How can the little fader on the mixer play the best in fat speakers?

The little fader on the mixer wants the fat speaker to play the best, so you press the button of the fat speaker down, adjust it to the maximum, and adjust the volume appropriately.

The little fader on the rooftop, how can you get fat? Because you can play your best, you can make him more generous.

I suggest you can buy this speaker from Blue Wave, this sound is particularly good, and the sound quality is particularly good.

If you want to blow the fader on the mixer to the effect you want the most, then you first have to adjust it and proofread it according to each person's timbre.

Hello friend how can the little fader on the mixer be fat preplay the best is to tune it into the right position. Dealing with some is to bring out the best in the hope that it will help you.

How can the small fader on the mixer play the best fat audio This consult the sales staff and maintenance personnel of the audio.

The small fader of the jumping platform,Generally speaking, if you want to connect to the outside speaker,It's best if you have Bluetooth directly.,If you don't come,,You can connect it directly with that headphone cable.。

It's still hard for the team on the challenge platform to help a player.

How can you get fat with a stall fader on the mixer? The impact is the best, then you tune him in, tune it well, and you can make a fat sound.

How can the fader on the mixer get the best out of the sound, you can adjust its reverberation and surround people through some tuning buttons on the audio, so that you can make the sound quality of the speaker to the best.

How can the little fader on the mixer be fat, and it is best to turn him to the upper middle level, which will be a little better.

How can the small fader on the mixer make the best performance of the fat speaker, it is natural to defend and push to the designated position. Only by pushing into the designated position can he play better.

The little fader on the mixer, this has to be felt by the hand, and you have to control it for a long time to feel it.

The little fader on the mixer can be played, preferably mainly for internal resonance effects.

Faders are used to control the level, and to put it bluntly, they are used to control the volume.

If the volume is at its best, excluding other gains equalization and other things like the mixer, then you can push it up without overloading.

The small cup on the mixer, Fat wants to play the best, this is mainly to adjust it yourself.

The little hammer on the mixer, how can you make the best sound performance? I think like this you can follow its instruction manual to recuperate.

The ST button next to the split-track fader is the channel switch for the ST output, if the ST button of the split-track fader is not pressed, then the ST main output is not working.

ST is the abbreviation of Streo, which is the switch button for the output of the stereo channel, and when it pops up, it is off; When pressed, working state.

I don't know the correct definition, from my personal understanding, most of the fader before and after the fader is talking about the signal flow, when the sound source signal enters the mixer, through the gain, equalization, sound pan, etc. through the fader (after the fader) flow to the bus, the fader fader position change can cause the input bus signal to change, when the signal passes through the inherent effect to the sound pan, (before the fader) the signal flows directly to the bus without passing through the fader, and the fader potential change has no effect on the signal! For example, when using the mixer AUX to send, some desk AUX has a front and a rear and can be switched!

The pre-AUX is sent directly to the effects or other effects, without going through the faders, the fader size does not affect the amount of send, and the rear is sent through the faders, and the fader potential changes affect the amount of send, which is suitable for live performances! The example is not very appropriate, I hope it helps you understand!

First of all, in the mixer circuit, the fader is the output stage signal amplifier. The front of the fader means that the signal is not limited by the fader, and there is still a signal output if the fader is not pushed, and the sound does not improve when the fader is pushed. After the fader is pushed, it means that the fader is not pushed, the signal is not sent, and the signal is getting louder and louder when the fader is pushed up.

The front refers to the top and the back refers to the bottom.

Faders control the volume, there may be a row of more than a dozen faders, each of which controls the output or input of a device, similar to a large-scale song and dance drama, the host's little bee microphone, the actor's headset, the listener speaker at the stage, each of which emits a different sound according to its needs, and the sound size needs to be adjusted by a professional tuner, so understand.

There's no need to study so thoroughly. Not some magical high-tech.

1.The main fader is amplified by the amplifier, and it is very likely to produce noise when pushed to the maximum, and it is about 0 to be controlled as much as possible, which is a misunderstanding.

2.If you want to amplify the volume, it is best to adjust the volume of the amplifier, if the amplifier is already maximum, you can adjust the gain of each channel and solve the problem.

3.You are using the mixer as an amplifier, the role of the mixer is only used to mix groups, and amplifying the volume is the business of the amplifier.

Push to 0 decibels, is there any abnormality? You're using an amplifier mixer, right?

