Ask for a detailed explanation of the printed seven word tone machine poem. The more detailed the be

Seven points of thinking and three points of doing, Zhang San and Li Si don't make mistakes, follow the poem step by step, and ensure that you adjust the machine quite smoothly.

The adjustment sequence is the most important, one paper, two pressures and three inks, the paper feeding is stable and regular, and the pressure is moderate and the ink balance.

The paper is blown at the center pressure, and there is no low surface control between the pressure and the air.

Blowing small and sucking large single sheets is good, and the thin paper is more flat.

The paper should be controlled and not controlled, and the brush reed is a paperweight.

Along with less and more reverse, there is no empty double around the millimeter.

Hand suction homeopathy to avoid the angle, suction skin does not roll although low.

Feed the paper smoothly and slowly, and always adjust the transmission edge.

The side block controls the amount of paper pulling, and then sets the side gauge.

The front blower cooperates with the suction pour, and the cam tube is reversed in the morning and evening.

The pressure wheel is coordinated carefully, the thickness of the speed often changes, rather than early synchronization, the morning and the evening reverse cam.

The double-sheet control changes with the paper, and it is better to divide the paper than to be smart.

The line belt is flat and compacted, and the symmetrical layout is anti-skewed.

The first round of pressing the border is under-positioned, the brush blocks the paper and does not bounce back, the paper is seven millimeters away from the gauge, and the synchronization can be adjusted before and after three.

The minimum bite of the front gauge is four, and the gap can be passed by three sheets.

The side gauge is pulled down to leave a gap, and the paper is not blocked when it is not lifted.

Passing the paper and biting the paper in A2, the front gauge and the side gauge are lifted, and the distance between them is not more than four millimeters, and it is optimistic that each wheel is being adjusted.

The roller passes the paper and bites the paper, the handover at the same speed is stable and steady, first bite and then put 3-6, and put the paper cam to change.

The large gauge can be printed 408, adjust the front gauge to pay the cam, pay the wheel after the synchronous change, re-check or adjust.

Three kinds of gritting teeth are finely adjusted, and don't play the piano in harmony.

The roller gritted his teeth and bit the paper, and it was best to break it rather than loosen it.

The paper can be pulled by biting your teeth to maintain a consistent tightness.

Splicing is the easiest to bite your teeth, and the full version of splicing is not empty.

The slow paper suction cup puts the paper wheel, and the paper delivery is free of drifting, the air amplification is small and the speed is slow, and the speed of the machine is well controlled.

The side stipulates that the left Qi is set, the left Qi is followed by the right Qi, the paper is clamped before and after, and the paper is not checked or not!

The pressure of the drum is easy to understand, and the sum of the lining reduces the gap.

Adjusting the measurement is key, and all kinds of data need to be based.

The printing plate cylinder is six or five wires, the rubber cylinder is three two five, the skin pressure is three hundred and five, and the plate is three hundred and seventy.

The gap adjustment is the first pressure, the skin pressure is adjusted and then the skin is released, and the pressure is changed by subtraction and reversal, and the gap pressure is reversed.

Errors are allowed on both sides, and there is no more within the two filaments, and the thick paper changes the naughty pressure, plus the paper thickness minus ten filaments.

The quick plate is pre-tightened, the hexagonal screws are screwed leisurely, the lock ring hinge clamps the version, and the fine adjustment plate is normal.

Press a button before loading, the machine can be turned in place to get started, the bite is installed and click it, and the pressure ensures that you install the tail tip.

The parallel ink roller is the key, generally only the ink roller is adjusted, and there are square worms at both ends, so find the right relationship and adjust it carefully.

The relationship between the outer version and the inner roller is paired, and the pressure is adjusted in the reverse loosening, and the front weight is reduced in turn, and the version has the same light and heavy rollers.

The water roller is also the same as the ink, up and down the water adjustment worm, the outer roller is not wrong, and the pressure is tight and loose.

