How to write the official book, what is the official writing method of the book?

Learn several ways to write Lishu.

1. The techniques of the four main strokes of Lishu.

1. Flat painting: The flat painting of Lishu is slightly different from the horizontal painting of the seal book, in addition to hiding the head and tail in and out of the flat out, there are'Silkworm head and goose tail'The pen of the wave (also known as the horizontal stroke).

The essentials of its writing are:

The pen is back to the front and droops to form the trend of the silkworm head.

Go right. Try to spread the hair, try to wave it, raise the air, and form'Goose tail'momentum.

2. Straight drawing: Straight painting and seal writing are basically the same. However, the seal book is full of potential, and the official book is used together.

3. Pick a painting: it is to fold the pen. There are two ways to pick, mainly at the end of the pen, one is the front, the other is the front. The pick that is slightly shorter is the vertical hook. These two methods are:

Strike. First, the pen has become a reverse twist.

Second, go with the flow.

Third, try your best to spread the left line and push the pen.

Fourth, carry the front in the middle, pick out the front on the reverse twist, and close the pen in the air.

Back to the front. The first, second and third steps of this kind of picking method are the same as the front pick method, and the fourth step is to raise the empty pen to change it to the front to close the pen.

4. Painting: The wave of the painting is slightly the same as that of the flat painting. The main methods are:

The pen returns to the front and sags to form a trend of reverse twisting of the silkworm head.

Downtrend. Try to spread the hair, try your best to wave it, and raise the air**.

2. 5 ways out of writing a good official book.

There are many ways to innovate Lishu, especially in contemporary times, due to the development of diversified cultures, calligraphers pay more and more attention to the publicity of personality, coupled with the richness of unearthed cultural relics, the information that can be used for reference and take the law is increasing day by day, people are no longer satisfied with only absorbing the essence of Lishu from the orthodox Han monument, but focus more on the early Lishu (such as Jian, Silk Book, Cliff, Stone Carving, etc.), such as "Western Han Dynasty Wuwei Ritual Han Jian", "Open Bao Slope Road Carved Stone", "Laizihou Carved Stone", "Mawangdui Han Tomb Silk Book", etc., Including the "Good King Tablet" in the Western Jin Dynasty and the "Guangwu General Tablet" in the former Qin Dynasty, etc., from which the method of innovation in official writing is sought.

It is recommended to start with Han Li, and then choose a template according to your own preferences, master the basic strokes and various radicals of Han Li, be familiar with the rules of Han Li's glyph structure, and learn from easy to difficult, step by step. The characteristics of Han Li are to take the horizontal trend, highlight the horizontal painting, horizontal and vertical, give people a sense of freedom and vigor and depth.

As shown below: <>

Book pinyin shū

1. Writings on the cost: books.

2. Letters: Letters.

3. Document: Certificate.

4. Writing or writing: calligraphy.

5. Write articles: big books and special books.

Kanji strokes: <>

1. Schoolbag [shū bāo].

Bags made of cloth or leather are mainly used for fashion books and stationery for students to go to school.

2. 看书 [kàn shū].

Study. 3. Study room [shū fáng].

A room for reading and writing.

4. Writing [shū xiě].

Write: Slogan. Tool.

5. Books [shū běn].

Collective): Knowledge.

1. Horizontal drawing. Horizontal painting is a characteristic stroke in the official book. It is often beautiful to "fly sideways". There are two kinds of horizontal paintings in Lishu, one is flat and horizontal, and the other is wave horizontal. There are two kinds of square pens and round pens.

Flat horizontal. It refers to the horizontal horizontal shape, generally against the front of the pen, the folding pen in the center of the run, back to the front of the pen or open front to close the pen. There are convex, concave, and basic flat shapes.

2.Wavy horizontal. It is a kind of wave brush, which refers to the horizontal painting with a pitching state.

Generally, the pen is reversed, the pen is folded, the silkworm head is formed, and then the pen is lifted, and the front is frustrated at the end of the pen, forming a swallowtail. There is also the phenomenon of small silkworm head and large swallowtail. The waves should generally be written thick and round, the silkworm head and swallowtail should be full, and the horizontal middle should be slightly bent upward.

2. Vertical painting. The vertical painting is just an ordinary stroke in the official book, and the composition of this stroke is larger, that is, most of them are round and round. Some of the vertical ends are sharper, and they are not vertical in regular script, but naturally close when writing.

The vertical of the official book is generally the reverse front of the pen, the center of the Xu line, the Tibetan front of the pen. There are three forms of vertical painting in Lishu: middle vertical, left arc vertical, right arc vertical.

There is also a square pen, that is, the reverse front of the pen, cut to the upper left corner, and fold the pen down. Although vertical painting is not as distinctive as wave painting in Lishu, it should not be taken lightly when writing.

3. Skimming. There are many changes in the official book, in addition to the long apostrophe, curved apostrophe, but also apply some left side of the vertical painting (vertical apostrophe). No matter how the pen in the official book changes, the writing should be strong, calm and strong, and avoid light floating.

Fourth, painting. Painting is another form of wave brush. It is an important stroke that causes the momentum of the official book.

The painting in the official book is similar to the wave horizontal writing, which is the head of the silkworm swallowtail. It's just that the wave is horizontally flattened, and after the stroke is reversed, the pen is tilted to the bottom of the stone, and the pen is lifted to the right at the corner of the corner.

5. Hook painting. The hook paintings in the official books are sometimes confused with skimming because the hook is not obvious. The hook neck part is too long, and it is not like the hook of regular script that is upturned and sharp. The hook painting of Lishu is due to the traces of the wave pen, sliding out of the hook, so the pen should be slow when writing.

The script is as follows:

Clause. First, the penmanship of Lishu has a strict "law".

The traditional calligraphy penmanship, its characteristics are: want to right first left, want to go down first up, Tibetan front pen, horizontal and vertical, hide the head and protect the tail, a wave of three folds, left and right back, geese do not fly double, silkworms do not have double heads, round and square folds. In the actual writing, to remember, the horizontal writing, the reverse front into the paper, want to the right first left hidden front pen, and then the center of the pen, line to the end of the front back to the pen, if it is the tail of the goose, you need to do the wavy treatment, as shown in the figure below.

The writing of the vertical painting is similar to the writing of the horizontal painting, the direction is different, and the pen is not knotted, which is similar to the writing of the seal script.

Clause. Second, the outline of the strokes of the official book has its characteristics.

When writing the official script, you must pay attention to its stroke outline, such as horizontal painting, and the two ends can not be cut into the paper like the regular script, and the pen is sharp. Lishu's skimming and painting, but also the line of the pen want to go down the first up, and then down the pen, to do the first light and then heavy, the writing of the skimming: the penmanship to the lower half of the slightly upward back to the front of the pen, as shown in the figure below, the end of the stroke appears thick and strong, to return to the front of the pen, the whole pen is hidden in the stroke, only to see the round head does not see the square corner.

Third, "silkworm head and goose tail" and "twists and turns".

The head of the silkworm and the tail of the goose, with twists and turns, are the most obvious stroke characteristics of Lishu. But not all fonts can be treated like this. In general, the long transverse wave painting in the official book should be made "silkworm head and goose tail", "a wave of three folds", the pen falls to the lower left against the front of the paper, flips the pen to write the silkworm head, and then lays the pen to the right, when it is close to the end of the stroke, slightly press the pen to suddenly out of the goose tail, and the whole stroke looks like the status quo of "one wave and three twists and turns", as shown in the figure below.