Why can t most people appreciate Yan Liu s regular script and like today s regular script?

Calligraphy has always been one of the most classic forms of traditional Chinese culture, and it is also a treasure of our Chinese culture. Among them, Yan Liu's regular script can be called a work of calligraphy, but most modern people actually can't appreciate their works, and they will like today's regular script, especially the calligraphy of the two Tian Yingzhang brothers. In fact, in the final analysis, our level of aesthetic consciousness is not high, especially in calligraphy, the aesthetic consciousness is relatively weak, so that we cannot appreciate the charm of Yan Liu's italics.

With the progress and development of the times, people are actually less and less for the writing of brush words, especially among the young people now, there are very few people who have really learned calligraphy, especially the calligraphy of brush words, more is to learn hard pen calligraphy, which causes us to appreciate the ability to appreciate the brush words is relatively weak, we have not learned traditional calligraphy since childhood, do not know the meaning of calligraphy in the horizontal and vertical strokes, naturally can not appreciate the ancients in the calligraphy poured into the effort, This is also one of the reasons why we can't appreciate Yan Liu's italics.

Another point is that we have been imperceptibly influenced by hard pen calligraphy since childhood, especially many people advocate using Tian Yingzhang's calligraphy to practice words, so we will subconsciously slowly form, Tian Yingzhang and other calligraphers are really good words, and then after years of practice, they naturally have a certain ability to appreciate today's regular script, but it is precisely because of this that we have less appreciation of the calligraphy of the ancients, and we are no longer familiar with the writing habits of the ancients. In this way, when we see their works, we will have a sense of strangeness, and naturally we will not be able to appreciate them.

Therefore, modern people still need to learn the calligraphy handed down by our ancestors, which is not only helpful for us to practice calligraphy, but also to improve our ability to appreciate the works of the ancients, so that we can have a better understanding of the development of calligraphy, so that we can be more impressed in the process of practice.

Because Yan Liukai's writing is more in line with the aesthetics of ancient people, modern people prefer softer regular script.

Because Yan Zhenqing's words are too difficult to write, most people are ugly when they write them, and it may be a little flavorful to look at a certain word alone, and the whole chapter is crooked, too ugly, why is Ou Kai popular, because it is tall and powerful, and the expressiveness is stronger, and the requirements for single words are also very strict, and each stroke must be in place, but to read the whole chapter, it will not be too ugly Beginners or laymen look at Ou Kai is more in line with the image of Chinese characters, and people with a little calligraphy foundation or a higher level can better see the mystery of Yan's penmanship As for today's regular script, most of them are also simplified glyphs of Ou Kai In fact, there is not much research value It's more about practicality, the vase is good-looking, but does it have the aroma of braised pork, don't compare it, the level is different.

Because ancient calligraphy was very exquisite, it was very rigid, and some characters were not very in line with modern aesthetics.

Regular script throughout the ages, in terms of artistic height, Yan Ti Kaishu is ranked first, European style regular script can be ranked first in terms of law, Liu style regular script can be ranked first in terms of difficulty, and today's regular script is ranked first in terms of popularity, so today's people can't appreciate Yan Kai, because the level of appreciation has not yet reached that height.

Because most people don't understand calligraphy, they appreciate it purely from aesthetics. Yan Liukaishu is far away from modern times. It doesn't quite fit the aesthetics of most people nowadays. Nowadays, the regular script has been changed to conform to the aesthetics of most people.

Yanshu can be learned at the beginning, but Liushu cannot be learned, it is easy to learn to be rigid, and it is difficult to get out after learning. Liushu's strokes have reached the extreme, and there is no room for change in learning, and it is difficult to form your own style. Throughout the dynasties after the Song Dynasty, there are few people who learn Liu Cheng, but there is no shortage of people who learn Yan.

Yan Liukai's calligraphy is rigorous, it is not good to write if it is not like, and it is the same if it is written, and thousands of people are one.

Most people can't appreciate Yan Liu's regular calligraphy, most people who know calligraphy can't appreciate it, and people who don't know calligraphy not only can't appreciate Yan Liu, but also can't appreciate any calligraphy works, it's not strange, it's normal.

Most people don't pay attention to calligraphy at all. The rest of the calligraphy lovers can still appreciate it, whether they can learn it or not is another matter.

The question is, where did you, the most people who can't appreciate Yan Liukaishu's conclusion, come from?

False propositions. In fact, most people can appreciate the Jiucheng Palace, the Mysterious Tower, and the Divine Army. The author is trying to bring trouble to the east to the modern regular script.

Because of the cultural fault, most people's tastes are too different from those of the ancients

has no culture, low vision, because ordinary people can only read words, at most it is good words, he doesn't know calligraphy!

