From Confucius to Liu Xian s literary quality thought

In Confucius's implicit explanation of the relationship between "literature and quality", quality refers to ().

a.Culture. b.Humanities.

c.Natural chamber hall.

d.Society. Correct answer: c

Liu Xian, a writer and literary critic of the Northern and Southern Dynasties of China, is a classic of literary criticism in his book "Zaoqin Wenxin Carving Dragon". In Wenxin Carving the Dragon, Liu Xian's views and theories of literary criticism are proposed, including views on the nature of literature.

Liu Xian, believes that the essence of literature lies in emotion. He believes that the work should have the elements of "feelings", "thoughts", "words" and "aspirations", among which "book rock spike love" is the most important aspect, which is the soul of the work. He believes that literature is a portrayal of the human psyche and a way for creators to communicate and exchange by expressing emotions.

In addition, Liu Xian's also proposed the classification of three genres: "pictophonic", "pictographic" and "pictographic", believing that literary works can achieve the purpose of emotional expression by expressing the images, images and images of specific things. He also valued the artistry of literature and the expressiveness of language, and put forward many views on literary creation and aesthetics.

In general, Liu Xian's view on the essence of literature is to emphasize emotion, believing that emotion is the soul of literature and the bridge between literary works and readers. His "Wenxin Carving Dragon" has a very high status in the history of Chinese literature and has had a profound impact on later literary creation and criticism.

Liu Xian

Liu Xian, whose name is Chengyou, was a writer and literary critic during the Northern and Southern Dynasties of China, and the author of the famous literary criticism work "Wenxin Carving Dragon". He was born in present-day Feixi County, Anhui Province (then known as Guangde), and spent his early years studying in Nanjing, the cultural center of the time. Later, he became a professor in the Northern Prefecture of Buzhu Wangfu and Confucianism, and was engaged in literary creation and criticism at the same time.

His grandfather was deeply influenced by Confucianism, and then he also had a great influence on Liu Xian.

Looking at Liu Xian's three surviving works, it is clear that there are two ideological tendencies: "Wenxin Carving the Dragon" is based on Confucianism, while "The Theory of Destroying Confusion" and "Liang Jian'an Wang Builds the Statue Tablet of Shicheng Temple on Yanshan Mountain" are related to Buddhist thought. For "Wenxin Carving.

Dragon", and some scholars believe that Buddhism is the sect. The author thinks that anyone who is at the forefront of academia will not cling to the inadequate, and it is the norm for hundreds of schools to be used by me. The same is true of Liu Xian's thoughts, and the three schools of Confucianism, Taoism, and Buddhism have all penetrated and rebuilt.

The basic characteristics of Liu Xian's so-called "Wen" are that the content of the text is not the Tao and Reason of the general classics, but the "feeling" related to the Reason, Zhi and Qi, and its form is not the general language, but the combination of "image" and "Wen" with "Cai" words. They complement each other to form a perfect art of unity of quality and text. 】