The lower weight and the upper light are slightly distinguished, the ink and wash are the same, the water and ink are transferred to the same mechanism, and the bolts are tightened and loosened.

The machine is adjusted well, focusing on understanding and feel.

I love printing on the network.

Characteristics of Lyric Poetry Lyric poetry originated from the new style poems of the Southern Dynasty such as Shen Yue during the Qi Yongming period of the Southern Dynasty, which paid attention to sound rhythm and duality, and was formally finalized in the early Tang Dynasty and the Song Dynasty, and matured in the Tang Dynasty. Lyric poetry requires the number of words in the poem to be uniform, and each poem is five, six, and seven words, referred to as five rules, six rules, and seven rules, of which six rules are rare. The usual lyric verses stipulate 8 verses per poem.

If there are only 6 lines, it is called a minor or tri-rhyme poem; If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law. It is customary to call the first couplet (the first couplet), the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the final sentence (tail couplet). Every song.

The upper and lower sentences of the second and third couplets (i.e., jaw couplets and neck couplets) must be dual sentences. In addition to the first and last two couplets, the middle couplets must be dual. The dual requirements of the minor law are wider. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.

Two, four, six, and eight sentences rhyme, the first sentence can be rhymed or not, and the words used in each sentence of the poem are evenly matched. The level in the upper and lower sentences is opposite, and there are two forms: "仄起" and "平起". In addition, the metrical requirements of the lyric poems also apply to quatrains.

In the Tang Dynasty, there were variations in the process of stereotyping and after the stereotype, and some lyric poems were not written in full accordance with the format, such as Cui Hao's "Yellow Crane Tower", that is, the first half of the poem is in ancient style, and the second half is in rhythm. This variation of the lyric is called the Lyric Style. The form of the lyric poem The rhythm of the lyric poem is very strict, and there are strict rules on the number of sentences, the number of words, rhyme, evenness, and all aspects of the battle:

1. Each poem is limited to eight sentences: the five laws stipulate five words per sentence, and the whole poem is 40 words in total; The Seven Laws stipulate that each sentence has seven characters, and the whole sentence has a total of 56 words.

2. Limited to the use of flat rhyme, and a rhyme to the end, no rhyme in the middle. The five rules take the first sentence without rhyme as a positive example, and rhyme as a variation; The first sentence of the seven laws rhymes as a positive example, and does not rhyme as a variation.

3. There are regulations on the sentence structure of each sentence and the level of words: pay attention to stickiness and pairing.

4. The middle two couplets of each poem must be dual, which is an important feature of the poem. The other two are used in conjunction with each other, and they don't need to listen to each other.

"Pipa Xing" Bai Juyi.

Xunyang Jiangtou night send-off, maple leaves and flowers in autumn.

The master dismounts and the guest is in the boat, and there is no orchestra to drink wine.

If you are drunk, you will say goodbye, and you will be immersed in the moon in the vast river when you are drunk.

Suddenly heard the sound of pipa on the water, and the host forgot to return to the guest.

Xun Sheng secretly asked who the player was, but the pipa stopped and was late.

Move the boat to close to each other, invite each other, add wine and return to the lamp to reopen the banquet.

After a long time, he came out, still holding the pipa and half covering his face.

The hinge plucks the strings three or two times, and there is love before the tune.

The strings cover up the sound and thoughts, as if they are complaining about their lack of ambition.

The low-brow letter continued, saying that there are infinite things in my heart.

Gently and slowly twist and wipe the re-pick, at the beginning of the neon dress after the sixth.

The big strings are noisy like a torrential rain, and the small strings are like whispers.

Noisy and staggered, big beads and small beads fall on the jade plate.

The bottom of the warbler is slippery, and the water of the throat spring flows down the beach.

The water spring is cold and astringent, and the condensation never stops.

Don't have gloom and hatred, silence is better than sound at this time.

