Wang Duo, who is famous for his writings, how to write official books?

Wang Duo. He was born in 1592-1652 and was Mengjin.

People, late Ming and early Qing Dynasties.

Painter. Wang Duo's calligraphy with Dong Qichang.

It has the reputation of "the king of the south and the north". Wang Duo's calligraphy works are most famous for their calligraphy, and before writing the official book, there is a work "Linwang Yun Post Axis". "Linwang Yun Post Axis" is a four-line book, the line of writing is like wicker swaying and flying left and right, magnificent, there is movement and stillness, and it has produced an unprecedented amazing effect.

Wang Duo's calligraphy works have a strong impact on people, constituting aesthetic creations in a flat space, and no one has surpassed them in the past four years. <>

1. Wang Duo is famous for his truth, line, and grass, and his official book can also be used

Wang Duo inherited the family motto at an early age, and at the age of thirteen, he learned Wang Xizhi's "Holy Order".

After serving in the imperial court for a long time, Li Zicheng was in Chongzhen for 17 years.

Conquered Beijing and surrendered to the Qing Dynasty, and was once in the Taibao. In the ninth year of Shunzhi, Wang Duo abandoned his armor and returned to the field, and was buried in Wen'an after his death. Wang Duo is unique in calligraphy, true, line, grass are all famous, and later participated in the official calligraphy, seal, made certain achievements, in the world of calligraphy and reputation. <>

2. What is the official book?

A kind of font of Chinese characters, there are Qin Li, Han Li, etc., according to legend, it is developed from the seal book, the glyph is more flat and wide, the horizontal painting is long and the vertical painting is short, there is a "silkworm head swallowtail", "a wave of twists and turns" of exquisiteness. Lishu was founded in Qin, reached its peak in the Eastern Han Dynasty, inherited the seal script tradition, opened the Wei and Jin dynasties, the Northern and Southern Dynasties, far-reaching influence, and has the name of "Han Li Tang Kai" in the calligraphy world. <>

3. Learn to write official letters from Wang Duo

Before Wang Duo wrote the official book, the truth, line, and grass had reached the point of perfection, which brought convenience to the study of the official book. We all know that regular calligraphy, regular script, etc. are the foundation of all calligraphy, if you want to practice a good official calligraphy, you must lay a good foundation, and the basic strokes and rules of the line must be followed.

To master the writing skills of Lishu, you should copy more, insist on practicing for an hour every day, find the style you want to write a good Lishu, and choose a post that suits you according to your personality and hobbies, such as "Cao Quanbei".

Chaohou Boy", "Zhang Qian Monument", "Yiying Monument" and so on. When practicing calligraphy, don't look around, don't deliberately care about penmanship and technique, and remember that calligraphy is an abstract art, not about the form, but about the meaning.

Be sure to be prominent, longitudinal and longitudinal, wide and flat, integrated into the grass, the lines should be rounded, and then be sure to use more center.

In life, you should continue to study and buy some copybooks, so that you can get a good practice, and you can also go to the training class for related learning.

Wang Duo's most classic masterpiece "The Book of Newspaper Kui".

Wang Duo, born in Dalian City, Liaoning Province in December 1958, now lives in Beijing, is a member of the Liaoning Artists Association, the vice president of the Liaoning South Painting Academy, and the vice president of the Dalian Guangjun Painting and Calligraphy Institute.

Duo lives in Beijing. He studied under the famous painters Shi Enzhao and Mr. Du Guorui; He has also studied with many famous scholars and scholars, and has been researched by the creation of Chinese painting by Hu Fengshi, and his works are favored by collectors and colleagues at home and abroad, and many works have been published in "Chinese Painting and Calligraphy", "Chinese Painting", "Chinese Art", "Art Market" and other books, and have been reported by Shandong TV Collection World, Dalian TV and many other ** columns.

The work "Vision" was selected for the 2002 National Chinese Painting Hundred Tigers Exhibition, "Autumn Colors of Huangshan" won the bronze medal of the collection of calligraphy and painting works of the world, and "Taihang Red Rhyme" won the 2003 Excellence Award of the Western Calligraphy, Painting and Photography Exhibition, and many works were collected by friends at home and abroad.

Wang Duo's most famous work is "The Book of Poems of John in the Gift of Soup".

1. The place where the work is stored.

Wang Duo's book "The Book of Poems of John Tang" was first stored in the Asian Art Museum of San Francisco.

