A catalogue of Chinese landscape painting techniques, depictions of traditional Chinese landscape pa

Preface. Introduction to landscape painting.

How to draw a tree. Branches.

Foliage. Pine tree.

Willow. Cypress. Bamboo. Palm.

Poplar. Paulownia trees.

Oleander. Plum apricot peach.

Spring Tree Autumn Tree.

Coloring of the melanchophyllous tree.

How to draw the rocks.

Axe splitting. Drag.

Cloud head. Covered with linen.

Raindrops. Rice dots.

Taihu stone. Splash ink landscape.

How to draw water. How to draw clouds.

How to draw wind, rain, and fog.

How to draw buildings, vehicles, and ships.

Examples of sketching methods.

Coloring of traditional landscape paintings.

Figures. <>

Chinese landscape painting mainly refers to the painting form with ink or light color as the painting material and element characteristics, paying attention to the timeless idea and vivid charm, and forming a complete set of expression techniques with ink as the main body. His brushwork is dominated by hooking, rubbing, and dotting, and is good at the expression of structure and texture; Its ink method is based on the dryness and wetness of the ink. Splashing and accumulating drying is dominant, with the effect of "water halo ink seal" and "such as colorful", which is longer than the volume and charm of the treasure.

In theory, it emphasizes the combination of pen and ink, in order to achieve the realm of supernatural changes.

1. Hook and cut. The use of a pen refers to the use of a line. The hook is a slender line, and the cut is a short and thick line.

The main purpose of the sketch is to express the contour and structure, and the center pen is mostly used. Trees, houses, and boats should all be hooked with threads, and the thickness, weight, and depth of the threads should be varied, from near to far, and the lighter and lighter they become.

2. Rubbing: The method is to use the change and combination of dots and lines to express the texture and structure of rocks and trees, and use thirsty pens and flanks. This figure uses a short drape of linen, to be added according to the structure of the mountain stone, with a light pen up and down, between the pen to leave some blank, do not die, the rub is generally the lower part and recess of the mountain stone, in order to show the undulation and light.

3. Point: Point method is also an important brushwork of landscape painting. You can point to the leaves, moss spots on trees, stones, and weeds on the mountains. This painting is mainly used to burn the wood and weeds on the stone slope near the broken ink point.

4. Dyeing: dyeing light ink. Dye the dark areas of the mountain stone to enhance the sense of volume. Dye the roots of the mountain, and empty the smoke clouds to enhance the sense of space. The distant mountains are dyed with light ink, and the river water is combined with hook dyeing. Heavy ink can not be used for dyeing, and dyed many times to have a sense of heaviness.

The above common techniques are just the basics, you need to summarize and master the essentials in practice, and form your own painting style is the highest level!

The depictions of traditional Chinese landscape paintings are as follows:1. Traditional Chinese landscape painting, the momentum is natural. The mountain peaks are layered, the clouds are steaming, the forests are verdant, the streams are babbling, and the composition is natural.

The green mountains are like buckets, and the forests are dyed. The pen and ink are simple and simple, and the lines are smooth and natural. The colors of the ink are varied, black and white are distinct, and light and dark are progressive.

It reflects the beauty of ink polishing.

2. The artistic conception is lofty but not flashy, transcendent and reasonable. The empty valley is secluded, the autumn twilight, the end of the world, the heart is infinite, and all the vulgar feelings have been pointed out or gone. It makes people feel open and happy, and their hearts seem to be able to leap on the paper.

3. Traditional Chinese landscape painting is naturally ingenious, concise and dripping, and the artistic conception is lofty and transcendent. It takes mountains, rivers, forests and springs as the painting frame, and the virtual and the real are born together to create a vast and boundless image space, so that people can get the sublimation and ascension of the soul in the natural artistic conception. A painting of ink and blue is like a silent poem, blooming in the viewer's heart.