The silver bottle burst through the water slurry, and the iron rider stood out with the sound of knives and guns.

At the end of the song, beware of drawing, the four strings sound like cracks.

The east ship and the west boat were silent, and only the autumn moon in the heart of the river was seen.

Groaning and plucking the strings, straightening up the clothes and showing up the face.

said that she was a woman in the capital, and her home lived under the shrimp toad tomb.

Thirteen learned the pipa, and the name belongs to the first part of the teaching workshop.

Qu Ba often teaches good talents, and makes up every time he is jealous of Qiu Niang.

Wuling is young and entangled, and he doesn't know how many songs are red.

The silver grate of the head is shattered, and the blood-colored skirt is stained with wine.

This year's laughter will be next year, and the autumn moon and spring breeze will be leisurely.

The younger brother went to join the army and the aunt died, and the twilight went to the past.

There was a snub in front of the door, and the boss married a businesswoman.

The businessman valued profit over parting, and Fuliang bought tea in the previous month.

Go to the mouth of the river to guard the empty boat, around the cabin Mingyue River water cold.

In the middle of the night, I dreamed of juvenile things, and my dreams were dry and my tears were dry.

I sighed when I heard the lute, and I heard it chirp again.

is the same person who has fallen to the end of the world, why should we have known each other when we meet.

I resigned from the imperial capital last year and lived in Xunyang City.

Xunyang is remote, and I don't hear the sound of silk and bamboo all year round.

Living near the river is low and humid, and the yellow reed and bitter bamboo surround the house.

In the meantime, when I heard something, the cuckoo cried and the blood ape wailed.

Spring river flowers towards the autumn moonlit night, often take wine and pour alone.

There are no mountain songs and flutes, and it is difficult to listen to the dumb ridicule.

Hearing Jun's pipa language tonight, it is like listening to the fairy music ear for the time being.

Mo Ci even sat down and played a song, and translated the pipa line for you.

I feel that I have been saying this for a long time, but I am in a hurry.

It was sad and not like a forward voice, and the whole audience wept when they heard it.

Who cried the most in the seat, Jiangzhou Sima Qing's shirt was wet.

Spring River Flower Moonlit Night.

The tide of the spring river is even with the sea, and the bright moon on the sea is born together.

Thousands of miles with the waves, where there is no moon in the spring river.

The river flows like a circle around Fangdian, and the moonlit flowers and forests are like hail.

The frost in the air does not fly, and the white sand on the Ting cannot be seen.

Jiangtian is colorless and dustless, and the lonely moon wheel in the bright sky.

Who first saw the moon on the riverside, and when did the river moon shine at the beginning of the year?

Life has been infinite from generation to generation, and Jiang Yue looks similar every year. I don't know who Jiang Yue treats, but I see the Yangtze River sending water.

The white clouds are gone, and the green maple is not worried.

Whose house is Bian Zhouzi tonight, where is Acacia Mingyue Tower?

Poor upstairs wandering for the moon, should be taken away from the makeup mirror.

The jade curtain can't be rolled up, and the clothes are smashed and the anvil is returned.

At this time, we don't hear each other, and we are willing to shine on you month by month.

The wild goose flies for a long time, and the fish and dragon dive into the water.

Last night, the dream of the idle pool fell, and the poor spring did not return home.

The river flows to the end of spring, and the moon falls in the river and the lake slopes westward.

The oblique moon sinks into the sea fog, and the stone Xiaoxiang has an infinite road.

I don't know how many people return to the moon, and the falling moon (a "flower") shakes the river tree, and this poem is called the pinnacle of poetry that "the lonely article overwhelms the whole Tang Dynasty".

You can practice this.

