The sense of adversity, the true feelings of patriotism and love for the people, the courage to face reality, and the style of depression and frustration.

There are also outstanding points in the tempering of language, especially the seven laws, which have reached the point of being superb.

Du Fu's poetry name was not big in the Tang Dynasty, and after the Song Dynasty, he began to be admired, and in the Ming and Qing dynasties, he was known as the "poet saint", because his loyal and patriotic ideas met the requirements of orthodox Confucianism for intellectuals, so Du Fu became a model for poets.

It can be divided into two types: one is that he lived in the prosperous Tang Dynasty, and the lyrics are full of magnificent scenes. One is to worry about the country and the people, and be full of patriotic feelings. This is all influenced by the background of the times in which he lived, and it also reflects that poetry is ** in life, but it is higher than life.

The patriotic spirit of worrying about the country and the people, and the deep social consciousness.

Du Fu's poems are full of deep love for the country and its people.

Du Fu's poems run through one word: sadness!

Poems that do not belong to Du FuThe song is "Sleepwalking in the Sky and Leaving Farewell".

Du Fu (February 12, 712, 770), the name Zimei, self-named Shaoling Ye Lao, the great realist poet of the Tang Dynasty, and Li Bai were collectively called "Li Du". Born in Gong County, Henan Province, he is originally from Xiangyang, Hubei. In order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du", and Du Fu is often called "Old Du".

When Du Fu was a teenager, he traveled to Wu Yue and Qi Zhao successively, during which he went to Luoyang to fail to act. After the age of thirty-five, he first took the exam in Chang'an and fell behind; Later, he gave gifts to the emperor and nobles. The officialdom was unwilling and witnessed the extravagance and social crisis of the upper class of the Tang Dynasty.

In the fourteenth year of Tianbao (755), the Anshi Rebellion broke out, Tongguan was lost, and Du Fu traveled to many places successively.

Du Fu's main achievements:

Du Fu wrote more than 1,500 poems in his lifetime, many of which are famous poems that have been praised through the ages, such as "Three Officials" and "Three Farewells"; Among them, the "three officials" are "Stone Trench Officials", "Xin'an Officials" and "Tongguan Officials", and the "Three Farewells" are "Newlywed Farewell", "Homeless Farewell" and "Farewell to the Elderly".

The poems handed down by Du Fu are the most extensive and extensive in Tang poetry, and he is one of the most outstanding poets of the Tang Dynasty. Du Fu's works are known as the devastation of the world, the sage in the poem; The people's suffering, the bottom of the pen is turbulent. It is a masterpiece of realist poetry.

Poetry occupies a very important position in Du's poems. The achievement of Du Fu's poetry lies first in expanding the scope of expression of poetry.

There are tens of millions of mansions in Ande, and the cold people in the world are happy, and the wind and rain are not moving!

It will be the top of the mountain, and the mountains will be seen at a glance.

The beacon fire lasted for three months, and the family letter was worth 10,000 dollars.

The high wind is urgent, the sky is high, and the ape howls.

Nagisa Qingsha white bird flew back.

Boundless falling trees and Xiao Xiao.

The Yangtze River is rolling in endlessly.

Thousands of miles of sad autumn are often guests.

More than a hundred years of illness appeared on stage alone.

Hardship, bitterness, hatred, and sideburns.

Pour a new turbid wine glass.

1.Since Jian'an, Qili is not enough to cherish Since Jian'an, the content of poetry is empty and focused on form. The wind is not enough.

This shows the poet's realist literary proposition - opposing the style of chasing form and empty content, advocating beauty and nature. Note: Jian'an, the year name of Emperor Xian at the end of the Han Dynasty.

At that time, the poems written by the Cao father and son and the literati gathered around their father and son were called Jian'an style: focusing on reality and worrying about the country and the people, while many of the poems of the Wei, Jin, Southern and Northern Dynasties after this were simply the pursuit of formal beauty, but the content was empty. 2.

The ugly girl came to follow suit, and the ugly girl in the neighborhood imitated the posture of the noisy Xi Shi frowning, and the neighbors were so shocked that they all avoided it. With the help of the allusion of the ugly woman, the poet made a sharp satire on the carved imitation, flashy and tiresome poetic style, showing that the drawback of formalism lies in blindly making mistakes in carving insects, which does not disturb the congratulatory society to write works that will last through the ages. 3.

Shake the five mountains with a hearty pen, the poem becomes a smile and Ling Cangzhou takes the pen to shake the five mountains, and the potential of the poem can override the continent. It shows the poet's slow contempt for everything and arrogant and uninhibited character, and it is also the poet's very appropriate evaluation of his own poetry: the pen is strong and strong, and the lofty is not outstanding!

Du Fu's poems are known as "poetry history".

Du Fu, the word is beautiful, and he calls himself Shaoling Ye Lao. Du Fu's influence on classical Chinese poetry is very far-reaching, and he is called the "poet saint" by later generations, and his poems are called "poetry history". Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang. Du Fu and Li Bai are collectively called "Li Du".

The reason for being called the history of poetry is that, on the one hand, his poems often mention important historical events, idioms and allusions, etc., and on the other hand, Du's poems provide a broader, more specific and more vivid picture of life than events. Some of Du Fu's poems can also make up for the loss of history, such as the "Three Quatrains" written in the history of the assassination of Yuzhou and Kaizhou, which has not been recorded in the history books.

Introduction to Du Fu

Du Fu (712-770), known as Shaoling Yelao, was a great realist poet of the Tang Dynasty, and was called "Li Du" together with Li Bai. Originally from Xiangyang, Hubei, he later migrated to Gongxian County, Henan. In order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du", and Du Fu is often called "Old Du".

The core of Du Fu's thought is the Confucian idea of benevolence, and he has the grand ambition of "to the monarch and the gentleman, and then to make the customs pure". Although Du Fu was not famous during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature. A total of about 1,500 poems by Du Fu have been preserved, most of which are collected in the "Du Gongbu Collection".