Who are the three heroes of the early Tang Dynasty, and who are the four heroes of the early Tang Dy

A brief discussion of the four heroes of the early Tang Dynasty In the early Tang Dynasty, "Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Bin Wang" were four literati. They made great breakthroughs in palace style poetry in terms of content and style, and developed and matured five-character rhythm poems, bringing a new style to Tang poetry. Among them, Wang Bo's achievements are the highest.

Wang Bo.

In the early Tang Dynasty poetry circle, four talented young poets appeared - Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Binwang. They are famous all over the world for their articles, and people call them "Four Masters", and the hail who is promoted as the "crown of the Four Masterpieces" and "Siku Quanshu Total Things" is the "prodigy" Wang Bo.

The Four Masters of the Early Tang Dynasty is the collective name of the writers Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Bin Wang in the early years of the Tang Dynasty in China, referred to as "Wang Yang Lu Luo". The four masters are all famous, which does not originally refer to their poems, but mainly refers to the prose and fu.

Later, it was mainly used to comment on his poems. Du Fu's "Drama is Six Quatrains" has the sentence "Wang Yang Lu Luo's current style", which is generally considered to refer to their poetry;

"Four Masters of the Early Tang Dynasty" refers to the collective name of the four literary scholars of the early Tang Dynasty in China, Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Binwang, referred to as "Wang Yang Lu Luo".

"Four Masters of the Early Tang Dynasty" refers to the collective name of the four scholars of the early Tang Dynasty in China, Wang Bo, Yang Jiong, Lu Chajiao, Zhaolin, and Luo Binwang, referred to as "Wang Yang Lu Luo", and their ranking order is fixed, that is to say, Wang Bo is the first of the four masters of the early Tang Dynasty. Disguise.

The four heroes of the early Tang Dynasty refer to the four literary scholars Wang Bo, Yang Jiong, Lu Zhaolin and Luo Bin Wang in the early Tang Dynasty of China. These four people are all talented poetry writers in the early Tang Dynasty, and they have won the reputation of "four masters" when they were teenagers.

Wang Bo has been smart and studious since childhood, he can write articles at the age of six, known as a "prodigy", at the age of nine, he can read Yan Shi's ancient annotation "Hanshu", and at the age of sixteen, he should be tested by Yu Su and the first, and was awarded the position of Chaosanlang, but in August of the third year of the last Yuan Dynasty, he unfortunately drowned and died of palpitations.

Yang Jiong's literary talent is outstanding, intelligent and erudite, and he has been in Xianqing for four years to enter the Shi and the first, and he is waiting to be made in the Hongwen Museum. He advocated the style of "backbone" and "robustness", opposed the style of palace poetry, and his poems were characterized by breaking through the "palace style" style of Qi Liang, which played a role in the history of poetry development.

Lu Zhaolin, a native of Fanyang, Youzhou, was born in a prestigious family, used to be a pawn of the royal palace, and then served as the heart of Yizhou. He is better at holding the tomb, poetry, to the song style is better, many family sentences are endless, among them, "to become more than the eye how to die, willing to be a mandarin duck does not envy the immortal" the word "rise to the classics by later generations.

Luo Bin Wang, a native of Yiwu, Wuzhou, became famous at a young age, and made "Song of the Goose" at the age of 7, and was called a "prodigy". Among the "Four Masters", the poems are the most, especially good at seven words and songs, and the main works include "Dijing Chapter" and "Erotic Gift to Lu Zhaolin on behalf of Guo".

The Four Masters of the Early Tang Dynasty refers to the early years of the Tang Dynasty in China, the collective name of the writers Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Bin Wang, referred to as "Wang Yang Lu Luo".

Although the poems of the four masters have not been left to Qi Liang, they have initially reversed the literary atmosphere. Wang Bo clearly opposed the "Shangguan system" at that time and "thought about reforming its disadvantages", which was supported by Lu Zhaolin and others.

Their poems reversed the sluggish and flashy court poetry atmosphere before the Tang Dynasty, and expanded the subject matter of poetry from the narrow field of pavilions, pavilions, wind and snow, to the vast space of rivers, mountains and rivers, and border deserts, giving new vitality to the poems. Lu and Luo's seven-word songs and deeds tend to be rhetorical, and the momentum is slightly stronger; Wang and Yang's five-word rhythm began to be standardized, and the tone was sonorous. The text also has a flexible and vivid atmosphere in the collection of words.