Jiba Mao is still engaged in this thing in this era, and he heard that it was noisy.

This may be a problem with the power amplifier filter capacitor, which can be solved by checking and replacing it.

Reasonable, this is standard practice, would you lower your head to adjust the power discharge level? But pay attention to the level meter of the table and do not exceed 0db for a long time.

Idle... Personally, it is not recommended to do this, the computer adjustment is through the adjustment of the software output, the power amplifier is to adjust the physical volume, that is, the size of the sound current...

There are peak indicators on the mixer and amplifier, as long as the red light is not on, there is no problem!!

Turn on the pre-fader monitor and adjust the input gain of the channel, not red, all green and yellow is the best. (LED indicator on the mixer) The volume of the monitor headphones is controlled separately on the mixer, the sound of the conference microphone is small, you can push the faders of the corresponding conference microphone to a larger one, or open the total gain of the conference microphone channel more, pay attention to the conference microphone is easy to howl, it is better to have a feedback suppressor, if you do not pay attention to control the volume.

Will pushing the mixer faders too high burn out the speaker? Yes: So how much does a fader burn out the stereo? Is there any way to avoid the LED light signal from yellow to green?

Yes, add a Deliya-Sound Limiter that can be adjusted from 4 to 1 to 8 to 1 depending on what you need Is there a safety boundary? Yes, even if the red light is on, it is overloaded. Why is the output of the computer loud in the monitor headphones of the audio mixer, but the output of the conference microphone is a little small?

You're in the wrong position The monitor headphones are outputs, and they should be connected to the LINE input of the mixer

First of all, there are peak indicators on the mixer and amplifier, as long as the red light is not on, there is no problem! Be sure to adjust the gain of each signal. Look at the distortion signal light of the power amplifier, once it is lit for a long time, it means that your signal is too large, and it is easy to burn the equipment.

As for the low sound of the microphone, it is caused by your improper gain adjustment.

These faders are equalizers, this is 7 bands of equalization, used to adjust the size of the high and low tones, generally placed in the 0db position, so that it can better restore the input of the vocals, musical instruments, etc., if you want to highlight the bass, turn up 63 and 150hz a little higher, if you want to highlight the vocals, turn it up a little higher1khz, but be careful, do not exceed the capacity of the speaker, otherwise the speaker will be distorted or even damaged, mainly according to the needs of the scene to tune, if it is turned up, You need to reduce the overall volume appropriately, or reduce the gain gain of an input channel a little.

7-band equalizer faders, below which identify the audio frequencies managed by each fader.

Main PFL and Listener switch.

aux is the aux output, which uses this twist to send the sound in the channel to the aux output. It is generally used to connect peripheral equipment such as external effects.

I don't understand what you mean by "pre-fader of marshalling".

If the mixer has a group, there will be a key to send the channel's signal to the group. It is then output via a marshalling fader. You can send it directly to the power amplifier through the marshalling output port, or you can send the marshalling signal to the main channel, etc., and there are many, many clock usages, depending on what you need.

I didn't understand what you meant, so I didn't dare to talk nonsense, hehe.

aux is used as an auxiliary use, such as effects, reverberation, listening and so on.

First, the object is different:

1. Gain is to increase the level of entering the mixer.

2. Volume adjustment is to increase the output level of the mixer.

Second, the sound type is different:

1. The gain increases is the original sound.

2. The audio mixer may add the sound that has been compressed and added with effects.

The general meaning of gain is magnification in a nutshell.

Amplifier gain, which indicates the amplifier power amplification factor, is expressed as the common logarithm of the ratio of output power to input power, etc. In electronics, it is usually the ratio of the signal output to the signal input of a system, such as the antenna gain parameter indicating the degree of radiation concentration of the directional antenna, which is the ratio of the square of the electric field intensity generated by the directional antenna and the non-directional antenna in a predetermined direction.

The gain is a first-level amplification, and the volume is a second-level amplification.

1. The difference between excessive volume:

In the mixer, it is important to note that the gain should not be turned on too much, when using a microphone, too much gain will cause whistling, and when ** or other non-microphones, too much gain will cause distortion.

2. The difference in signal-to-noise ratio:

Adjusting the gain too little will reduce the signal-to-noise ratio; Adjusting the gain too much will produce a howling. Since the impedances of the line in (0db) and the mic in (-70db) are different, the gain needs to be adjusted to achieve a relative balance of the signal-to-noise ratio. And this is not possible with adjusting the volume.