In Li Bai's "Chivalrous Journey", "Kill one person in ten steps, and don't stay for a thousand miles." After the incident, he brushed his clothes and went to hide his body and name. "The bones of the dead man are fragrant, and he is not ashamed of the world. Who can write Your Excellency, the white head is too mystical. ”

Li Qingzhao's "Life is a hero, and death is also a ghost." So far, I think of Xiang Yu and refuse to cross Jiangdong. ”

Su Shi "Jiang Chengzi, the old man talks about juvenile madness" "The old man talks about juvenile madness, leading Huang on the left and Qingcang on the right. Brocade hat mink fur, thousand riders roll Hiraoka. In order to repay the city, follow the Taishou, shoot the tiger in person, and watch Sun Lang.

The wine is still open, and the temples are slightly frosty, so what's the matter, in the clouds, when will Feng Tang be sent? Will hold the bow like a full moon, look northwest, and shoot the wolf. ”

Li He Nanyuan's thirteen songs (the fifth) "Why don't men take Wu Hook and collect Guanshan Fifty Prefectures." Please go to Lingyan Pavilion temporarily, if you are a scholar and a marquis. Huang Chao's "Stay until September 8 of the next year, I will kill a hundred flowers after the flowers bloom." The incense array penetrates Chang'an, and the city is full of ** armor. ”

Pull out the mountains and cover the world, and the times are not good.

If you don't die, you can't help it, and you can't help it!

The water reaches the edge of the sky, the clouds are the shore, and the mountain is on the top, and I am the peak!

Selected poems, domineering side leakage.

The name of the poem. Each sentence of the whole poem is seven characters or mainly seven-character sentences. Folk songs originating from the pre-Qin and Han dynasties.

During the Han and Wei dynasties, there were very few poems in seven words, and the Southern Rong and Northern Dynasties gradually developed from the Sui Dynasty to the Tang Dynasty, and became another major form of classical poetry in China. Seven-character poems include seven-character ancient poems (referred to as Qigu), seven-character poems (referred to as Qilu) and seven-character quatrains (referred to as Qijue).

The seven words are divided into lawyer and quatrain, I don't know which one you are talking about.

"Autumn Night Pregnant People".

Lin Tianling (Qing).

The party in the word field is unusual, and the wine is easy to cool in the blink of an eye.

The situation is that the streams and mountains are full of beacon fires, and the city has become sad about the vicissitudes of life.

The west wind blows the rain and the lonely lamp is dark, and the mirror peeks into the short hair.

Mo Jian Su clothes increase the touch, and the dust is like a sea of dust.

The mountains are high and the road is long.

Butterflies in my stomach. Frightened.

Enchanting scenery. Rock breaker.

Worlds apart. Slanting wind and drizzle.

Composition: Far up the cold mountain stone path slope.

The source of the seven-character quatrain poem describing the love of touching the scene is: bai

In the past, people have taken the yellow crane to du, and the yellow crane tower is vacant here. ——Tang Dynasty Zhi Cui Hao "DAO Yellow Crane Tower".

When I feel the tears, I hate the birds. - Tang Dynasty Du Fu's "Spring Hope".

Last year, in this door today, the peach blossoms on the faces of the people were red. The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze. ——Tang Dynasty Cui Hu "Title Capital City Nanzhuang".

The cold cicada is poignant, the long pavilion is late, and the showers are at the beginning of the break. The capital tent has no clue, nostalgia, and Lan Zhou urges. Holding hands and looking at each other's teary eyes, they were speechless and choked. Thinking of going, thousands of miles of smoke waves, twilight is heavy and the sky is wide. - Northern Song Dynasty Liu Yong's "Yulin Bell".

Affectionate parting since ancient times, even more Nakan, snubbing the Qingqiu Festival! Where do you wake up tonight? The willow bank, the wind and the waning moon. This past year should be a good day and a good time. Even though there are thousands of styles, who to talk to! ——Tang Dynasty Li Shangyin, "Yulin Bell".

The forest is verdant and jade, and time is fleeting. It is difficult to leave the old friends, and the beauty smiles and is ashamed.