The earliest prosperous period of Chinese calligraphy, and what era did calligraphy originate?

This problem is suspected of raising the bar, because the calligraphy fonts are diverse, all kinds of fonts have peak periods, oracle bone inscription in the ancient period, Jin Wen in the Shang and Zhou dynasties, small seal in the Qin Dynasty, Lishu Xing in the Han Dynasty, regular script in the Tang Dynasty, Xingshu flourished in the Song Dynasty.

It can be regarded as the Wei, Jin, Southern and Northern Dynasties, because there began to be regular scripts.

Wang Xizhi and his son, as well as Zhong Xuan, are all famous

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Calligraphy became an art in the Eastern Han Dynasty! The earliest period of prosperity should be the Wei and Jin dynasties, because everyone knows that there are Wang Xi's father and son!

No prosperity or decline, everything is in progress!

Wei Jin. The era when Wang Xizhi was dedicated.

Yin Shang era. Chinese calligraphy.

The history of development can be traced back to at least the Yin Shang era. Chinese calligraphy has a long history, the history of calligraphy is changing, and the art of calligraphy is fascinating. From Oracle.

Jin Wen evolved into a large seal and a small seal.

Lishu, to the Eastern Han Dynasty, Wei and Jin Dynasty cursive, regular script, and line calligraphy, calligraphy has always exuded a unique artistic charm.

Chinese characters. The basic shape of the hand is square, but through the expansion and contraction of dot painting and the twisting of the axis, it can also form a variety of moving forms, so as to combine them into beautiful calligraphy works.

The knotted form of calligraphy is mainly affected by two factors: first, the need for the expression of calligraphy interest; The second is the formal factor of calligraphy.

As far as the latter is concerned, it is mainly reflected in three aspects: the influence of jujube potato guess one for the book style, such as the vertical rectangle of the seal body; The second is the influence of glyphs, some characters are flat squares, and some characters are rectangular; The third is the chapter law shadow stool sound. Therefore, it is only under the control of the above two types of factors that the creation of a beautiful knot can be created by actively creating a form.

There are two main ways to construct the structure and beauty of dot painting in calligraphy, one is that various dot paintings are directly combined into various beautiful single characters and radicals according to a certain combination method.

The second refers to the combination of various radicals into various glyphs in a certain way. The radical combination of Chinese characters is nothing more than left and right, left, middle and right, upper and lower, upper, middle and lower, enveloping, semi-enveloping, etc.

The historical development of Chinese calligraphy is as follows:

1. Oracle period.

The period is from the 14th century BC to the 11th century BC, and the oracle bone inscription is the earliest Chinese script, engraved on tortoise shells and animal bones, and is mainly used for divination and sacrificial records. The simple and archaic glyphs of the oracle bone script laid the foundation for the later development of the typeface.

2. Jin Wen and Seal Book Period.

The period is from the 11th century BC to the 3rd century BC, and the Jin inscription is an inscription from the Shang and Zhou dynasties, which was used for inscription of utensils. The glyphs of Jin Wen are plump and full, full of power. Seal script was the official script of the Qin Dynasty, and due to its square shape and simple strokes, it provided a model for the later development of the font.

3. Lishu and regular script period.

The period was from the 3rd century BC to the 3rd century AD, and Lishu was a style of writing in the Qin and Han dynasties, showing the characteristics of standardization and neatness. Regular script was the standard writing style of the Wei and Jin dynasties, known for its clear, standardized glyphs and balanced layout.

4. Cursive and calligraphy periods.

This period was from the 4th century AD to the 10th century AD, and cursive script was a writing style that emerged during the Eastern Jin Dynasty, with sloppy and unrestrained glyphs, pursuing speed and expressiveness. Xingshu is a combination of official script and regular script, and the orange shape of the chaotic file is neat and fluid.

5. The development of cursive and calligraphy.

Since the Tang Dynasty, the development of cursive and Xingshu has been further expanded and deepened. Zhang Xu of the Tang Dynasty was famous for his cursive writing, and Wang Xizhi's "Orchid Pavilion Preface" is a representative work of Xingshu.

6. The development of regular script and official script.

Since the Song Dynasty, the study and creation of regular script and official script have become important schools of calligraphy. Su Shi, Huang Tingjian and other literati calligraphers made important breakthroughs in the field of regular script and official script.

Calligraphy Theory and the Development of Modern Calligraphy:

1. The development of calligraphy theory.

Since the Tang Dynasty, the theory of calligraphy began to be widely summarized and summarized. For example, Ouyang Xun's "Four Dreams of Linchuan" and Chu Suiliang's "Book Spectrum" laid the foundation for the development of calligraphy theory in later generations.

2. The development of modern calligraphy.

Since the 20th century, Chinese calligraphy has undergone a process of modernization. On the basis of inheriting the tradition, calligraphers absorbed the ideas and techniques of Western art to create new styles and forms of calligraphy.