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Tian Kai calligraphy is strictly prohibited, and the writing is dignified and standard. I like it. It is often said that there is a lack of steepness and strength.
I feel that rigor and dignified must standardize the standard, which is a good model for beginners to learn calligraphy. If you can't write the italics that are strictly forbidden by such a law, any swaying and elegantness is lacking in substance.
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Tian Yingzhang, born in Tianjin in 1950, is a graduate student in calligraphy and a cadre of the Ministry of Personnel. He graduated from Capital Normal University and Tokyo Gakugei University in Japan. Calligrapher.
Successively: Appointed Writer, Director of the Chinese Calligraphy and Painting Talent Training Center of the Ministry of Personnel, Executive Director of the Calligraphy and Painting Talent Qualification Examination Committee, President of the Chinese Modern Hard Pen Calligraphy Research Association, First President of the China Hard Pen Calligraphy Association, Member of the Chinese Calligraphers Association, President of the Ouyang Xun Calligraphy Art Research Association, Secretary-General of the Preparatory Committee of Wang Xizhi Stele Forest, Honorary President of the Chinese Academy of Calligraphy and Painting, Professor of the Japanese National Art Calligraphy Institute, Consultant of the Japan Calligraphy Association, Vice Chairman of the Japan International Federation of Calligraphy and Painting Artists. He is currently the vice president of the magazine "Chinese Talent" of the Ministry of Personnel, the director of the Chinese Calligraphy and Painting Talent Training Center of the Ministry of Personnel, and the lifelong calligrapher of the China International Academy of Calligraphy and Painting Art.
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Tian Yingzhang has a deep foundation in brush calligraphy, the style is rigorous, smooth, free and easy, in short, the brush calligraphy charm is very strong. However, his handwriting is relatively difficult to learn.
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1. Tian Yingzhang's calligraphy is very similar to the European style, the pen is square and round, and the iron is painted with silver hooks;
2. Although there is a hidden front in the pen, most of them are square pens and Lu Feng, and Lu Feng is not sharp;
3. The square pen is also not obtuse;
4. The turning place is strong and round, quite beautiful and shuangrong, which always makes the turn stiff and the hook is rigid.
5. The characteristics of Ou Kai's gestures are: strong and sharp, thin and hard, exquisite penmanship, and handsome and strict.
subtle, invulnerable; In the broad, the river and the sea are combined.
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Of course, everyone has their own characteristics, and there are still other fonts in his characters, because every calligrapher will not only study one font, but only say that he is better at that font.
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Tian Yingzhang, a famous calligrapher and teacher.
Since 1985, he has taught hard pen calligraphy and brush calligraphy at ** TV Station, Beijing Institute of Technology, ** Nationalities College, Capital Normal University, Forestry University, Japan National Art Calligraphy Institute and other units; From 1987 to 2002, he published more than 70 kinds of calligraphy calligraphy, textbooks, videotapes and CD-ROMs. He is a member of the Chinese Calligraphers Association and a lifelong calligrapher of the China International Academy of Calligraphy and Painting Art.
He is the author of more than 150 calligraphy textbooks, such as "Tian Yingzhang Series of Calligraphy Copybooks", "Selected Works of Tian Yingzhang", "Tian Yingzhang's Latest Calligraphy Professional Course", "Tian Yingzhang Calligraphy Professional Teaching Videotape, VCD CD", etc.
Tian Yingzhang's calligraphy is mainly based on Ouyang Xun's style.
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Tian Yingzhang's calligraphy works are as follows:1. Tian Yingzhang's hard pen calligraphy works, as shown in the following figure:
2. Tian Yingzhang's hard pen calligraphy works, as shown in the figure below
3. Tian Yingzhang's hard pen calligraphy works, as shown in the figure below
Features of calligraphyThe characteristics of Tian Yingzhang's hard pen calligraphy are mainly compared with brush calligraphy.
First, because the material of the hard pen nib is relatively hard, its line changes are not as big as the soft pen - the brush changes.
Second, because the general use of hard pens, is based on fountain pens, so the lines are much more subtle than the brush, so the font is much smaller, even smaller than the small Kai of the brush.
3. Due to the material of the pen, the hard pen is easier to control than the brush.
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It is written as: <> >>>More
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