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Wipe between the bright and dark sides with your fingers or toilet paper gently left and right, and then line up again.
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Copying more, painting more, that's how I came over, it's not difficult to say too much, in fact, the most important way to master it. Master the light and heavy techniques! Do not strove hard to the deepest part with a type 5b pencil.
Even an HB pencil can draw beautiful pictures. Transition problems are easy to occur for many friends, and most of them appear to be one-size-fits-all, or they are gray and the whole is not clear. For the phenomenon of slashing, use your fingers to wipe or lightly dip plasticine to reduce the depth (the most basic solution), as for the gray problem, it can only mean that you have not been able to understand the contrast problem more clearly, and more practice is the key!
Copy more optimistic works!
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Practice more copying, find the right method and progress, you can discuss with the teacher, arrange your test-taking sketch, that is, the basics must be mastered, not fast, but understood.
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First brush the diagonal line from dark to shallow, and then brush the vertical and horizontal as you want, brush until it looks delicate, then draw the contour line of one side of the dark color block, and then use a plastic eraser to wipe a little highlight in the depth, and then wipe the light in the light place, and use your fingers to wipe evenly on the dark and light color transition line, and it looks natural.
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In fact, you can use some tools and means to do it, I think I am used to using paper towels to rub the transition, so that the basic tone of the picture is deeply depicted, you can try it.
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The gray of the painting is because there is no contrast, it is best not to move the bright part of the painting for beginners, try to leave it blank, and take the soft lead painting in the dark part, it is best to go over and over again, the advantage of being transparent is that the picture appears to be deeply moving.
The problem of over-the-top is actually a problem of depth, and the problem of going deep is your technical problem. If you want to improve your skills, you should draw more sketches and copy the works of masters. Don't look at the things in the pre-exam class, those are all misleading. Be sure to learn from the masters.
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How to say this, or rely on the individual, continue to practice, practice a lot, and know how to overdo it!! There's no trick to it, it's just practice and practice!!
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1. Don't use a 5B pencil to paint the deepest place, a Hb pencil can also draw a beautiful picture;
2. If there is a knife slashing phenomenon, wipe it with your fingers or lightly dip the plasticine to reduce the depth;
3. In any group of still lifes, you can't use even force, and you can't use the same pencil to draw it;
4. When drawing different objects, use different pencils and black jars, preferably 6b or more, which is easy to draw and easy to black;
5. The position of the painting must be chosen correctly.
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