2. Appreciation of works.

Wang Duo Presents John Tang's Poems Album" is an album written by Wang Duo for John Tang, with a total of 18 pages, on which he copied eight poems in seven rhythms. The first four poems were written for John Tang, praising John Tang's talent and knowledgeable brothers, and expressing his fascination for exotic customs. The last four poems sing about his own life and pray that John Tong can help.

3. About the author.

Wang Duo was a famous calligrapher in the late Ming and early Qing dynasties, known as "Wang Duo of the magic pen". His calligraphy is thanks to Zhong Xuan, Erwang, Yan Zhenqing and Mi Fu everyone, out of the rules, but has its own distinctive artistic characteristics, especially his line of cursive, long in the layout, the pen is strong, to be important to the world.

Fourth, the work information.

The original of this album is now in the collection of the Asian Art Museum of San Francisco, USA, and the "Jiashen February Lishu Five-Character Poem" is appended to the seven-character poem in Xingshu. At the beginning of the album there is a seal of "Yungu Ye's Family Collection" and at the end of the album "Nanhai Ye's Yungu Family Collection", which indicates that this album was once in the possession of Ye Menglong (1775-1832).

There are views of Ye's friends Weng Fanggang and Qian Kun in the book. At the end of the Qing Dynasty and the beginning of the Republic of China, this volume was collected by Pei Jingfu (1854-1926), and in 1914, Shanghai Civilization Book Company published "Wang Juesi's Poetry Book Ink". In 1936, it was originally obtained by Ye Gongqiu, so the original volume added Ye Gongqiu's inscriptions, views and Tibetan seals such as "Panyu Ye's", "Gongqiu's longevity" and "Gongqiu".

Personally, I think that the preliminary temporary post can be read according to the book, and the red copy can be copied, that is, the original post can be written directly, but this will inevitably lose Wang Duo's original humor. Wang Duo usually "posts on the job on a day, and asks for it on the other day". I myself in the study, there are often a lot of surprises, sometimes can feel Mi Fu, such as the "Tiaoxi poem preface" of the pen, sometimes can feel the two kings "seventeen posts" of the pen, you can also figure it out when you are studying.

Although most of his characters look irregular, the law of stroke structure is very rigorous. You can try it, take a Mi Fu post, think clearly about the origin of the strokes, the weight of the pen, the urgency of the pen, plus their own accustomed processing, directly on the paper to back it, you can feel the breath of Wang Duo calligraphy. However, this requires a relatively high level of self-cultivation in calligraphy, and it is necessary to understand rice characters on the one hand, and to have a certain grasp of Wang Duo's handling methods on the other hand.

It is not recommended to buy the kind of Wang Duo collection of words or something, Lin Wang Duo still has to start from his entire work, his own line of writing is very free, the breath is very coherent, and the collection of words is not felt.

It is not recommended to learn from Wang Duo, there are too many people who learn from him now, and there is a serious traffic jam, which makes the national exhibition a popular book style.

According to Linbei, you need to have a certain foundation in calligraphy, pay attention to his characteristics and subtleties.

Wang Duo's four scripts of Li, Kai, Xing, and Cao are all very good. Among them, there are fewer works of his official calligraphy, which are stable and profound, and have a high and ancient atmosphere. His small block is from Zhong Xuan, represented by the "Northern Country Learning Stone Drum Song" in the "Proposed Mountain Garden Post", with dot painting and square cut, and the pen is calm.

Zhongkai blends Yan Zhenqing's knot with Liu Gongquan's brush, which is very thin and hard, and there is no Zhao and Dong's charm at all, and the representative work is "Zhongxiang Post".

And the highest achievement that best represents his artistic personality is his cursive handwriting. Especially in his later years, his style of walking grass is always majestic and heroic, strange and magnificent, and his courage is far beyond the reach of Zhao and Dong. The characteristics of his line of grass is to inherit the beauty and agility of the two kings, and take Li Yong, Yan Zhenqing, Mi Fu all the longs, in the super long banner or horizontal scroll on the wanton sway, do your best.

The thick brushwork, the dense knots, and the flying momentum, such as the tide of the Qiantang Sea, are continuous and unstoppable. In the longitudinal escape, every horizontal pen emerges, so that the turn is skillful to fold the pen and frustrate. The brushwork is square and round, the ink is up and down, and there is its own rule to be found between the scattered, left and right, upside down, free to retract, emotional ups and downs, extremely hearty.

