Introduction to the official book technique, what post is the introduction to the official book

Introduction to Lishu: the writing of "one" and "positive".

The introduction of Lishu is selected "Ritual Tablet", "Shi Chen Tablet", "Yiying Tablet" and "Cao Quan Tablet".

The full name of the "Ritual Tablet" is "Han Lu Xiang Han Jian Confucian Temple Ritual Tablet", engraved in the second year of Han Yongshou (156 years). Sixteen lines of ritual stele stele Yang, thirty-six words, after the text there are nine people such as Han Meng inscription. The style of writing is fine and strong, and it has always been promoted as the best rule of official books.

The ritual stele is a round head stele, the stele is 173 centimeters high, centimeters wide, and 20 centimeters thick. The inscription records the exploits of Lu Xiang Han Yi to exempt Confucius's uncle Yan clan and his wife's Qi Guan's clan from the middle of the hair, make Confucian temple ritual vessels, decorate Confucius's house and temple, and make two carts.

The full name of Shi Chen's stele is "Lu Xiang Shi Chen's Confucius Temple Stele", engraved in the second year of Emperor Ling's Jianning (169 years), for the description of Shi Chen's sacrifice to the Confucian Temple, the stele Yin is also inscribed, so the descendants are called "Shi Chenqian Stele", "Shi Chenhou Stele" Bipai.

Han Li's "Shi Chen Tablet" is an official inscription set up by the Eastern Han Dynasty to record the situation of Lu Xiang Shi Chen's sacrifice to Confucius. This is an account of the activities of Zunkong at that time. The calligraphy is dignified and rigorous, and it is taken by those who learn Han Li. It is also known as the stele before and after Shi Chen.

Yiying Tablet is a work of the mature period of the Eastern Han Dynasty Lishu, and it is relatively easy to start, and it can be regarded as the best calligraphy to learn the entry of the Han Dynasty.

The full name of "Cao Quanbei" is "Han Taiyang Order Cao Quanbei". The Eastern Han Dynasty Lishu inscription has no inscription on the inscription. In October of the second year of Zhongping in the Eastern Han Dynasty (185), it was engraved by Wang Chang and other grandsons, and was unearthed in Xinli Village, Taiyang, Shaanxi (now Heyang, Shaanxi) in the early years of Wanli in the Ming Dynasty.

Horizontal drawing is cautious. Horizontal painting is a characteristic stroke in the official book. It is often beautiful to "fly sideways". There are two kinds of horizontal paintings in Lishu, one is flat and horizontal, and the other is wave horizontal. There are two kinds of square pens and round pens.

Vertical painting. The vertical painting is just an ordinary stroke in the official book, and the composition of this stroke is larger, that is, most of them are round and round. Some of the vertical ends are sharper, and they are not vertical in regular script, but are written from the chain mu to the end.

The vertical of the official book is generally the reverse front of the pen, the center of the Xu line, the Tibetan front of the pen. There are three forms of vertical painting in Lishu: middle vertical, left arc vertical shed year, right arc vertical.

There is also a square pen, that is, the reverse front of the pen, cut to the upper left corner, and fold the pen down. Although vertical painting is not as distinctive as wave painting in Lishu, it should not be taken lightly when writing.

1. Flat square glyph, divided into left and right.

Lishu, unlike the rectangular font of seal script, which emphasizes verticality, is in a horizontal glyph and belongs to the flat square. The gestures of its strokes contract vertically and intensify horizontally.

2. The silkworm head starts the pen, and the swallowtail closes the pen.

Silkworm head swallowtail is a typical feature of the pen used in Lishu, especially the main pen horizontal, almost all are used. "Silkworm head pen", that is, with a hidden (reverse) front when the pen is raised, and the shape of the stroke is written into a shape similar to the silkworm head. "Dovetail pen" is to press the pen to the upper right after the pen to pick up the pen, bring out the pen, forming a shape similar to a swallow's tail.

Striker. <>3. Turn the circle into a square and change the arc into a repentance.

In the official book of the straight hand painting or square fold, there is a hidden arc of the seal book, giving people the feeling that the straight painting of the official book, often has an obvious "wave and three folds" shape, like the life in motion.

Lishu is one of the more complex calligraphy styles in Chinese calligraphy, one of the five basic fonts in Chinese calligraphy, and one of the most traditional fonts in Chinese calligraphy, with unique charm and value. The following is a calligraphy tutorial. 1. Penmanship.

1.Characteristics of glyphs: The glyphs of Lishu are characterized by tight structure, dignified and steady, and smooth lines. It is often based on the image of the dragon, the unicorn and other mythical beasts as the theme, so it has the characteristics of mystery and simplicity.

2.The law of strokes: the strokes of Lishu are right-angled sharp holes with squares, cross forks, and clear upper and lower structures. Moreover, the direction of the strokes should be clear, and the four strokes of vertical, horizontal, wide and narrow strokes must be used as the basic combination form.