The five techniques of landscape painting are the creation method, the composition method, the sturdy method, the mountain and rock structure method, and the tree sketching technique.

1. Creation method:

Creation is the comprehensive use of all techniques. Since it is "creation", there is no fixed method or program, and due to the different cultivation, endowment, and hobbies of painters, the methods and methods used in creation will also be different, so there is no need to force uniformity.

2. The basic steps of the composition method:

First, use ink lines to outline the big feeling of the scene, and pay attention to the center of gravity in the composition. The first ink points out the small hills, and the general ink is wet ink with thick and shades, and then the dry pen lines expand outward, and the lines are from simple to complex, from sparse to dense; Finally, add a point, rub, and rub.

3. Method: The so-called 皴 is the texture line of the mountain stone structure; Rubbing refers to rubbing irregular ink marks next to the contour line of the mountain stone to increase the roughness of the mountain stone; Rendering is to use thick and light ink to dye the uneven yin and yang sides of the mountain rocks to increase the texture and light and shade of the mountain stones.

4. Mountain and stone structure method:

After long-term observation, experience and accumulation of mountains and rocks in nature, the predecessors finally summed up the modeling means to express the texture, texture and decent relationship of mountains and rivers. This is a major development in landscape painting.

5. Tree sketching techniques:

When you first learn to draw, you should first learn to draw the main trunk of the tree, then draw the secondary trunk, and then write the branches, so that step by step, after a certain period of sketching practice, you will naturally grasp the characteristics of the object, and the lines can also be concise and concise. "Painting comes from the truth, not limited by the truth".

The basic techniques of landscape huai boxing painting.

1) Brushwork: The requirements for the use of brushes in Chinese painting are very high and strict, and these strict requirements are the so-called "brushwork".

1. The principle of penmanship.

Since ancient times, the pen has been used to talk about "pen meaning", "pen theory", "pen method", "pen interest", "meaning" is subjective feelings and cognition, "reason" is the objective law, "meaning" and "reason" are combined to produce "law" and "interest", "law" is the product of subjective and objective dialectical unity.

2. Several requirements for using the pen: flat, staying, round, heavy, and changing.

1) flat, such as "cone sand stroke" (strength is uniform, no knots and no stagnation) 2) round, such as "folded hairpin strands" (plump, round, elastic) 3) stay, such as silver stupid "house leakage" (height control, accumulation points into a line) 4) heavy, such as "high mountain falling stones" (force through the back of the paper, into the wood three points) 5) change, such as "a hundred rivers return to the sea" (extreme changes, complex lead branches return to unity) <>

2) Ink method.

The use of pen and ink are inseparable, so it is called "pen and ink".

3) Color method:

Color and ink overlapping method, color and ink contrast method, color and ink mixing method.

Chinese landscape painting techniques include the cluster tree method, the mountain stone method, and the water painting method.

1. Cluster tree method.

1. Clusters of trees often appear in landscape paintings, which are more difficult to deal with, and the painters of the Song and Yuan dynasties described the clusters of trees, which come from writing about the years of the forest, which are more realistic, such as Ma Lin's picture of Fangchun rain, the staggering of its branches, the shade, the guest and the host, the distance and the nearness, and the atmosphere are handled very successfully.

2. Wang Qiulintu is a cluster forest dominated by mech-leaved trees, and the relationship between trees and branches and leaves is a little messy. Painting clusters of trees taboo monotonous and rigid side by side, the tree has a guest and host, when painting from the main tree, each other is covered, and the leaves are thick and light. Rows of trees should be staggered up and down, uneven in height.

Second, the mountain stone method.

1. Natural beauty, so before painting the mountain, you must first look at its potential from a distance, and then look at its quality closely. Mountains can be divided into aqueous rocks, igneous rocks and metamorphic rocks due to different geology.

