Who is Jia Qiao? What are the main deeds?

Jia Qiao is a character in "Dream of Red Mansions" and the daughter of Wang Xifeng and Jia Lian. Sister Qiao, who is included in the twelve hairpins of Jinling, is young and her character has not yet been formed, so she is in a foil position in the book and has no major deeds. Sister Qiao is delicate and sickly, and she was born on the seventh day of the seventh month, so Grandma Liu named her "Sister Qiao".

Jia Qiao is a character in "Dream of Red Mansions" and the daughter of Wang Xifeng and Jia Lian. Because she was born on the seventh day of the seventh lunar month, Grandma Liu, who had received help from Wang Xifeng, named her "Sister Qiao". Sister Qiao has lived a prosperous life since she was a child, and she is the daughter of a wealthy family.

But after the fall of Jiafu and the death of Wang Xifeng, her uncles Wang Ren and Jia Huan wanted to sell her to the vassal king as a handmaiden.

Among the twelve daughters of Jinling, Sister Qiao is the same generation as Qin Keqing, and the youngest. She was delicate and sickly, she contracted acne in the 21st time, hit the flower god in the 42nd time, and was frightened in the 84th time. Qingxuguan played Jiao, and Sister Feng urged Daoist Zhang to change Sister Qiao's name charm.

Grandma Liu entered the Rongguo Mansion for the second time, before leaving, she was entrusted by Sister Feng to give the eldest sister a name, and Grandma Liu heard that the eldest sister's birthday was the seventh day of the seventh lunar month, which was the begging festival, so she named her Sister Qiao, "This is called 'fighting poison with poison, fighting fire with fire'.

In the first eighty episodes, Sister Qiao's heavier role only appeared in the article of Grandma Liu's tour of Daguanyuan: "The eldest sister was playing with a big grapefruit, and suddenly saw Ban'er holding a Buddha's hand, so she also asked for a Buddha's hand." The maid coaxed him to take it, but the eldest sister couldn't wait, so she cried.

Everyone hurriedly put the grapefruit with the board, and coaxed the Buddha's hand of the board over with him. The board was stubborn for a long time, and at this moment he grabbed some fruits with both hands to eat, and suddenly saw that this grapefruit was fragrant and round, and he felt even more stubborn, and when the ball was kicked and played, he didn't want Buddha's hand. This detail is still just a foil, showing that she is pampered and hinting at her marriage to Ban'er.

In general, Sister Qiao does not have too many major deeds in the book, and her role is mainly as the daughter of Wang Xifeng and Jia Lian, and a reflection of her fate after the defeat in Jiafu.

Sister Qiao has the word "Qiao", and her ending can be described as the most satisfying among the twelve hairpins in Jinling, so why do you say that she has a thin life? This is because "the defeat is not good, and the family is not a relative". She experienced two major tribulations of raiding her home and losing her mother, was bullied at home, and was even more in danger of being murdered by her ruthless uncle and brother.

Sister Qiao's experience shines more light on other people's humanity. When Grandma Liu entered the Rongguo Mansion, she was kind to Jia Rong, Jia Qiang went to Gusu to buy a female ling, and Jia Yun went to Daguan Garden to plant trees, thanks to Sister Feng and Jia Lian, Wang Ren got a lot of benefits from Sister Feng, but later it was these uncles and brothers who murdered Sister Qiao, which made people sigh that the world was cold and the people were snobbish. After seeing the hearts of the people for a long time, the people who really know how to repay the favor are the poor countrymen Liu Grandma Liu and Wang Ban'er, who have the same surname and are occasionally favored.

And Ping'er was able to successfully escort Sister Qiao out of the house, also thanks to her usual generosity and kindness for Sister Feng.

The 92nd biography of Sister Qiao was written, writing about her Mu Xianliang. In the text, it is written in detail that she is not tired of poverty (Meng Guang's Jing Hai cloth skirt, Bao Xuan's wife's urn out of Ji, Tao Kan's mother's interception of hair, and painting Di's godson), and the bitter and sweet (Princess Lechang broke the mirror and reunited, Su Hui's palindrome felt the master), which is a portrayal of Sister Qiao's character and fate. In the 15th episode, Sister Feng Baoyu saw the second girl's spinning performance at a farmer's house, which also foreshadowed the ending of Sister Qiao.

Don't be small and do nothing, do the good things you can, you must do it.

Sister Feng was not kind-hearted when she helped Grandma Liu at that time, but she was just a rich and noble family, showing her pity for the poor and the weak. However, Grandma Liu entered the Grand View Garden twice and enthusiastically cheered Wang Xifeng, Wang Xifeng also wanted to please Jia's mother, but brought a lot of benefits to Grandma Liu, Grandma Liu kept it in mind and treated Wang Xifeng sincerely. Sister Feng was in trouble later, Grandma Liu did not have a snobbish eye, but as always, it was really Sister Feng who was moved, so there was such a thing as entrusting the orphan, and in the end, Grandma Liu lived up to the trust and saved Sister Qiao.

Sister Feng was a drop in the bucket at that time, in exchange for the safety of the child for the rest of her life.