3.The thickness of the strokes: The thickness of the strokes of the official book is moderate, the horizontal and vertical strokes should be as thick as possible, and the diagonal lines and curves should be thinner, so that the whole font looks more harmonious and beautiful.

Second, use a pen. 1.The type of pen: the pen of the official book is mainly a brush and a hard pen, and the choice of brush is best based on medium and large brushes, so as to better express the thickness of the font and the smoothness of the lines.

2.The method of using the pen: The method of using the pen of Liyin Lushu requires a combination of priorities to enhance the artistic effect of calligraphy, so when using the pen, it is necessary to grasp the strength and speed, so that the width and narrowness, length and fluctuation of the strokes can be perfectly presented.

3. Layout. 1.Word spacing adjustment: The word spacing of Lishu is mainly called evenly, pay attention to the spacing between each word, neither too far nor too close, and the font should be neat and uniform, coordinated and beautiful.

2.Glyph arrangement: The glyph arrangement of Lishu should be based on the principle of symmetry between left and right, and balance up and down, and pay attention to the relationship between the upper and lower structures of each word, so that the font looks more concise and bright.

Fourth, materials. 1.The selection of paper: the paper of Lishu is mainly rice paper, the texture of this paper is flexible, not easy to cut, and can make the water of the brush natural and smooth, so that the calligraphy works are more beautiful;

2.Preparation of ink: Lishu ink is mainly black, the ink should be rich and the ink should be selected, and the concentration of ink should be selected according to their own technical level, the higher the ink concentration, the higher the brightness of the ink.

The above is the Lishu calligraphy course, you can improve your aesthetics and artistic accomplishment by learning Lishu calligraphy, and you can also better understand traditional Chinese culture. I hope you enjoy it and learn from it.

Among the seven types of calligraphy, the easier to get started is the regular script and the official script, and the relatively easy of the two is the official script.

Relatively short and flat, stretchy words are rounded, and the requirements for knots and proportions are relatively relaxed, so it is relatively easy to learn to get started.

However, it is very difficult to write a good book, so at the beginning of the study, you must have a high starting point in your heart.

So how do you practice?

First of all, don't write softly and roundly!

Many people read the official calligraphy and practice some calligraphy, the most likely is that the strokes are soft, and the turn is round.

There is a certain "subordination" to write it in this way, but it lacks some "rigidity", and it looks a little light, not heavy, and quaint.

Secondly, don't treat the strokes evenly.

When practicing Lishu, it is basically an even stroke, but the Lishu characters written in this way can only give people a feeling of stability, brother and balance, and lack some appeal and shock.

In order to enhance the shock infection and shocking power, it is necessary to make a comparison in the strokes, pay attention to the thickness, size, and strength of the strokes, as well as the tension of the main pen of the word, and then adjust and express.

Finally, to practice the method of taking the characters of Lishu, it is best to use ancient famous monuments.

Modern people's official books can be used for reference and research, don't put too much effort into learning, learning books advocate "taking the law from the top", modern people are also learned from the ancients, so it is better to trace back to the origin and learn from the ancients.

First of all, choose a post that suits you. Han Li is the representative, there are many famous posts, beginners, it is recommended that "Cao Quan Monument", easy to use, the words are more beautiful, rigorous, and full of changes. Secondly, the choice of pen, ink, paper and inkstone is enough.

Pen, I think it is more suitable for beginners; ink, ordinary ink on the market is good; Paper, choose raw edge paper, there is a grid better, easy to control the size of the word when practicing, raw edge paper has strong water absorption, has the characteristics of half-baked, easy to master the strokes of the calligraphy; Inkstone, can be ignored.

To practice Lishu to make a plan, both quantity and quality are required! Statistics should be made on how much time you spend practicing every day, how much paper you have, and what kind of effect (level) you have achieved, so that you can check the effect of practice every month. Generally, the initial stage is more tormented, because we do not commonly use Lishu fonts, and it takes a process to understand the characteristics of fonts.

1. Horizontal drawing. Horizontal painting is a characteristic stroke in the official book. It is often beautiful to "fly sideways". There are two kinds of horizontal paintings in Lishu, one is flat and horizontal, and the other is wave horizontal. There are two kinds of square pens and round pens.

1.Flat horizontal. It refers to the horizontal horizontal shape, generally against the front of the pen, the folding pen in the center of the run, back to the front of the pen or open front to close the pen. There are convex, concave, and basic flat shapes.

2.Wavy horizontal. It is a kind of wave brush, which refers to the horizontal painting with a pitching state.

Generally, the pen is reversed, the pen is folded, the silkworm head is formed, and then the pen is lifted, and the front is frustrated at the end of the pen, forming a swallowtail. There is also the phenomenon of small silkworm head and large swallowtail. The waves should generally be written thick and round, the silkworm head and swallowtail should be full, and the horizontal middle should be slightly bent upward.