Judging from the "Epitaph of Wu Yangchong" written when he was 28 years old, the foundation of his book came from Li Yong; The later "Yang Gongjing Ousheng Ancestral Monument" completely used the penmanship of the "Holy Order"; In addition, some works have close brushwork and close gestures, but the brushwork is still two kings, and at the same time can integrate the strengths of the people, the style is heavy and heroic, sharp and hearty. His cursive writing benefits from the "Pavilion Post" quite deep, the strange and arrogant charm of the king of Youfu, the gesture is sharp and tactful, the penmanship is square and round, the middle side of the pen is overlapped, the knot is strict and broad, the glyph is round, when composing the book, every line is smooth, in one go, the situation is continuous, the chapter is scattered, and the spirit is chic. In calligraphy, he advocated that "at the end of the book, the sect will be promoted, and the end will be in the wilderness".

After entering his later years, he said in the proverb of "Du Shi Cursive Long Scroll": "In the forty years of my calligraphy, I have learned a lot, and there will be people who love my calligraphy deeply." Those who don't know are called Gao Xian, Zhang Xu, and Huai Suye, I don't accept it!

Defy! Defy! ”

Regular script is also known as the main book, or the true book. Its characteristics are: the shape is square, the strokes are straight, and it can be used as a model, hence the name.

It began in the Eastern Han Dynasty. There are many famous artists in regular script, such as "European Style" (Ouyang Xun), "Yu Style" (Yu Shinan), "Yan Style" (Yan Zhenqing), "Liu Style" (Liu Gongquan), "Zhao Style" (Zhao Mengfu) and so on.

Generally speaking, writing small characters is very different from writing large characters, and the principle is: writing large characters should be tightly knit, and writing small characters must be more than sufficient. That is to say:

Write large characters with the precision of small characters; The writing of small characters should be as cramped as large characters, so the ancients said that "to make big characters should be like small characters, and to make small characters like big characters." "The center of gravity and stroke coordination of small characters are not much different from large characters. As for the pen, it's a little different.

The small character pen should be round, graceful, upright and neat; The big characters should be majestic and heavy. When the big character is written, use the reverse front (Tibetan front), and use the back front when closing the pen; When writing small characters, you don't have to use the reverse front, it is advisable to use a sharp edge, and it is advisable to use a pause pen or lift the pen when closing the pen.

2) Lishu is basically evolved from the seal script, mainly changing the round strokes of the seal script to square folding, the writing speed is faster, and it is difficult to draw the round strokes when writing with lacquer on the wooden tablet.

Lishu is a kind of solemn font common in Chinese characters, the writing effect is slightly wide and flat, the horizontal drawing is long and the straight drawing is short, paying attention to the "silkworm head swallowtail", "wave and three folds". It originated in the Qin Dynasty and reached its peak in the Eastern Han Dynasty, and the calligraphy world is known as the "Han Li Tang Kai". It is also said that Lishu originated in the Warring States period.

The body of the official book is flat, neat and exquisite. By the time of the Eastern Han Dynasty, the dot paintings such as apostrophe and pruning were beautified to provoke upward, and the severity of the setbacks was full of changes, and it had the beauty of calligraphy art. The style is also becoming more diverse, which is of great value for art appreciation.

3) Xingshu is a font between regular script and cursive script, which can be said to be the cursive or cursive script of regular script. The gestures are not sloppy like cursive, nor are they required to be as upright as regular script. The regular method is more than the grass method is called "line Kai".

The grass method is more than the regular method is called "walking grass". Xingshu was produced around the end of the Eastern Han Dynasty.

4) Seal script is a general term for large seals and small seals. The Great Seal Nail Bone Inscription, Jin Inscription, Zhou Inscription, and Six Kingdoms Script, which preserve the obvious characteristics of ancient hieroglyphs. The small seal is also called "Qin seal", which is the general text of the Qin State, the simplified font of the big seal, which is characterized by the uniform and neat shape, the round and smooth strokes, and the font is easier to write than the Zhou text.

In fact, the performance of various calligraphy depends on your own choice. Write what you like, this is called personality, the premise is that the words you show others should be understood by others, and if you read them yourself, you can understand them yourself!

Let me give you a simple answer (each with its own characteristics).