The three poets of the Tang Dynasty who were called the three poets of the Tang Dynasty who opened t

It may be Bai Juyi, Li Shangyin, Jia Dao.

From the founding of the Northern Song Dynasty to the seventy or eighty years of the Song Zhenzong Zhao Heng Dynasty, Song poetry basically followed the Tang style.

The main genres are Bai Ju Yi Ti (referred to as Bai Ti) represented by Wang Yuyan, and Late Tang Ti represented by Wei Ye and Lin Kui.

Yang Yi, Liu Yun, and Qian Weiyan represented the Xikun style.

Bai Juyi: Bai Juyi was an outstanding realist poet in the Tang Dynasty; the main advocate of the Xin Yuefu movement; He advocated that "articles should be written for the time, and songs and poems should be written for the sake of things", and opposed the creative tendency of blindly "mocking the wind and snow and making flowers and plants", so as to achieve the political goals of "relieving people's diseases and making up for the lack of time", "combining the upper and lower levels, and pleasing the inside and outside"; His satirical poems inherited the realist tradition of Du Fu's poetry, and his representative works are 50 poems of "Xin Yuefu" and 10 poems of "Qin Zhongyin"; His leisurely poems are deeply influenced by Tao Yuanming and Wei Yingwu; Its poetic style is known for being easy and popular, and it is called "Yuan Baiti".

Xikun is Li Shangyin:

Li Shangyin's poems have a distinct and unique artistic style, with clear and beautiful words and profound rhyme, some poems can be interpreted in a variety of ways, and some poems are more obscure. The Qing Dynasty poet Ye Xie commented on Li Shangyin's Seven Uniques in "Original Poems": "The sustenance is deep and the wording is tactful, and it can be empty for a hundred generations." ”

In the late Tang Dynasty, he studied Jia Dao and Yao He.

Late Tang style"It is a concept of poetics and literary history that has been used for a long time but has no clear connotation, and through the combing and analysis of its historical origin and definition, it can be found that although people use this concept more casually, but"Late Tang style"The concept itself still has a certain clear direction, that is, with Yao Jia's poetry style as the core, but its scope is slightly larger than that of Yao Jia's poetry style, and its specific connotation is manifested in"Deliberately bitter"、"Search for the Image"、"Exquisite craftsmanship"、"Longer than the Five Laws"、"Elegant and tasteful"Five main aspects.

Han yu. Du fu.

Bai Juyi. Read the specific works by yourself.

1. The literature of the Song Dynasty mainly covers the words, poems, prose, scripts, opera scripts, etc. of the Song Dynasty, among which the creation of words has the highest achievement, followed by poetry and prose, and the second is the script. The literary works of the Song Dynasty inherited the style of the late Tang Dynasty in the early Northern Song Dynasty, and the words were used in flashy words, often used for singing and rewarding. As Wang Yuyan paid attention to the people's livelihood and the imperial court focused on Confucianism, literary writers began to pay attention to the Confucian didactic function, but their achievements were not high.

It was not until the second ancient literature movement led by Ouyang Xiu that the literati created in plain language, and the content mostly reflected the disadvantages of life, and the elegance and vulgarity were appreciated, and literary creation entered a peak period. The literature of the Song Dynasty has an important and special position in the history of the development of Chinese literature, and it is in a stage of inheriting the past and opening up the future, that is, it is in the period of transformation of Chinese literature from elegance to vulgarity.

2. The ideological circles of the Song Dynasty advocated "Taoism" or "science", and paid attention to "reasoning to preserve righteousness" (Cheng Yi, "Answering Yang Shi on Western Mingshu").This kind of academic atmosphere permeated, which made the poetry and literary creation of the Song Dynasty have a strong didactic color, and the meaning of the text is revealed. ''Tang poetry is the main feeling, so there are many references.

Song poems are dominant, so there are many paths to dew" (Wang Shizhen's "Continuation of the Poetry of Teachers and Friends"). This special style of Song Dynasty poetry is in stark contrast to the Tang Dong Tangtang Dynasty poems, which are mostly romances.

The faction of poets of the Tang and Song dynasties, representative figures.

Tang Dynasty poetry factions: First, they are divided by period, and there are four factions: the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty. Second, according to the characters, there are three categories: classical poets, romantic poets, and realist poets.

The representative figures of the early Tang Dynasty were Chen Ziang, and the representative figures of the Prosperous Tang Dynasty were Li Bai and Du Fu, as well as the landscape pastoral poet Wang Wei and the poets Cen Shen, Wang Changling, and Gao Shi. Middle Tang Dynasty: Bai Juyi Late Tang Dynasty:

Li Shangyin, Du Mu. The poets of the Tang Dynasty created many schools, and the Biansai poetry school, represented by Gao Shi and Wang Changling, was an important school in Romanticism; Meng Haoran, Wang Wei and others represent the landscape idyll; The Tang Dynasty created the ideal color faction of Li Bai's romanticism. After the Anshi Rebellion, a large number of epic poets represented by Du Fu appeared in the late Tang Dynasty, and the poems had deep sentimentality.

The "White Lotte Celestial Body" that appeared in the early years of the Northern Song Dynasty was represented by Li Fang and Xu Xuan, and the late Tang Dynasty was represented by Kou Zhun, Wei Ye, Lin Kui, etc. Xikunti, represented by Wang Ruoqin and Yang Yi. During the heyday of the Northern Song Dynasty, the representative figures were Wang Anshi, Su Shi, and Huang Tingjian.

Wang Anshi's poems are called "Wang Jing Gongti" and "Banshan Style", and Su Shi's poems are characterized by "taking text as poetry" (Su Shi's words are representative of the "bold school"). In the later period of the Northern Song Dynasty, the most influential was the Jiangxi Poetry School, represented by Huang Tingjian.

In the middle of the Southern Song Dynasty, Yang Wanli, Fan Chengda, Lu You, and You Yuan, the "Four Great Poets of Zhongxing", appeared. Yang Wanli's "Cheng Zhai Style", Fan Chengda's idyll, and Lu You's patriotic poems. Two more influential poetry schools in the late Southern Song Dynasty.

One is the Yongjia faction represented by Xu Ji, Xu Zhao, Weng Juan and Zhao Shixiu, also known as the "Four Spirits School", and the second is the Jianghu faction represented by Dai Gugu and Liu Kezhuang.

Summary. This sentence is not true, Bai Juyi was a poet of the Tang Dynasty, and he was not the most "prolific" writer in the history of Chinese poetry. According to records, due to the movable type printing of the Song Dynasty, the number of poems produced by Song Dynasty poets far exceeded that of Tang Dynasty poets.

For example, Lu You, Lu You lived to be 85 years old, and there are more than 9,000 poems that have been handed down. Bai Juyi's masterpiece appreciation: Qiantang Lake, the above is mine.

You've done a great job! Can you elaborate on that?

This sentence is not true, Bai Juyi was a poet of the Tang Dynasty, and he was not the most "prolific" writer in the history of Chinese poetry. According to records, due to the movable type printing technology of the Song Dynasty, the number of poems written by Song Dynasty poets far exceeded that of Tang Dynasty poets. For example, Lu You, Lu Zhisuiyou lived to be 85 years old, and there are more than 9,000 poems that have been handed down.

Bai Ju Yi Fenggao's masterpiece appreciation: Qiantang Lake, the above is mine.