From elementary school is simplified characters, daily use is also simplified characters, learning traditional calligraphy is too difficult, and in addition to appreciating it is useless, for most people the handwriting is beautiful and easy to understand.

If you don't write, of course, you can't appreciate it, and appreciating calligraphy is not about looking at beautiful women, and calligraphy has a high threshold.

Yan Liu's so-called calligraphy is actually very ugly, and the big ugly and ugly should have been eliminated a long time ago.

Yan Liukaishu is not only valuable but also famous through the ages, shining for thousands of years.

Because there are more and more colors, there are fewer and fewer elites.

Yan Liu Kaishu is the pinnacle of Chinese regular script art.

Calligraphy is an art, and it is naturally a matter of opinion and wisdom. Therefore, whether a person's words are good or not has something to do with that word, and it has more to do with the appreciation ability of the person who is commenting.

Yan Zhenqing's calligraphy is characterized by its thick and powerful, detached style, and its own personality charm, so despite the long years, there are still many people who will sincerely like his calligraphy works.

The works that have been handed down for thousands of years still seem to be so powerful and stylish today, so it's no wonder that there are many people who like them.

At first glance, his words feel too bulky, but upon closer inspection, you will find that such words, like those words, accurately reflect the character of the person who wrote them.

Think about it, when a person is in his seventies, he is still crisscrossing the battlefield and leading troops to fight, can his personality be comparable to that of a scholar? The boldness and courage in his bones, the heroism that comes with it, and the heroism of the soldiers on the battlefield were all gathered by Yan Zhenqing on the tip of the pen and composed into a heroic movement in the history of calligraphy. This seemingly clumsy big character actually shows people its simplicity and plainness, and it is a reproduction of strength and beauty.

It's not easy to learn this kind of book. If you don't believe me, you can practice for a few days and see if you can write about its momentum, its high wind and bright festival.

In fact, as a calligrapher, according to my personality, I will prefer Zhao Mengfu {Fu character is white characters, because you can't find that character in the font library, so replace it, people who are familiar with calligraphy will understand the character I want to write}, because his characters are more lively and more beautiful.

But this did not affect me to appreciate Yan Zhenqing and his unique characters in the history of calligraphy. In fact, calligraphy, each posture has its characteristics, each posture has its highlights, and each posture has irreplaceable beauty. Interpreting calligraphy with such a mentality and learning calligraphy with appreciation can not only bring us more pleasure, but also allow us to experience the majestic atmosphere, beauty and elegance, majestic posture, and upright simplicity in calligraphy.

At the same time, it will also greatly improve your calligraphy appreciation.

This kind of layman's language can also be said by a layman. In calligraphy aesthetics, "good looking or not good-looking" is a pseudo-concept. Because there is no standard for good looking and not good-looking, it is all a subjective feeling of the individual.

The aesthetics of calligraphy is the reaction of the aesthete's personal knowledge and value orientation. Therefore, there will be a thousand Hamlets for a thousand people; Only then will there be a controversy over what you say is beautiful and what he says is ugly.

The biggest misunderstanding in the calligraphy world is that calligraphy in the Wei and Jin dynasties was the highest level, but in fact, the Wei and Jin dynasties were the darkest and bloodiest period in China, and the culture was at the lowest point in history, and calligraphy was also the lowest level. Lu Xun's "Wei and Jin demeanor" refers specifically to the cultural spirit of scholars, not all Wei and Jin cultures. When the calligraphy of Zhong Xuan, Wang Xizhi and Ouyang Xun and others from the Sui to the Tang Dynasty were inferior calligraphy.

After the thorough transformation and development of Yan Zhenqing and Liu Gongquan, calligraphy, especially regular script, has reached the peak of mature calligraphy, so the correct ranking of the four regular scripts is "Yan Liu Ou Zhao", not the "Ou Yan Liu Zhao" that people who do not understand the history of calligraphy, let alone "Ou Liu Yan Zhao".

Who said that Yan Zhenqing's calligraphy is not good? Just kidding! Yan Zhenqing's calligraphy is very good, and Liu Gongquan's calligraphy is called Yan Muscle and Willow Bone, and some people even say that it is not good-looking!

If you say so, how can it be considered good-looking, I have been practicing Yan Zhenqing's calligraphy since I was a child, some people think it looks good, some people think it is not good-looking, this is normal.

Because ordinary people can't write words like Wang Xizhi, Liu Gongquan, Ouyang Xun, and Chu Suiliang, they will launch a Yan Zhenqing, if they don't write well, just say that it's not that my handwriting is not good-looking, it's that you don't know how to appreciate it, and I write it because Yan Ti understands it?

Everyone's aesthetic is different, you can't just because you don't think it's good-looking, it's really not good-looking, so many people respect it because these people are different from you, they think it's good-looking.