2. The texture of the mountain stone is different, and the form and texture are not the same, and the Chinese landscape painters have accumulated hundreds of years of observation and analysis of Li Shan's comprehensive experience, and gradually developed a variety of methods, using brush and ink lines to express the feelings of different textures of the landscape.

3. Professor Li Lincan used the eight words "mountain and stone texture, combination of pen and ink" to define the method, which can be said to be the most concise and appropriate explanation.

3. Drawing water method.

1. The mountains and rocks and trees are static, and the clouds, smoke and water springs are dynamic, although there is no permanent shape, but there is common sense. Water can be divided into sea, river, river, stream, lake, stream, pond, etc., painters of the past dynasties painted water in addition to the blank method to imply that parallel goods dye water with color, and painted water in the way of line hook water lines.

2. The water produces textures of different shapes due to the strength of the wind, such as fish scale patterns, net towel patterns, lines, etc. Painting water is more expensive than painting the sound of water, painting which waves in spring need to convey a turbulent momentum, water lines need to be long and even, in addition, we must pay attention to the changes of the four seasons of the water landscape.

The Min Xingzhi technique of landscape painting is as follows:

It is mainly divided into the method of line and the method of point moss, of which the method is mainly to depict the rocks, trees, etc., which is divided into fifty or sixty kinds of methods, which can be divided into the line method, the point method, the surface method, pay attention to the observation of the change trend of the mountains and rocks and trees when painting; The moss dotting method mainly refers to the near rocks, shoals, small trees, etc. in the picture, which plays the finishing touch in landscape painting.

1. Method: The method is mainly used to express the means of expression such as rocks and trees in landscape painting, which is a very important painting technique. There are 50 or 60 kinds of methods, which are divided into line methods, point methods, surface methods and other methods with rent.

2. Moss method:

The moss dotting method is an important expressive technique in Qiao Min's landscape paintings, and it is indispensable. When painting moss, the brush should be more flexible, pay attention to the relationship between the moss points and the rocks in the picture, do not be too rigid and rigid, a little bit of arrangement and combination, both to let go and retract, so that the moss can play the finishing touch.

Classification of the law:

The method is divided into line method, point method, surface method and other methods.

The line quilt method is mainly a structure with the line as the main body, including the arc-shaped hemp linen, lotus leaf, cloud head, etc., the hard pen straight type of long axe splitting, chaotic firewood, etc., the straight line with the folded belt, stacking cakes, etc.; The face method is mainly the surface formed by relatively wide brushstrokes, such as ghost face, mud with water, horse teeth, etc.; The dotting method is a dot-like brushstroke, such as sesame, nail, raindrop, etc.

1 corrugation method.

The water pattern sketch is different from the cloud pattern sketching, the cloud is flexible and loose, and the water spirit is soft and sticky. Therefore, when hooking the water pattern, the pen is combined with agility and stability, and the hook line is strong and refreshing. Complexity, stability, and error are determined by the requirements of the work, and the line organization structure is flexible and played in a trendy manner.

2. Water dyeing method. The water potential is calm, and the water dyeing method can be used unevenly. The water patterns dyed by the water dyeing method are rendered into watery with ink or color. When rendering, it is necessary to pay attention to the ink connection between water and other objects, and to be harmonious and unified. The water dyeing method is mostly used to express the calm water surface, but it cannot be painted flat, and there must be a virtual and real change to show the meaning of water.

For the first time, the water in the pen does not have to be saturated, and the appropriate fly white is left naturally in terms of speed and slowness, light and heavy, and then the effect is grasped dry and wet, and then counterdyed, the depth of color and ink, cold and warm, should be bright and refreshing in harmony.

3. Reflection method. The reflection method is to draw water, dip the ink with a soft brush, and draw the reflection of the object from top to bottom with the side front, and use the pen to be decisive and generalized. Not all objects should be painted with reflections, but should be expressed selectively. The reflection of the main part can be clearer, and the reflection of the secondary part can be blurred, and it is not necessary to be very specific.