Yan Zi is the first word in calligraphy, powerful and majestic. From ancient times to the present, there are no two people who can write well completely, it is very difficult to write good faces, and the European body is beautiful and weak, but the structure is good. The willow body is also the evolution of the face body

Different dynasties have different aesthetic standards for calligraphy, and Yan Zhenqing's characters may not seem so outstanding now, but they were indeed very popular with the public at that time, and many nobles liked them.

The value of calligraphy art, good-looking is only very basic aesthetic, and the more advanced should be interesting and style, Yan Zhenqing's calligraphy belongs to the latter.

"Yan Ti" is a symbol of the prosperity and strength of the Tang Dynasty, the temperament of the king who reigns over the world and looks down on all nations, the insinuation of the people's prosperity, freedom and openness, and the character of loyalty, righteousness and bravery. The king of calligraphy!

Yan Zhenqing's calligraphy is very good, especially the line of calligraphy, the manuscript of the nephew is comparable to the Lanting preface, if you are not optimistic, it can only prove a point, the level is poor!

Body numbness is called 'good-looking'?? Yan Zhenqing's "Duobao Pagoda" to "Qinli Monument" and then to "Manuscript of the Sacrifice of Nephews" are the three key nodes of the perfect success history of a calligraphy artist! These three nodes show the 'perfect development process' of Yan Zhenqing's calligraphy art!!

The cultural traditions of the Chinese nation cannot be tampered with by any gang of people! The descendants of the Chinese people should cherish the legacy left by our ancestors that can nourish our nation for thousands of years!!

Yan Zhenqing was a famous calligrapher in the Tang Dynasty, his calligraphy style is square and dense structure, horizontal and vertical strokes, strong brushwork, upright, open and majestic. His calligraphy has three stages, namely Qingxiong and tenacity, vigor and vigor, and peace and righteousness. His calligraphy pen has a variety of techniques, such as breaking, leaving, condensing, looking forward, straightening, etc., making his handwriting both dignified and upright, and vivid.

What is the feeling of Yan Zhenqing's calligraphy strength? This may vary from person to person, but I think in general, his calligraphy has a sense of solemnity, majesty, and loyalty. His calligraphy reflects his personality and spirit, as well as the atmosphere of the Tang Dynasty.

His calligraphy is known as "Yan Ti", and Liu Gongquan's "Liu Ti" is collectively called "Yan Liu", and there is a saying of "Yan muscles and willow bones". His calligraphy had a profound influence on later generations, and was called "a master of the past and the present" by Su Shi.

1. The face and body are wide open, plump and powerful. The willow script is closer to the seal script.

2. Liu Ti is the font of Liu Gongquan, Yan Ti is Yan Zhenqing's font, and the two fonts are written by two different people.

3. Aesthetically speaking, the willow body uses a pen in the bone, and the face body uses a pen in the tendon.

4. Girls are more suitable for practicing willow body and are more beautiful; The face body is more atmospheric and suitable for boys.

Facial body. Willow body.

Difference: On the one hand, the willow body learns the face body, and on the other hand, it dissolves its own new ideas, avoids the horizontal and vertical posture, and takes the balance and thinness and hardness, and the dot painting is crisp and beautiful, and the bone strength is strong.

The face body has a solemn and majestic style, with the pen horizontal and vertical, the pen is strong and thick; It is dense above the structure, and it is round in the square. The vertical pen is slightly arc in the middle, rigid and soft, rich in elasticity, and heavy strokes, strong enough to be in the center, there is a kind of grandiose, mellow and vigorous beauty.

Therefore, later there was the saying of "Yan muscles and willow bones".

1. Dotted writing. The willow body is a square point, and the face body is a rough painting of the willow body.

Second, horizontal drawing. The face body has the largest range of pen returns, and the willow body is relatively small, all of which are against the front of the pen, the center of the pen, and the back of the pen.

3. How to write a tick. The face body hook should be returned to the pen to lift the pen, and the willow body has a pressure pen back hook.

Differences: 1. Yan Ti: Yan Zhenqing's words "point is like a falling stone, painting is like a summer cloud, hook is like a qu jin, and Ge is like a crossbow". The strokes of the main calligraphy are horizontal and vertical, plump and strong, the structure is broad and generous, and the words are rigorous.

Willow body: Liushu focuses on bone strength, and the frustration and turning point are clear, but it is charming and decent, and sometimes has the reputation of "Yan Jing willow bone".

2. The face body is more generous, and the willow body absorbs the advantages of the face body and is more dignified.

3. The strokes of the willow body are relatively firm, the font is slender and powerful, the face body is relatively rounded, the font is slightly flattened, and the corners are rounded.